Showing posts with label nikon. Show all posts
Showing posts with label nikon. Show all posts

Sony Alpha A700 12.24MP Digital SLR Camera (Body Only) Review

Sony Alpha A700 12.24MP Digital SLR Camera (Body Only)
Average Reviews:

(More customer reviews)
NOTES: I still Own this camera in Dec 2010. There are a lot of new cameras with exciting new features. But in my opion this is the LAST GREAT APS format still image DSLRs. And looking at Sony's unfornunate need to copy Nikon with things like cluttering the Shutter Button with a power switch on all new models the A700, A900 (which I have used) and A850 may be the last cameras that fit the hand and quick clean shooting experience. Since I wrote this review Sony did a major Firmware upgrade that improved image quality related to high ISO noise and allows users to show RAW with no noise reduction. On top of that Lightroom 3 fixes the problems Adobe had dealing with Sony RAW files. Both of these upgrades were for me were like getting a new camera. There are moments video would be nice, I would like the improvements in focusing Sony and others have created in the past 3 years. But I have to say.. there are cars with features and classic cars people love to drive.. The A700 is a camera that makes photography a joy and all the new features seem to only clutter that experience so someday I will add a new camera to my gear. I will never "upgrade the A700" I think it as a moment of magic for still photography before Video and more technology transformed the experience forever. There is a reason USED and NEW UNSOLD STOCK have held their price so well. If you own Sony / Minolta lenses this is a great camera to own even though it is one of the last cameras without Live View on LCD etc. If you want a photograpy tool that doesn't get in the way of your art with features.. think about this camera. It will be a classic.
Original Review Soon after Buying A700 in 2007 -----------------
For years I shot Canon SLRs and for a while I moved to Nikon and Canon smaller digicams. When I jumped back to the SLR format in digital I ended up with the Konica-Minolta 5D over the Canon and Nikon cameras in my budget because of great image quality and in camera stabilization which works very well.
I recently upgraded my KM 5D to an A700. WOW!! This is by far the easiest camera I have ever used. Head and shoulders above traditional menus and tiny LCD Icons. The rear LCD shows you all the important settings at one time in a large easy to read format, sometimes with colors to alert you to what might be an unusual setting.
When you need to change anything from Shutter Speed to White Balance you do it right on the settings screen either by pressing one of the several dedicate buttons or using the easy thumb joystick. For shooting I almost never have to go into a menu except to format the memory card.
Auto Focus and Shutter:
It is fast and quiet. The AF has been tested faster than the new Canon in most lighting situations, though lenses on both systems will affect speed.
Both Sony and Now Sigma are coming out with quite focusing lenses that have built in motors so, Sony users will have lots new lens choices.
KEY FEATURES I LIKE:
Stabilization:
The in body stabilization works well With my 18-250 I have pulled off some shots even at 1/10s while at 250mm That is over 5 stops of stabilization, Sony only claims 3.5 stops. This stabilization works on all Sony And Minolta format auto-focus lenses. Some systems like Canon do not offer stabilized lenses in key formats like primes(non zooms) that are used for close-up macro shots or portrait work. It also adds cost and weight to each lens, with this system if you can find a bargain on a lower cost lens or a used lens it is still stabalized.
Example: Minolta made a 70-210 f4 lens often called a "beercan" that is legend in sharpness and image quality. It is often seen used here and on auction sites for $125-$175. It like all Sony compatible lenses becomes stabilized and would be like getting a $600 plus lens for $150.
ISO:
The Sony A700 offers ISO 100-3200 and up to 6400 as "extended ISO" but all ISO ranges are available at all times, no menu settings will enable or disable them like on the Canon 40D. It offers the ISO in 1/3 stop increments, but using the the front control wheel lets you jump a full stop at a time.
Dynamic Range Optimizer (DRO):
Sony has several levels of DRO that do what used to take shooting in RAW format and working in tools like Photoshop. It automatically recovers overly bright areas and areas hidden in the shadows so your pictures look more like what your eye can see. Unlike some other cameras that just apply shadow recovery settings to the whole image, Sony has DRO levels that analyze and adjust the image by area to make the effect more natural and keep noise down.
Wireless Flash:
The built in flash is also a wireless trigger for the Sony Flashes and others including the old KM 5600hs and 3600HS, and some Sigma and Metz models. On some systems this is a $150 to $200 add on.
Remote abilities included:
For taking family shots etc. Sony has free wireless remote that lets you take trigger the camera or a 2 second delay then shoot. Plus tons of controls for showing and reviewing your images on a TV. If you hook up the camera to an HDMI TV and to a printer at the same time you can do a family slide show and tell it to print picture from the remote as people ask for copies. It also has remote control software for the computer so you can set it up like a studio and shoot and review images from the attached PC. Great for doing lots of portraits at events without more expensive software or accessories.
It supports both Standard Video and HDMI output so you can see the images on your new HD TV.
Memory Card Support:
Unlike the 40D it supports the new UDMA 300x CF cards and memory stick pro HG so that you can take 25+ cRAW shots a 5 FPS before it needs to pause or an unlimited number of JPGS in any size. You can have both a CF card and Memory stick installed at the same time and switch over when one fills without stopping to open your bag and change memory cards.
Body Seals:
Its not splash proof but Sony has sealed all the doors and controls so dust and stray moisture will not hurt the camera. Some makers like Canon reserve full seals for more expensive cameras.
IT JUST FEELS GOOD IN MY HAND:
It was love at first touch.. a camera designed to fit in the hand.
Unless there is a specific lens or very special accessory that you need on another camera brand, this camera should be #1 or near the top of the list for cameras you consider.
Sony may be new to DSLRs, but they make sensors for lots other DSLRs like Nikon and when they bought the camera business they got most of the designers with years of experience from Minolta. Sony is building cameras for people who love photography and with features for people who like a camera to work with new technology like HD TVs. That makes it a fun camera to own.
I looked at the Canon 30D, 40D, Pentax K10D and Nikon D300 before choosing this camera.
BTW the Nikon D300, would be my second choice, but would cost much more, and still would have limited options on which lenses are stabalized.

Click Here to see more reviews about: Sony Alpha A700 12.24MP Digital SLR Camera (Body Only)

A unique combination of superb picture quality, quick response, creative shooting and sensational viewing make the Sony Alpha 700 DSLR a superior value for serious photo enthusiasts. Its newly designed Exmor CMOS image sensor captures 12.24-megapixel resolution with on-chip noise-canceling before and after A/D conversion. Advanced performance features include continuous shooting at 5 frames per second, an 11-point center dual cross AF system with f2.8 sensor for enhanced precision, and the Super SteadyShot in-camera image stabilization system that works to minimize blur with every lens you use. For sensational viewing, there\'s a photo-quality 3.0-inch LCD screen and direct HDMI output to Sony Bravia HDTV and other compatible HDTV screens -- and Sony puts all this together in a rugged magnesium-alloy body.

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Nikon Coolpix P2 5.1MP Digital Camera with 3.5x Optical Zoom (Wi-Fi Capable) Review

Nikon Coolpix P2 5.1MP Digital Camera with 3.5x Optical Zoom (Wi-Fi Capable)
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I read all these reviews and cannot FOR THE LIFE OF ME understand all the crying and whining about the WiFi mode. I keep hearing how "complicated" and "annoying" it is, but this is just plain WRONG. I actually set my WiFi up yesterday, and do you want to know how long it took me? About a minute. Pop in the setup CD, click "wireless setup only", plug your camera in by the USB cable (you need only do this the first time to set up! The setup CD will give you all the directions, just follow along), install it (takes all of a few seconds), choose your connection mode, name, and icon, and you're DONE. Then unplug the USB cable (you now no longer need it!), rotate the click-wheel at the top of the camera to wifi-mode, click "ok" and VOILA (you'll see the WiFi antenna flash blue). Easy as that, and it will download all of the images in your camera at a fast speed without any wires needed. How in God's name are people making this out to be a big deal?
Read your manual and you'll be fine. I did my homework for literally months and ended up choosing this model. I know cameras and this is easily the best deal for the money. Do get familiar with the scene modes, they're absolutely phenomenal and there is something for every shot and angle. Each scene mode has a choice of 3 different effects, which is really nice. The variety of shots you will be able to take is second to none. 5 MP is a perfect compromise for image quality, resolution, and price. Nikon as always is top-rate. Photography is something that seems to run in the family and when my grandfather approved this camera, I knew it was truly great.
The screen on this thing is AMAZING. 2.5 inches! The loss of the viewfinder is something you won't even notice, the LCD is a far more accurate tool anyway. Erasing pictures is simple, operating the zoom is a piece of cake, and the Zoom Nikkor lense is one of the best on the market, (along with the SchneiderKreuznach lenses on the Kodaks and the Carl Zeiss lenses on the Sonys). Nothing against Canon's Elph line because they're amazing, but the lense on the Nikon is better and I honestly feel that the Canon models are overpriced. Ever picked up an SD400 or 450? They feel far too tiny and almost flimsy. The SD500 and 550 are a bit better, but there's virtually NOTHING to grip. Trust me, when you want to really focus on a subject and get the perfect shot, the LAST thing you want is not to have a firm enough grip on your camera and have it slip. This also increases the likelihood of dropping it, which is never a good thing! Some complain that the red-eye reducer takes too long. The flash will go off three times in red-eye-eliminator mode, so if you're taking a picture of your dog, turn it OFF, (because the subject will have moved by then). For people though, it will be fine. The P2 comes with great software and it will take all of 5 seconds to remove red-eye manually once uploaded if the time before the final flash goes off bothers you too much. I've heard whining about the P2's size...why? Pick one up if you can look at one in person. They're wondefully compact yet still have a heft to them, and a very substantial hand grip that doubles as the battery casing. It's all metal and beautifully designed, the worksmanship speaks for itself. Nikon is a great choice, and I also recommend Olympus and Kodak (Kodaks are the king of easy-to-use cameras).
Even full price for this camera is worth it (400 dollars), though you'll see it advertised from between 250-350, which are very fair prices. You're going to love it, it's a very capable little machine that will take you gorgeous pictures. Nothing is off-limits and there is a scene mode for any situation. I have NO regrets. The rechargable battery is good to have and will save you money. I HIGHLYYYY recommend you purchase LCD screen covers to protect your very-large LCD screen. These can be bought on Ebay in packs of 3 for about 10 dollars with shipping.

Click Here to see more reviews about: Nikon Coolpix P2 5.1MP Digital Camera with 3.5x Optical Zoom (Wi-Fi Capable)

As one of the smaller digital cameras on the market, the Coolpix P2 combines a high-quality optical zoom lens with a range of automatic and preset shooting modes that will satisfy the most discerning of point-and-shoot photographers. With an 5.1-megapixel CCD, and a high quality 3.5x optical zoom Nikkor 3x ED glass lens, plus a 4x digital zoom for a total zoom of 14x, the Coolpix P1 can produce stunning prints up to 16 x 20-inch prints simply and easily. The Coolpix P2 also features built-in WiFi connectivity, which means that you can communicate wirelessly to either your computer or, through the use of an optional Wireless PD-10 Printer Adapter (sold separately), directly to your printer. This unique WiFi image transfer ability not only make it more convenient to off-load your images, it also permits a unique "live slide show" capability that is great for parties, weddings, and any other special occasion. Weighing a mere 6.4 ounces with the battery and memory card loaded, the Coolpix P2 is truly a "take anywhere" camera. With over 16 automatic and preset shooting modes, you'll always be sure to get the precise shot you're looking for. Best of all, "advanced scene modes" are available for 11 of the 16 presets and allow the user to customize the final image by providing a 3-level selection for enhanced creativity and control. Not to be outdone, the Coolpix P2 can also record high-quality movies at a rate of up to 30 frames per second. There are a total of seven movie modes to choose from, including six with the capability to record sound as well as a time-lapse mode that enables the user to capture events occurring over an extended period of time. The camera also features a built-in flash with six modes, and a built-in mic and speaker for including sound in videos and playback from the camera. A large, incredibly bright, 2.5-inch color LCD display and user-friendly interface means that you don't have to take the extra effort to get up to speed with the camera's functionality. Just power it up, and you'll be ready to go in no time. Other advanced features include Nikon's Exclusive Feature System, which helps turns "pictures" into "photographs." An In-Camera Red-Eye Fix takes "red-eye reduction" a step further by remove red-eye directly in the camera. Face Priority AF automatically focuses on faces for great portraits, and the D-Lighting feature offers in-camera repair of dark images. The included rechargeable battery gives you up to 180 images on a single charge. In short, the Coolpix P2 is perfect for novice users or anyone looking for a point-and-shoot camera that produces sharp, colorful photos with great ease of use. For advanced shooters, the P2 can server as a great "take-anywhere" snapshot camera. What's in the Box Nikon Coolpix P2, rechargeable Li-ion battery EN-EL8, battery charger MH-62, USB cable, audio-video cable, strap, and PictureProject CD-ROM.

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Nikon - Prostaff Spotting Scope Review

Nikon - Prostaff Spotting Scope
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My friend and I are in a bird research program. We find, map, and study birds of prey. I recently bought a Nikon Prostaff 20-60 power spotting scope. On one of our outings we decided to compare my scope, the Nikon with his a Swarovski 20-60 power. We set them up side by side looking at the same objects. After looking a each object he said to me "your scope is brighter, clearer, and has more contrast than mine." I had to agree. The only thing the Swarovski was better at, no color fringing. The Nikon had a small outline of red when set at 30 or more power. The cost of the Nikon about $600, the Swarovski over $1700. I hope this review helps someone trying to make a choice in the complex world of buying a good scope. Oh, and by the way, the tripod sold with the Nikon scope is terrible. Invest in a good set of legs, you'll be glad you did.

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The new Porro prism ProStaff spotting scope provides exceptional optical capabilities, a powerful zoom eyepiece, high light transmission and superior ruggedness. Available in low profile 65mm and 82mm models, in either straight or angled body, the ProStaff spotting scope features a standard sliding hood, and a special optical peep sight that gets the user on target faster than ever before. Designed with a super-fast bayonet eyepiece connection, there are three other eyepieces, other than the standard Zoom (16x48x for the 65mm, 20-60x for the 82mm), available to fit the ProStaff spotting scope. Additional eyepieces available include: a20x LER (Long Eye Relief) Eyepiece for the 65mm (25x for the 82mm), a 20x Eyepiece for the 65mm (25x for the 82mm), and a 30x Wide Eyepiece for the 65mm (38x for the 82mm).Nikon's 20-60x82mm ProStaff spotting scope can be close focused to 20 feet, has a field of view at 1,000 yards of 99 feet, and has an exit pupil of 4.1mm at 20x. The straight body 82mm scope is 15 inches long, while the angled body is 15.4 inches long. It features 15.2mm of eye relief at 20x.The ProStaff spotting scope is O-ring sealed and nitrogen-purged for waterproof and fogproof performance. It incorporates Nikon's exclusive Eco-Glass (made without the use of arsenic or lead) and features bright, multicoated optics for improved light transmission. A rugged, textured body provides shock resistance and a firm grip. Like all Nikon Binoculars and Spotting Sc

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Nikon D70 Digital Camera (Body Only) Review

Nikon D70 Digital Camera (Body Only)
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I have been a Nikon user for over 20 years, and owned at least six different bodies and lots of lenses. My all time favorite is the FM2N. Why Nikon? It's the lenses! Nikon seems to understand this is the main selling point of their system. SO they have never changed the F lens mount. You can use older manual focus AI and AIS lenses on the D70. The bad news: The meter won't work. However on a digital SLR, the LCD confirmation mitigates this since you can check your exposures. You could also use a handheld light light meter. More good news: depth of field preview works with AI and AIS lenses! So I've been having a great time using my manual lenses on the D70. This camera is really a winner and costs no more than some of the ridiculous "prosumer" digicams out there. It's far more versatile.
It's easy to use-if you've used another digicam or even a recent Nikon 35mm SLR. The fact that I've been able to figure out most settings necessary without even cracking the manual is impressive.
The flash syncs at 1/500! This makes for some really creative fill flash outdoors or in the studio. All necessary settings are within easy reach, and no stupid five click deep menus for stuff like ISO. All the important stuff like ISO, Metering pattern, Exposure modes, White Balance, etc. have a dedicated button right on the body. No fumbling to change stuff while shooting.
Shutterlag is virtually non-existent. It's almost as good as my FM2N. But face it, if you want zero shutter lag then get a manual 35mm camera! However with the D70, you will not notice it.
The Lens-the kit lens is a 18-70mm (27 to 105mm). It's pretty good, and the color has that gorgeous Nikon hue. It's bright for a zoom. A lot of people are criticizing this lens unjustly. It does have a lot of barrel distortion on the wide end, but for landscapes you'd never know. It's got a very good wide angle range for a digital lens. It's a great value, and way better than any junk Sigma puts out.
ViewFinder-Some have slammed the viewfinder. It does take a little getting used to, like looking down a long dark corridor at first. But it's just as bright as any AF SLR once you get used to it. I think Nikon designed it this way to get people used to the CCD aspect ratio. It's kind of like watching a DVD in letterbox format. Good news: the viewfinder has a diopter for eyeglass wearers.
Picture Quality-This is where the rubber meets the road. At all ISO settings, the images are superb. Colors are saturated and lifelike, with the "Nikon Pop". They remind me of a good ISO 100 slide film like Kodak E100G, or Fujichrome Velvia 100. Best of all, the grain is very low, even ISO 1600 is not bad when printed to 8 x10. This is a huge advance over my older Canon G2 digital. Like I said, think ISO 100 slide film.
This is destined to be one of Nikon's legends, like the N8008, N90, FM2N, etc. You get a lot of value for your money, much more than the Canon Digital Rebel. A lot of pros are buying D70s for backup, and the Press Photographers Association of Japan just picked the D70 as new camera of the year! What else could you ask for? This is a top drawer camera with a great lens.

Click Here to see more reviews about: Nikon D70 Digital Camera (Body Only)

Delivering top-notch performance and high resolution at an affordable price, the Nikon D70 digital SLR offers easy-to-use yet powerful features to a wide range of users--from novices to serious and experienced photo enthusiasts. Its DX format 6.1-effective megapixel CCD sensor is optimized to deliver images with excellent sharpness and clarity, and it's compatible with Nikon's DX Nikkor lenses.
Optics and ResolutionThe D70 incorporates a next-generation 6.1-effective megapixel DX format CCD image sensor that produces 3008 x 2000-pixel images, and is optimized to deliver a wide dynamic range and superbly sharp details. It also has 2240 x 1488 and 1504 x 1000 resolution modes.
Nikon programmed the D70's advanced system LSI processor for improved performance to produce vivid colors and clarity, optimized auto white balance, auto tone and color control, and to run real-time processes that diminish digital noise in long exposure shots for cleaner overall results.
More FeaturesThe Nikon D70 has been designed to offer faster operation at nearly every level of performance, with the camera ready to shoot the instant it's turned on. Compressed NEF (RAW) files are processed and stored exponentially faster, making shooting in compressed NEF mode easier and more convenient than ever. It can shoot a rapid 3 frames per second for a continuous burst of 144 pictures (using the JPEG Normal/Large setting and a 256 MB CompactFlash card) due to improved buffer memory handling, faster image processing, increased memory card access speed, and greater system bus bandwidth.
Other features include:
Built-in Speedlight flash with auto pop-up
1/8000 second shutter speed and a synch speed of 1/500 second for flash
Auto modes include Portrait, Landscape, Close-Up, Sports, Night Portrait, and Night Landscape
25 Custom Settings allow you to personalize the operation of your D70 to match your shooting style or the demands of different shooting conditions
Shoot in any lighting environment with the D70's built-in creative lighting system and 3D Color Matrix meter with 1,005-pixel RGB Sensor
The D70 displays menus with simple or detailed information on a 1.8-inch LCD viewing screen
Choose from a variety of file formats, including Nikon's RAW mode (NEF), TIFF, JPEG formats or Nikon's exclusive compressed JPEG + NEF combination
ISO standard hot-shoe with safety lock
Optical viewfinder features high magnification, diopter correction, complete info display, and On-Demand grid lines to aid in composition
High-speed, high precision 5-area AF system with predictive focus tracking and Lock-on ensures quick response and sharp focus
Storage and TransferImages and video are stored on CompactFlash memory cards (Type I/II), and the camera is compatible with MicroDrives (no memory card is included with this package). Files can be downloaded to either a Mac or PC via USB 1.1 connectivity, which means it can be connected to any USB-based Windows 98/Me/2000/XP and Mac OS 8.6 or later computer without installing any software.
Power and SizeThe camera is powered by a rechargeable lithium-Ion battery pack (EN-EL3, included) or three CR2 lithium batteries (with supplied MS-D70 battery holder). It measures 5.5 x 4.4 x 3.1 inches and weighs 21 ounces (camera body only without batteries).
What's in the BoxThis package includes the Nikon D70 camera body, strap, body cap, eyepiece cap, LCD monitor cover, USB and A/V cables, rechargeable lithium-ion battery (EN-EL3), battery charger (MH-18), CR2 battery holder (MS-D70), and Picture Project CD-ROM. Optional accessories include: Rechargeable Li-ion Battery (EN-EL3), Multi Charger (MH-19), Quick Charger (MH-18), AC Adapter (EH-5), Speedlight SB-800/600, Nikon Capture 4 (ver.4.1) Software, Semi-Soft Case (CF-D7)0, Remote Controller (ML-L3).

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Nikon 16mm F/2.8D AF Fisheye Nikkor Lens Review

Nikon 16mm F/2.8D AF Fisheye Nikkor Lens
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This is a terrific standard fisheye lens. Unlike many fisheyes, it creates a full-screen rectangular image. The filters that come with the lens are an added bonus. Wonderful and fun images can be created. Don't waste your money on the filter-type screw-on fisheye lenses that distort your image beyond all recognition and don't allow for correct metering or focusing. This has been a wonderful addition to my lens collection, and one that I frequently find myself pulling out of the bag for a special effect here and there - from a lying-on-the-ground in the forest photo, to a wrap-around view of the WDW castle...I mark it down one star only because of the price -- Nikon has several fisheye lenses, and all of them are overpriced for the limited use these lenses receive. Still, it is comperable in price to the 15/2.8 sigma fisheye with much better glass quality.

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Fisheye lens for Nikon cameras

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Fujifilm FinePix S3 Pro 6.17MP Digital SLR Camera (Body Only) Review

Fujifilm FinePix S3 Pro 6.17MP Digital SLR Camera (Body Only)
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This is the first digital camera which made me forget the film, after 27 years of photography experience. The image quality is beyond expectation. The performance is much slower compared to current Nikon dSLR models, including much more affordable Nikon D70. However, I owned D70 for about 1 year and could not treat it as a "real camera" because both the resolution of D70 is lower than that of good scams from 35mm film and the dynamic range is not as good. The S3 Pro IS The Real Camera. In terms of color rendition and dynamic range, it OUTPERFORMS the latest 35mm professional slide film. At the beginning, I was not happy with resolution (I could not see visible advantage over 6Mp Nikon D70), but this was actually an issue of lenses used. At 12 Mp mode, images looked too "interpolated" (they ARE partially interpolated but do not confuse this with upscaling of 6Mp files to 12 Mp - the sensor does have more resolution than 6 Mp - please read reviews about Super CCD design elsewhere). This "insufficient resolution" feeling was a result of using medium-quality Nikkor 24-85mm lens. This lens is good at 6 Mp but in 12 Mp mode its resolution is not enough to take advantage of the whole resolution of the camera sensor. When I put on a 55mm Micro-Nikkor, the resolution became shocking great! I could not see interpolation at 100% crop of 12 Mp images! The in-camera JPEGs are great, "robust" and do not usually need postprocessing. I usually stick to "normal" color and "original" tone settings, which helps to preserve more information in different lighting settings but sometimes this results in need of slight fine-tuning of the contrast. If you don't like postprocessing at all, use "standard" color AND "standard" tone instead. In most cases, images taken in this mode are almost perfect for printing right out of the camera. Downside: the camera performs relatively slow: if you take several shots in a row in RAW mode, the camera may be locked for half a minute (!) to write the files, and speed of reviewing the images is also awfully low. But I can easily accept these because the joy of having images of such high quality makes the incoveniences of slow performance insignificant for me.

Click Here to see more reviews about: Fujifilm FinePix S3 Pro 6.17MP Digital SLR Camera (Body Only)

Featuring an advanced new, fourth-generation Super CCD SR sensor, the FujiFilm FinePix S3 Pro digital SLR takes digital photography dramatically closer to film quality. The FinePix S3 Pro offers a full feature set that's perfect for professional photographers, including a 6.17-megapixel effective resolution (increased to 12 megapixels with in-camera technology), compatibility with Nikon F-mount lenses as well as a majority of Nikkor AF lenses. Improvements over the FinePix S2 include larger, more ergonomically placed buttons, power from 4 rechargeable NiMH batteries, and USB 2.0 connectivity (as well as FireWire). This model does not include a lens.
Optics and Resolution The FinePix S3 Pro's Super CCD SR sensor (23 x 15.5mm) uses 6.17 million S-pixels and 6.17 million R-pixels (for 12.3 million effective photodiodes) to deliver 12 million recorded pixels and noticeable image improvements to that of single-pixel cameras. The SR sensor's unique double photodiode design broadens tonal capability, from bright highlights to deep shadows and produces images with a dynamic range four times greater than that of a sensor working on single-pixel technology. It gives greater sensitivity, improved signal-to-noise ratio, and consistently natural colour reproduction, and also produces the following resolution modes: 4256 x 2848, 3024 x 2016, 2304 x 1536, and 1440 x 960.
It has a Nikon F mount and accepts a full range of Nikkor F-series lenses--including AF-D, AF-G and AF-S type professional optics.
Fourth-Generation Super CCD SR FujiFilm's Super CCD SR provides a truer representation of the actual subject being photographed, revealing highlight detail and offering a four-fold increase in dynamic range. By using an innovative layout of paired photodiodes--in a "honeycomb" pattern--the technology enables confident shooting in both bright and cloudy conditions. The Super CCD improves overall signal-to-noise ratio and offers a much wider dynamic range. It also combats the bleached-out effect created by flash photography and increases exposure latitude, a great advantage in difficult lighting conditions.
More Features
Rugged,polycarbonate body with rounder design and molded rear grip
2-inch, 235,000 pixel horizontal LCD delivers crisp, clear images and nearly 100% frame coverage
Secondary LCD indicates shooting information and settings
Dual shutter release buttons to allow optimum comfort and stability in both horizontal and vertical orientations
Intelligent flash with D-TTL full-aperture exposure metering system
Shutter speeds of 30 seconds to 1/4,000 second
Sensitivity: ISO 100, 160, 200, 400, 800, 1600

Direct Printing The FinePix S3 Pro is PictBridge compatible, which enables you to transfer pictures from your digital camera to your printer, without a PC or image-editing software. All PictBridge devices share three basic features: camera-to-printer connecting, single-image printing, and uniform error messages (in case something goes wrong)
Storage and Transfer The FinePix S3 Pro offers a dual-media approach to storage: XD and CompactFlash Type II memory cards (offering compatibility with optional Microdrives, which can provide up to 4 GB of storage). It also incorporates dual PC connectivity, via super-fast USB 2.0 or IEEE 1394 (FireWire, also called i.Link).
Power and Size The camera is powered exclusively by 4 rechargeable NiMH batteries (included). It measures 5.8 x 5.3 x 3.1 inches (W x H x D) and weighs 1.6 pounds (excluding battery and lens).

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Nikon CoolScan V ED Film Scanner Review

Nikon CoolScan V ED Film Scanner
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The Coolscan V is an excellent cheaper alternative to the Coolscan 5000 which I have also owned. My immediate project included about 1500 slides from my own collection, my fathers collection, and my grandfather's collection.
Most of my father's slides are Kodachrome. Much has been written about the inability of this scanner to scan Kodachrome slides and said about ICE4 not working with Kodachrome. Well, I have some good news The ICE4 does work extremely well for the most part. However, with Kodachrome slides it does produce minor artifacts in about 5 percent of the slides. I scanned with ICE (not ICE4) always on and then rescanned if I encountered unacceptable artifacts. I did notice that the scanner ICE feature was more likely to be stumped by old Kodachrome slides where subjects were wearing shirts with stripes.
The GEM ROC and DEE (the other stalwarts of the ICE4 other than ICE itself) work on Kodachrome slides as well, but I found that the results were unpredictable and that I could achieve better results myself in Photoshop far more quickly. The GEM ROC and DEE features simply took too long and slowed down the scanning unacceptably. The results, for me, were not worth the additional scanning time. So I never used these features. But the "enhance" feature on the scanner I used nearly 100% of the time with great results - much better than the GEM ROC and DEE features.
The scanner is fast and does produce wonderful wonderful detailed scans, easily demonstrating the grain in the transparancies at 3000 and 4000 dpi. The Kodachrome slides were a challenge to the Dynamic Range of the scanner, but I believe that most of the detail in the shadows that is there was extracted. With dark slides I used the VERY useful gain feature turning it all the way up to 2 in the really dark slides. Unfortunately, Kodachrome, with all of its many attributes, does have substantial downsides including a very narrow exposure latitude and shadow detail is simply lacking. I think the scanner accurately reproduced the information including the colors on the Kodachrome slides, with perhaps a slight bluish cast noticed in some cases.
It wasn't until I was finished scanning all of the culled slides that I undertook to scan my select color negatives. And this scanner really came into its own scanning color negatives. Don't even TRY to scan color negatives without ICE because the results are unbelievably bad. Even pristine negatives have scratches and dust that magically are erased by the ICE feature. What a godsend. The scanned color negatives were just beautiful with very accurate color rendition. But immediately I noticed much more grain in the color negatives (Royal Gold and Fuji Superia Gold) than in the scanned slides.
One note unrelated to the scanner itself. Until you've used a digital scanner to scan your color negatives you can't begin to realize how far superior Kodachrome, Provia, and Ektachrome slides are to color negatives insofar as capturing detail. Even the best color negatives have much more grain that Kodachrome. And the difference in color negatives is substantial too.
The V was slower than the 5000, but honestly the difference for the non-professional scanner, to me, was not worth the additional investment. The V represents a superb value giving you nearly all of the advantages of the 5000 other than speed for a substantially cheaper price.
The included Nikon software worked fantastic for me. I downloaded a copy of VueScan which according to many reviews is superior to the Nikon software and found that for me the Nikon software was easier to work with and produced superior results.
Setup Summary: I scanned at a 16 bit color depth and 4000 pixels per inch with the scan enhancer turned on and the Digital ICE turned on. I did not use GEM ROC and DEE because of inconsistent results. I turned up the gain as necessary for dark slides and turned it down for light slides. Gain adjustments were only necessary on about 15 - 20% of the slides.
Setting up the Nikon Scan window was a little tricky too. I placed the tool palette in the far upper right corner of the window with the scan window placed under it to the right. The image window occupied the largest portion space to the left.
I can recommend this scanner without reservation. It is a phenomenal piece of equipment. If speed is not a paramount consideration and you are not a professional scanner needing the options (the auto feeder) offered by the 5000 then, in my opinion, the V represents an absolutely tremendous value.

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A high-performance dedicated film scanner from Nikon, the CoolScan V ED offers high-quality scanning of 35mm slides, 35mm film strips, APS film (with optional IX240 film adapter), and prepared slides (with optional medical slide holder). The Scanner-Nikkor ED glass lens offers a 4,000 dpi optical resolution, while the 3,964-pixel linear CCD image sensor and 14-bit A/D input (8-/16-bit output) provide true-to-life, brilliant results.
Nikon's own LED illumination technology ensures accurate color with no warm-up time or risk of heat damage. Scan times are as fast as 38 seconds including image transfer to display, and as fast as 14 seconds in preview mode. Automatic color/contrast compensation helps you achieve accurate results, while the ICE4 advanced digital image correction suite of technologies helps to restore old slides to their original glory. Additionally, the included Nikon Scan 4 software provides a comprehensive and easy-to-use interface for managing your scans.
The CoolScan V ED has a convenient plug-and-play USB interface, while one-touch scan and preview buttons will have you scanning film in no time. PC and Mac compatible, the CoolScan V ED also comes backed with a one year limited warranty.
What's in the Box Scanner, CD-ROM, strip film adapter SA-21, slide feeder MA-21, instructions

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AF 10-17mm f/3.5-4.5 AT-X 107 DX Lens - Nikon Mount Review

AF 10-17mm f/3.5-4.5 AT-X 107 DX Lens - Nikon Mount
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This is an exceptional quality fisheye lens. It has a gental rectangular distortion at 17, and a full fisheye-quality distortion at 10. Easy to use, clear, bright shots. Requires sufficient lighting for good clear photographs - daylight or external flash required for lower light situations. Cap stays on firmly when not being used. Does not come with any filters though, like most Nikon fisheye lenses do. I love this lens and use it more than I thought I would -- and the shots are always among the best sellers from my event photography. Highly recommended. [...].


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The new Tokina AT-X 107 DX is a full-frame fish-eye lens that gives the photographer a 180&Mac176; field of view with dramatic curvature of field or "fish-eye" effect. With this lens an entire view or vista can be captured, wider than the human eye can see. The AT-X 107 opens an entirely new dimension of photography.The front element of the AT-X 107 DX has a newly formulated WP or "Water Proof" optical coating on the glass. This new coating makes marks such as spots left by water or finger-prints much easier to clean than standard multi-coating.**The rear optical group of the lens contains 1 SD (Super-Low Dispersion) glass element to reduce the number of elements (pieces of glass) in the optical design in order to make the lens more compact, light-weight and faster focusing.ITEMS INCLUDEDFisheye Front Lens/Hood Cap Rear Lens Cap 3-Year Warranty

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Nikon Super CoolScan 9000 ED Film Scanner Review

Nikon Super CoolScan 9000 ED Film Scanner
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I purchased the Nikon 9000ED scanner mostly because I could not find anything else that would scann my 2.75 x 2.75 slides. There may be other products out there but the recommendations I got was to go with the Nikon. Basically I inherited a case of these slides which feature my family from roughly 1960 to 1979. Most of the slides are badly faded, underexposed or otherwise not usable. So I figured in order to save the memories I need to spend the money to do it right.
I am not disappointed. Initially I kept getting a mysterious error in the post-processing cycle. After many emails back in forth with 3rd level support staff at Nikon (nice to be able to get support) we figured out that I was setting something called digital GEM on when that wasn't necessary. The process works on badly grained film which I didn't have. Once I changed the default scan settings by not asking for GEM corrections, all has gone beautiful for me.
The red-brown slides magically come back to me with their original colors via the digital ROC process. I'm not too technical on all the things that happen within the hardware-software process but the results an amateur like me can get are simply awsome. I scan the slides at a full 4000 bpi and store the results as huge TIFF files. I figure that disk space is cheap but at least I have the original in a best possible digitized format. The slides will continue to deteriorate but not the digiatl data.
Fred Rump


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A high-performance dedicated film scanner designed for imaging professionals, the Super Coolscan 9000 ED offers high-quality scanning of 35mm slides, 35mm film strips, medium-format film, medium-format slides (with optional 120/220 mounted film holder FH-869M), glass slides for microscopes (with optional Medical Slide Holder FH-8G1), and 16mm film (with optional 16mm film holder FH-816). The Scanner-Nikkor ED glass lens offers a 4,000 dpi optical resolution, while the 10,000-pixel, three-line monochrome linear CCD image sensor and 16-bit per color A/D input (8-/16-bit output) provide true-to-life, brilliant results.
Nikon's own LED illumination technology ensures accurate color separation with no warm-up time or risk of heat damage. Scan times are as fast as 40 seconds including image transfer to display, and as fast as 13 seconds in preview mode. Automatic color/contrast compensation helps you achieve accurate results, while the ICE4 advanced digital image correction suite of technologies, including digital ICE, digital ROC, digital GEM, and digital DEE, helps to restore old slides to their original glory. Additionally, the included Nikon Scan 4 software provides a comprehensive and easy-to-use interface for managing your scans.
The Super Coolscan 9000 ED has an IEEE 1394 (FireWire) interface, while one-touch scan and preview buttons will have you scanning film in no time. PC and Mac compatible, the Super Coolscan 9000 ED also comes backed with a one-year limited warranty.
What's in the BoxScanner, CD-ROM, interface card for Mac OS and Windows, strip film holder FH-835S, slide holder FH-835M, 129/220 strip film holder FH-869S

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Nikon 24-85mm f/2.8-4.0D IF AF Zoom Nikkor Lens for Nikon Digital SLR Cameras Review

Nikon 24-85mm f/2.8-4.0D IF AF Zoom Nikkor Lens for Nikon Digital SLR Cameras
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I bought this lens new about six months ago to use on my D3, and have used it now for four weddings.
It is not quite as sharp as my 24-70mm f/2.8, when wide open, but when stopped down one stop, it is tach sharp. It is also much lighter which helps a lot at a long event, and it has more reach, making it great for parties and receptions.
It autofocuses very quickly with the screw drive in the camera, and I never miss any action shots due to focus lag. It won't focus on some of the low-end Nikon DSLRs because they lack the drive screw.
I don't recommend this lens for DX cameras, because 24mm is not usually wide enough on DX for many reception and party shots. In my opinion, the 16-85mm VR DX or even the 18-70 DX lens would be a better choice for a DX camera.
The 24-85mm is also a very nice light weight travel lens for an FX camera.

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RE)NIKON 24-85MM F2.8-4D IF (1929)

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Nikon D3100 Digital SLR Camera Body Review

Nikon D3100 Digital SLR Camera Body
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I agree with the reviewer who indicates the features lacking on this camera, including the warranty card from Calumet; however, those features are not ones I care about, want or use anyway (except the warranty card), especially the folly of video in a still camera. What I wanted was exactly what I got: the new Expeed 2 image processing engine found in the top end Nikon D3S and D7000 cameras, a new 14.2 MP CMOS (not a CCD), a very small size and a very light weight, without being flimsy or junky.
My complaint on professional gear and I have some is that it is too big and too heavy and it scares small children and others in the Third World. However, I want the high end picture making capabilities and muscle of the top professional gear in a light weight and small walk around camera and lens. That is what the D3100 is all about, plus, for the body only, it is still tremendous bang for the buck, especially when then used with a super standard zoom lens like the Nikon 16-85mm (forget the 18-200mm with its problems which I have also reviewed here).

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The Nikon D3100 Digital SLR Camera is an affordable, compact, and lightweight photographic power-house. A high-resolution 14.2 MP CMOS sensor along with a feature set that's comprehensive yet easy to navigate - the intuitive onboard learn-as-you grow guide mode allows the photographer to understand what the 3100 can do quickly and easily. Capture beautiful pictures and amazing Full HD 1080p movies with sound and full-time autofocus. Easily capture the action other cameras miss with a fast start up time, split-second shutter release, 3 frames per second shooting and 11-point autofocus. Capture pictures and make movies in near darkness with an ISO range of 100 to 3200 (expandable to 12800-Hi2).Nikon's new image processing engine EXPEED 2, assures breathtakingly rich image quality, managing color, contrast, exposure and noise. One-touch Live View and movie recording lets you see the action on the 3-in monitor and the Scene Recognition System automatically chooses the ideal settings. You can also select from 6 Automatic Exposure Scene Modes- Portrait, Landscape, Child, Sports, Close-up or Night Portrait for stunning results in otherwise challenging conditions.Note on Packaging:
The camera body you will receive is All BRAND NEW with a Full Nikon USA Warranty and was originally packaged as a kit with the D3100 Digital SLR Camera Body & AF-S VR 18-55 VR Lens. You will receive the original Nikon manufacturer's kit box with only the 18-55mm lens removed. It includes ALL original camera accessories (the Nikon USA Warranty Card, Batteries, Cords, Instruction Manuals, etc.). This camera is all BRAND NEW and has NEVER been used.

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Samsung T50200SB NX 50-200mm f/4.0-5.6 OIS Lens Review

Samsung T50200SB NX 50-200mm f/4.0-5.6 OIS Lens
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I use it with the NX100...Simply a great lens...Razor sharp,feels solid,fast focus speed.
The only thing that might be considered a disadvantage is that it's heavy and large...Heavier than the NX100...But not to the point to take a star from the rating.
I noticed that the image stabilization is great...Much better than the Panny Mega one..
Well done Samsung.
I got it for one fifty with the NX100...What a price.

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The Samsung NX EX-T50200SB Tele Zoom 50-200mm Lens is an ultra-precise telephoto lens designed to fit Samsung NX mount-capable NX10 digital SLR cameras. The Samsung NX EX-T50200SB Tele Zoom 50-200mm Lens has a focal length of 50-200mm, the equivalent of 35mm film format camera lenses featuring 76.5mm-306mm focal lengths. With an F-stop number of F 4.0-5.6, an angle of view between 31.5 and 8.1 degrees, and a 52mm filter diameter, the Samsung NX EX-T50200SB Tele Zoom 50-200mm Lens is an excellent accessory for your Samsung camera. Give yourself an extra edge when photographing far away subjects or incredible up-close macro shots.

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Nikon 17-35mm f/2.8D ED-IF AF-S Zoom Nikkor Lens for Nikon Digital SLR Cameras Review

Nikon 17-35mm f/2.8D ED-IF AF-S Zoom Nikkor Lens for Nikon Digital SLR Cameras
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This lens is widely held to be one of the best if not the best wide angle professional zoom lens for 35mm and Digital SLRs compatible with Nikon's lens system. I've had mine for about 6 months on a Nikon D-100 and have absolutely nothing I don't like about it. It's sharp from corner to corner at all zoom settings and any pincusion destortion is negligible even at 17mm @ f2.8. The AFS focusing motor is lightning fast and accurate. Filter size is 77mm, same as my Nikkor 70-200mm f/2.8G ED-IF AF-S VR lens. Since filters this size aren't cheap, it's nice to be able to share. This lens will support 35mm, APS, and DX format film and digital sensor sizes and comes with a 5-year warranty. If you want the best, and can afford it, you won't be sorry you purchased this lens.

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Wide-Angle Zoom Lens from UltraWide to Wide Angle / F2.8 Maximum Aperture

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AF 12-24mm f/4 AT-X 124 Pro DX II Lens - Nikon Mount Review

AF 12-24mm f/4 AT-X 124 Pro DX II Lens - Nikon Mount
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I received my Tokina 12-24mm DXII wide angle lens very quickly. I could not wait to put it through some paces even though I was hesitant at first to try anything but Nikon lenses. I use a Nikon D90 and this lens is flawless with it. The auto focus is very quiet and responsive. I ran it through the gamut of fstops at every setting from 12mm to 24mm. My results indicate that it is a little soft wide open but quickly sharpens as you progress through the settings. At 14-15 mm seems to be very sharp. The colors are true and vibrant. I took over a hundred pictures at church, mostly outside, both in the shade and sunshine. I did not see any distortion or chromatic aberrations. If there were any, my camera must have corrected them automatically. I probably should mention I compared this lens to my Nikon 18-105mm with VR, side by side and picture for picture, at all settings. The Tokina is actually sharper at 18mm than the Nikon 18-105. Up to and including 24mm, they both were very good. This was a pleasant surprise to me and I would not hesitate to recommend this lens to anyone who might being trying to decide whether to purchase it.

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The Tokina 12-24mm f/4 AT-X 124AF Pro DX II Lens is exclusively designed for use with SLR cameras that use the smaller APS-C size sensor. This lens provides a super wide-angle zoom range, ideal for the tightest of interiors, as well as for dramatic landscape photography.This updated "II" version benefits from improved multi-coating technology, which helps to reduce reflections that can cause flare and ghosting. The Focus Clutch Mechanism feature - a signature of Tokina PRO series lenses - provides a faster, smoother autofocus operation, with a smooth manual focus action not normally found in autofocus lenses.Two aspherical elements are incorporated in the lens design, to correct for spherical aberrations. It also incorporates internal focusing to prevent deterioration of the optical quality at close distances and to eliminate rotation of the front barrel during focusing.FEATURES:Fast, ultra-wide angle zoom lens with a constant f/4 apertureTwo aspherical lens elements minimize distortion, especially at the periphery, for superior optical performanceFast internal focusing with the one-touch Focus Clutch MechanismLong focus travel for easy, accurate manual focusingThe rounded diaphragm opening (9 blades) makes out-of-focus elements appear more natural

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SU-800 Wireless Speedlight Review

SU-800 Wireless Speedlight
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First of all if you want a general purpose, reliable, long distance remote trigger, you really should look into Radio Popper, Cactus, PovertyWizard, and such. Don't get me wrong, there's a place and time to use RP, Cactus, PW, and the SU-800. They all have their niches. For example when I go shoot outdoors where I place the flash units far away from the camera, I'll use the PW-- you get superior range over the SU-800, and good reliability. However it is very expensive, and the older PW units don't have TTL so if you don't set your power setting correctly the first time you end up having to walk to/from different flash units to change their power setting. I've not used Radio Popper myself but I've heard good things about it since it preserves TTL functionality. As for Cactus, it's very cheap, but also has limited range and is not as reliable as the other alternatives. In all cases, these are 3rd party vendor solutions with yet one more piece of equipment (battery, configuration, etc) to worry about, and one more point of failure in your day-to-day shoot.
On the other hand... if you're shooting indoors, or doing on-site portrait work, this is THE remote unit to use. In the literature, the range of this commander unit is 66 feet. However, in practice, I've seen it vary between 30-50 feet, and almost always line of sight. If I'm indoors, I prefer this unit because it is very light and you will not feel any extra weight on your camera. So despite the lack of range, I still love the SU800. It offers a fully integrated Nikon CLS solution, and is simply easy to use when you do portrait work. i-TTL is built in with 3 channels so you can adjust power (or not have to think about power at all when you do portrait work). Sure, the built in commander flash in D80/90/200/300/D700 is nice, but they only have 2 channels, and frequently the pre-flash from those cameras makes people blink excessively. On the SU-800 there is no preflash so you can take pictures of people and pets without bothering them with the preflash, and you end up having more usable shots. In addition, this is a must have accessory if you're doing very low light, no flash, walk-around shooting using SU-800's discrete red light focus beam. Yes you can achieve the same on the SB-800/900 by turning off flash and only enabling the red AF-assist, but they weigh a lot more, and make the camera very bulky. Lastly, this is a nice item to have with the R1C1 kit, though not absolutely necessary since you can use the on-camera flash, and macros aren't usually affected by the on-camera flash.
The SB-800 and SB-900 have commander units too, and when you point them towards other flashes in the commander mode, the range is about 50% greater than that of SU-800: I've gotten about 50 feet of range with the SU-800, and about 75-80 feet of range with the SB-800 and SB-900. Clear line of sight (from the commander to the optical receiver) is the key. The down-side to using SB-800/900 as commanders is that they weigh a lot more, and they emit pre-flash making people blink more than necessary.
I'm giving it 4 stars because it does extremely well for what it was designed and built for-- indoor portrait commander device. If Nikon came out with a longer range radio unit, I'd give it 5 stars, but that was not what the SU-800 was originally designed for. For outdoor strobists, I still recommend radio signal commander/receiver alternatives, at a price of course.

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The multi-functional Nikon SU-800 unit forms the nerve centre of any i-TTL multiple flash-lighting situation.Capable of metering and triggering groups of remote Speedlights in the Nikon Creative Lighting System, a one-touch switch fully automates accurate exposures of small subjects instantly. Manual adjustment of the balance of each units output is simple to control through the comprehensive LCD panel.When using i-TTL compatible Nikon digital SLR cameras and Speedlight, user can divide the Speedlight units into three groups and control the flash output independently for each group Features a Commander function that can trigger wireless remote flash (SB-800, SB-600, or SB-R200) units without a master flash unit One-touch switching between close-up and Commander modes Two types of close-up operation: Dual-light close-up flash & Triple-light close-up flash.

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Sigma 30mm f/1.4 EX DC HSM Lens for Nikon Digital SLR Cameras Review

Sigma 30mm f/1.4 EX DC HSM Lens for Nikon Digital SLR Cameras
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This is a sweet little lens that really has no middle ground. You either love it or hate it. Most of the haters really either expect too much from this lens such as focusing in no light or on objects with no contrast and marginal light. The other reason there are detractors come from focus issues.
This seems to be a user problem in my opinion. When you shoot at f 1.4, the area in focus can be pretty shallow. An example is at f1.4 and at a distance of 5 feet, the areas in focus is just .45 feet. If you have a DSLR with multiple focus points, you might find what you want in focus is not selected by the camera. This gives the impression of a focus issue with the lens which it is not.
If you move into close focusing such as 2 feet using f1.4, the focus area becomes less than ¾ of an inch. Even the slightest movement by you or the subject can blow the focus. Again, this is not a lens problem but a user issue.
However, don't be discouraged by the above comments. This lens has so many possibilities from creative images to group portraits to low light photography. You just need to put in a little effort to learn the lens (and your DSLR). Also remember that stopped down to f4 at 10' gives you 5.45 feet in focus.
The 30mm lens also is about as close to a 50mm lens on a 35mm film SLR as there is. A 50mm lens was considered the de facto standard for an SLR in the old days and many people never had anything else. This is a very versatile lens.
The lens itself has an excellent build quality and includes extras such as a lens hood and case. It is sharp and offers great contrast and compares well against such a well regarded lens as the Canon 35mm f1.4L which is about 3 times the price.
You will not be disappointed in this lens at all and I highly recommend it. It is one of my favorite everyday lenses for my Canon 20D. (My everyday kit includs the Canon 17-40mm f4L, 70-200mm f4L, and a Canon 580ex flash.)

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Designed to match the APS-C size image sensors of Nikon digital SLR cameras, the Sigma 30mm f/1.4 lens is an ideal choice for a wide range of applications, including snapshots, portraiture, indoor shooting, and landscape photography. The 30mm lens relies on two special-low-dispersion glass elements and a glass-mold aspherical lens. Combined, the construction details correct for all types of chromatic and color aberrations. The lens is also equipped with a Hyper Sonic Motor (HSM) that supports quiet, high-speed autofocus, but also turns off should you prefer full-time manual focusing. Other features include a maximum aperture of f/1.4, a 62mm filter mount, and a one-year warranty.
Specifications
Focal length: 30mm
Maximum aperture: f/1.4
Lens construction: 7 elements in 7 groups
Angle of view: 45 degrees (SD format)
Number of diaphragm blades: 8
Minimum aperture: f/16
Minimum focusing distance: 15.7 inches
Maximum magnification: 1:10.4
Filter size: 62mm
Corresponding AF mounts: Nikon
Dimensions: 2.97 inches in diameter and 2.3 inches long
Weight: 15.2 ounces
Warranty: 1 year


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Sigma 70-300mm F/4-5.6 DG OS SLD Super Multi-Layer Coated Telephoto Lens for Nikon AF Mount Digital SLR Cameras Review

Sigma 70-300mm F/4-5.6 DG OS SLD Super Multi-Layer Coated Telephoto Lens for Nikon AF Mount Digital SLR Cameras
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I have only had 2 days to play with this lens, but so far am impressed with it's performance. I bought this mainly for outdoor use as I have a Nikon 70-200 f2.8 VR lens for indoor shooting. I simply do not want that mammoth lens on my camera when hiking, etc., especially since fast aperture is not necessary in good light. This one looks like it will do nicely. Focus is pretty fast - hunts a little in lower light at telephoto, but that's pretty common for most lenses of this type. Image quality is very good so far. Some very minor fringing in a few of the shots (not an issue with JPEG's from my D90 because it automatically removes most CA). I'll shoot some RAW shots outdoors when I get a chance to see if it is anything to worry about, but so far it appears to be acceptable. Focus is extremely accurate - dead-on on every shot taken (no front focus issues that some Sigma lenses have). OS is also VERY impressive. I'd say really close to Nikon's best VRII lenses. I took a couple of 1/4 sec. shots handheld with only my elbows braced against my ribs, at full telephoto, and the shots were perfectly sharp. You can see the image start to float when the shutter is half-pressed, so you know the stabilizer is working. Lens mounts snugly onto the camera and has a good, sturdy metal mount like the better Nikon lenses have. Fits perfectly. I like the size and weight compared to the Nikon equivalent (it is somewhat more compact). The only drawback is that the lens is not internal focusing like the Nikon (which probably accounts for the compactness). This means that the lens hood must be a round one (not a petal hood, which I prefer) because the end of the lens rotates as it focuses. It also extends about 7/8 of an inch at closest focus, which makes the overall length pretty long at 300mm (about 8 inches without hood, around 10 with the hood attached). None of that really matters much to me, though. One thing that I liked about this one compared to the Nikon 70-300 VR was that the aperture starts at f4, not f4.5, so it's a bit faster than the Nikon. The shallow depth of field was surprising to me. Longer focal lengths tend to really amplify the effect at closer ranges, and that is very apparent with this one.
The best way to rate this lens would be to break down specific attributes, and then give a score (1 to 10) on that attribute, so here goes:
Image quality (so far): 9 (impressed with every one taken thus far - color, sharpness, etc. quite good)
Focus accuracy: 9 (low light the only issue)
Focus speed: 8 (could be a little better)
Focus noise: 7 (not as quiet to focus as Nikon AF lenses - even my huge 70-200 f2.8 VR lens is lots quieter)
Fit: 10
Finish quality: 7 (surface not as good looking or durable looking as Nikon, but not ugly either)
Optical Stabilization: 9.5
Size/weight: 9
Overall ease of use/functionality: 9
I will update with more information after using the lens more. I cannot give the lens 5 stars, although I believe it is not far from achieving that. I think most people will agree that this lens is worth the money spent and will do what it is intended to do, and do it well.
Update: Feb. 2010- Have taken a few more shots with this lens. All-in-all still very satisfied with it. The fringing noted earlier is there - a bit more than I first indicated. RAW shows slightly more than the JPEG's, but it is fairly easy to remove the majority of it in Lightroom. Some images look a bit soft. When I compare them to the 18-105 Nikon kit lens, I initially thought they were pretty comparable,but they are a tad bit softer when looked at closely. It is much softer than my 70-200 f2.8, even when that one is shot wide open - and the Sigma is FAR behind on anything stopped down to f4 or higher on the Nikon. However, I would expect nothing less from a lens that is over 5 times as expensive. Outdoor shots are very respectable from the Sigma - It is my recommendation that a person use this lens stopped down some outdoors, particularly at 200mm and above, as the fairly shallow depth of field when zoomed will render some subjects in front of the main subject out of focus, even on relatively distant shots. F8 to f11 fixes that most of the time. My initial rating of 4 stars still stands, as I feel that image quality is less than perfect, but as good as anyone should expect at this price level. The only individual rating that would change is the image quality that I rated a 9, is more like an 8 - still pretty good. Is is considerably better than a Nikon 55-200 VR that I sold recently - it was soft across the frame, with a very bad left side. Perhaps a bad copy? Anyway, the Sigma 70-300 OS is a lens I am proud to carry in my gear bag, and one that will work well for me for a long time.
Update 2: Mar. 2010 - Upon further inspection of the images, it appears that shots taken stopped down some are a fair bit sharper than when shot wide open. Stopped down shots look to be sharper than just about any of the Nikon 18-105 ones, but are softer than the Nikon when shot wide open. That being said, my recommendation in a sentence or two is: shoot this lens stopped down a bit and don't expect to use it in low light without flash or for indoor sports. The best shots will result from the lens set too slow to be of much use in those cases. If I have more to report, I will do so later.

Click Here to see more reviews about: Sigma 70-300mm F/4-5.6 DG OS SLD Super Multi-Layer Coated Telephoto Lens for Nikon AF Mount Digital SLR Cameras

High ratio zoom lens housed in a compact construction and incorporating Sigma's original OS (Optical Stabilizer) function. This telephoto zoom lens incorporates Sigma's original OS (Optical Stabilizer) function and is housed in a compact construction. TheOS function offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible. The SLD (Special Low Dispersion) glass element provides excellent correction for all types of aberrations. High image quality is assured throughout the entire zoom range. The Super Multi-Layer Coating reduces flare and ghosting and provides high contrast images throughout the focal range. This lens has a minimum focusing distance of 150cm (59.1") throughout the entire zoom range and a maximum magnification ratio of 1:3.9, making it ideal for close-up photography SIGMA's own unique OS (Optical Stabilizer) technology This lens is equipped with Sigma's own unique OS (Optical Stabilizer) function. This system offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible. It makes telephoto shooting easy for many types of photography such as sport and nature. For Sony and Pentax mount, the built-in OS function of this lens can be used even if the camera body is equipped with an anti-shake function. As compensation for camera shake is visible in the view finder, the photographer can easily check for accurate focus and ensure there is no subjec

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