Showing posts with label fuji. Show all posts
Showing posts with label fuji. Show all posts

Fujifilm FinePix F30 6.3 MP Digital Camera with 3x Optical Zoom Review

Fujifilm FinePix F30 6.3 MP Digital Camera with 3x Optical Zoom
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I've been a Canon guy for several years and throught that they lead the pack in photographic innovation. My family has several Canon SLR's, assorted lenses and digital Elph pocket cameras (SD 400, SD450 and SD550). Pocket cameras trade performance and features for small size and ease of use. In bright light without flash the Canon Elphs usually provide image quality which is ok for 8 x 10" photos if one is not too critical about sharpness, especially near the edges and corners. This resolution limit has more to due with the lackluster optics being used than with the number of megapixels. Basically, the tiny lenses are the limiting factor and not the sensor.
The Fuji F30 is about the same size and weight as the Canon SD550 (or SD700). I bought it based on the rave reviews it got in the high-ISO, low light category. So, when I tested it against my 7.1MP Canon SD550 I was greatly surprised by the vastly superior image quality of the 6.3MP Fuji at ALL ISO settings. The Fujicon lens used provides much sharper pictures than the Canon from edge to edge. Sure, the Canon will make ok 8 x 10's but those from the Fuji will be much sharper and crisper, especially away from the center where the Canon image gets softer. The difference is even more striking in lower light, such as indoors or outside when the sun is low or under heavy clouds. The Fuji provides much sharper AND lower noise images at ISO 800 than the Canon does at ISO 200. Essentially, the Fuji can use the same shutter speed (to freeze action and mitigate hand-shake) in one-fourth the light while still producing superior pictures!!! The Fuji could also provide a shutter speed four-times faster in the same light and give sharper pictures and less noisy pictures.
Another advantage of the Fuji F30 is the option to have full manual control over aperture, metering, etc, just like an SLR (no manual focus however). The LCD on the Fuji is also much brighter and clearer (many more pixels and less reflective) than the Canon. One more advantage is battery life. The Fuji battery is about twice as large as that used in the Canon SD550. It is rated at 580 shots while the Canon is rated at about 150 shots. There's not nearly as much need to buy and carry a spare battery for the Fuji.
OK, the Fuji does have a few disadvantages over the Canon. The worst of these to me is the use of tiny xD memory cards. Not only do you need to buy yet another type of card but large 1GB xD cards require much longer times (about 5-10 times as long) to transfer images to your computer through a card reader than do 1GB SD cards. The reason for this is that the small sized xD card require special hardware compression to allow 1GB to be stored. In reading the card the pictures have to be uncompressed into normal jpeg format. This slows down the transfer. The xD card compression seems to have no effect on how fast the camera can take pictures. The Fuji is at least as fast as the Canon in starting up and taking pictures.
Another lessor complaint IMO is the supplied Fuji battery charger. It charges the battery only while in the camera and has a cord to plug into the camera and another long cord to plug into the wall. In contrast, Canon provides a very tiny battery charger with folding outlet prongs. This packs easily and charges the battery directly with NO cords. Fuji could provide a similar charger but, instead, offers to sell you their version of the Canon cordless charger for an extra $60-90 as an accessory. You can also buy a non-Fuji version of the cordless charger for about $28, so it's not a big issue, but is an irritation. It is also worth noting that the Fuji has no peephole viewfinder. I rarely use this but some folks may think this an omission. On the other hand, the Fuji LCD is much brighter and less reflective than the Canon screen so it can actually be used in bright sunlight when the peephole would be the only option with the Canon.
In summary, aside from the issues of the xD card and supplied charger, the Fuji F30 represents a significant breakthrough in image quality, low-light performance and optional manual controls for small pocket cameras.

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The Fujifilm FinePix F30 6.3MP Digital Camera is a revolution in point-and-shoot digital cameras for consumers. With full-resolution ISO equivalency speeds as high as 3200 -- a setting previously reserved for advanced consumer and professional digital camera models -- the F30 takes crystal clear photographs where other cameras would deliver blurry images. Higher light sensitivities allow this camera to shoot with faster shutter speeds, which lessens the likelihood of blurry pictures caused by ever-active children, fidgety pets, dim ambient light, or an unsteady camera hand.
Sized to slip into a pocket or purse, the F30 might be diminutive, but the extra-large 6.3 megapixel resolution is more than enough for high-quality standard 4x6-inch prints. However, if you'd like to make larger prints, or alter an image with photo editing software, the extra-resolution is a valuable asset. An extra-large, 2.5-inch (230,000 pixel) LCD monitor fills the back of the camera. With convenient features like Auto Brightness and an anti-glare, low reflection CV (Clear View) film, the monitor provides comfortable composition and viewing of photos whether in dim interiors or under bright sunlight. The responsive FinePix F30 is ready when you are, with a super-fast start-up time (1.4 seconds), a shooting interval of 1.5 seconds, and a shutter release time lag of a minimum of 0.01 seconds.
The class-leading performance of FinePix F30 is due in large part to the second generation of Real Photo Technology. This Fujifilm photographic achievement is a combination of Fujifilm's Super CCD sensor, its proprietary RP Processor, and a world-class lens from Fujinon. The camera's 3.0x optical zoom lens has a focal range equivalent to 36-108mm on a 35mm camera. Combined with a 6.2x digital zoom, this camera offers a 18.6x total zoom range that brings you closer to your subjects than ever before. Fujinon, Fujifilm sister company, produces these high-quality optics that are used by broadcasters, astronomers, scientists, the military and others to bring their subjects closer with crisp, clear image quality.
Fujifilm has also added a helpful "Picture Stabilization" mode dial setting to the F30. This easy-to-identify, automatic setting lets the camera choose the correct light sensitivity -- ISO equivalents up to 3200 -- and best matching shutter speed for the highest quality digital pictures.
In the past, high ISO equivalencies such as 3200 (or even 1600 and 800), had been off-limits to compact consumer digital cameras, but not any more. In addition to Picture Stabilization, the F30 combats the high-ISO, low-picture-clarity problem with the sixth-generation Super CCD sensor that produces less noise than its predecessor, and an RP Processor II that is finely tuned to remove even more noise. The end result is the FinePix F30: a camera that produces sharp pictures, full of rich color with dramatically less image noise, even in the lowest of lights.
Another innovation of the FinePix F30 that works in tandem with Real Photo Technology and higher ISOs is the Fujifilm flash system called i-Flash. More advanced than similar flash systems, the i-Flash can accurately detect the subtle lighting differences within a scene, and then light the subject accordingly with a wider range of flash intensities. This is accomplished with an adjustment to the flash's intensity based on a variety of factors, such as subject position in the frame, subject size, ambient light, and backlight intensity. So, even if the subject is off center and standing under a street light, the i-Flash system will expose the subject properly.
i-Flash is a tremendous asset to any photographer, particularly when shooting in low-light -- subjects look more natural in front of backgrounds full of bright and clear detail. However, the i-Flash difference is most apparent in portraits, delivering realistic facial tones without the washed-out look so often associated with flash photography. Basically, this smart flash control system recognizes conditions, and determines the optimum flash output to give you superb results.
Ever run out of digital storage just at the wrong moment? Not with the F30. With 10 MB of built-in storage you'll never have to miss that special shot. Think of it as your internal insurance policy for those great, not-to-be missed photo opportunities. Amazingly easy to operate, all you have to do is switch-on the FinePix F30, and you'll be ready to shoot. Controls have been arranged for easy, fingertip operation giving you quick access to all the camera's great exposure modes and scenes. The full range of exposure modes includes auto, aperture-priority AE, shutter priority AE, manual, movie, picture stabilization, and scene position modes; plus, a generous selection of 15 preset scene positions that include underwater, sunset, snow, fireworks, party, museum and more. Whatever the situation, the FinePix F30 makes it a snap to get great results.
Additional features include super macro mode; 30 fps movie recording with monaural sound for capturing quick, digital video snippits; a FinePix Photo button for one-touch access to frequently used settings (image size, ISO sensitivity, and FinePix color mode); continuous shooting mode; a USB interface for PC connectivity; a video output for your TV monitor (NTSC/PAL) to display photographs on your television; FinePix Viewer software; PictBridge compatibility; and an xD-Picture card compatible slot. The FinePix F30 is powered by an included NP-95 rechargeable battery and can take approximately 500 pictures on a single battery charge.
What's in the Box Fujifilm FinePix F30 digital camera, NP-95 rechargeable battery, AC-5VC AC power adapter, hand strap, USB cable, A/V cable, and FinePix Viewer CD-ROM.

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Fujifilm Finepix Z20fd 10MP Digital Camera with 3x Optical Zoom (Jet Black) Review

Fujifilm Finepix Z20fd 10MP Digital Camera with 3x Optical Zoom (Jet Black)
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Here is a nice raw, unedited video file straight from this camera's memory card of a dim low light dance ballroom.


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RE) FUJI FINEPIX Z20FD - BLACK

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Fujifilm FinePix S3 Pro 6.17MP Digital SLR Camera (Body Only) Review

Fujifilm FinePix S3 Pro 6.17MP Digital SLR Camera (Body Only)
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This is the first digital camera which made me forget the film, after 27 years of photography experience. The image quality is beyond expectation. The performance is much slower compared to current Nikon dSLR models, including much more affordable Nikon D70. However, I owned D70 for about 1 year and could not treat it as a "real camera" because both the resolution of D70 is lower than that of good scams from 35mm film and the dynamic range is not as good. The S3 Pro IS The Real Camera. In terms of color rendition and dynamic range, it OUTPERFORMS the latest 35mm professional slide film. At the beginning, I was not happy with resolution (I could not see visible advantage over 6Mp Nikon D70), but this was actually an issue of lenses used. At 12 Mp mode, images looked too "interpolated" (they ARE partially interpolated but do not confuse this with upscaling of 6Mp files to 12 Mp - the sensor does have more resolution than 6 Mp - please read reviews about Super CCD design elsewhere). This "insufficient resolution" feeling was a result of using medium-quality Nikkor 24-85mm lens. This lens is good at 6 Mp but in 12 Mp mode its resolution is not enough to take advantage of the whole resolution of the camera sensor. When I put on a 55mm Micro-Nikkor, the resolution became shocking great! I could not see interpolation at 100% crop of 12 Mp images! The in-camera JPEGs are great, "robust" and do not usually need postprocessing. I usually stick to "normal" color and "original" tone settings, which helps to preserve more information in different lighting settings but sometimes this results in need of slight fine-tuning of the contrast. If you don't like postprocessing at all, use "standard" color AND "standard" tone instead. In most cases, images taken in this mode are almost perfect for printing right out of the camera. Downside: the camera performs relatively slow: if you take several shots in a row in RAW mode, the camera may be locked for half a minute (!) to write the files, and speed of reviewing the images is also awfully low. But I can easily accept these because the joy of having images of such high quality makes the incoveniences of slow performance insignificant for me.

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Featuring an advanced new, fourth-generation Super CCD SR sensor, the FujiFilm FinePix S3 Pro digital SLR takes digital photography dramatically closer to film quality. The FinePix S3 Pro offers a full feature set that's perfect for professional photographers, including a 6.17-megapixel effective resolution (increased to 12 megapixels with in-camera technology), compatibility with Nikon F-mount lenses as well as a majority of Nikkor AF lenses. Improvements over the FinePix S2 include larger, more ergonomically placed buttons, power from 4 rechargeable NiMH batteries, and USB 2.0 connectivity (as well as FireWire). This model does not include a lens.
Optics and Resolution The FinePix S3 Pro's Super CCD SR sensor (23 x 15.5mm) uses 6.17 million S-pixels and 6.17 million R-pixels (for 12.3 million effective photodiodes) to deliver 12 million recorded pixels and noticeable image improvements to that of single-pixel cameras. The SR sensor's unique double photodiode design broadens tonal capability, from bright highlights to deep shadows and produces images with a dynamic range four times greater than that of a sensor working on single-pixel technology. It gives greater sensitivity, improved signal-to-noise ratio, and consistently natural colour reproduction, and also produces the following resolution modes: 4256 x 2848, 3024 x 2016, 2304 x 1536, and 1440 x 960.
It has a Nikon F mount and accepts a full range of Nikkor F-series lenses--including AF-D, AF-G and AF-S type professional optics.
Fourth-Generation Super CCD SR FujiFilm's Super CCD SR provides a truer representation of the actual subject being photographed, revealing highlight detail and offering a four-fold increase in dynamic range. By using an innovative layout of paired photodiodes--in a "honeycomb" pattern--the technology enables confident shooting in both bright and cloudy conditions. The Super CCD improves overall signal-to-noise ratio and offers a much wider dynamic range. It also combats the bleached-out effect created by flash photography and increases exposure latitude, a great advantage in difficult lighting conditions.
More Features
Rugged,polycarbonate body with rounder design and molded rear grip
2-inch, 235,000 pixel horizontal LCD delivers crisp, clear images and nearly 100% frame coverage
Secondary LCD indicates shooting information and settings
Dual shutter release buttons to allow optimum comfort and stability in both horizontal and vertical orientations
Intelligent flash with D-TTL full-aperture exposure metering system
Shutter speeds of 30 seconds to 1/4,000 second
Sensitivity: ISO 100, 160, 200, 400, 800, 1600

Direct Printing The FinePix S3 Pro is PictBridge compatible, which enables you to transfer pictures from your digital camera to your printer, without a PC or image-editing software. All PictBridge devices share three basic features: camera-to-printer connecting, single-image printing, and uniform error messages (in case something goes wrong)
Storage and Transfer The FinePix S3 Pro offers a dual-media approach to storage: XD and CompactFlash Type II memory cards (offering compatibility with optional Microdrives, which can provide up to 4 GB of storage). It also incorporates dual PC connectivity, via super-fast USB 2.0 or IEEE 1394 (FireWire, also called i.Link).
Power and Size The camera is powered exclusively by 4 rechargeable NiMH batteries (included). It measures 5.8 x 5.3 x 3.1 inches (W x H x D) and weighs 1.6 pounds (excluding battery and lens).

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Fujifilm Finepix F31fd 6.3MP Digital Camera with 3x Optical Zoom Review

Fujifilm Finepix F31fd 6.3MP Digital Camera with 3x Optical Zoom
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You know that feeling...the one you get after taking a bunch of indoor shots that you think turned out great, but look really crappy on your computer and then you waste tons of time trying to photshop the pics, well that's the feeling I have had with every compact digital camera I've owned. This is especially disappointing when you have important events like birthdays, weddings, etc. and the indoor pics turn out bad. Trust me and check out this camera. You will be shocked at how noise free indoor pics are (even iso 800 w/o flash). I don't know of another non-SLR camera that takes indoor pics this well. The build quality is superb (all metal construction). The only things I don't like: No separate battery charger included (you must charge in camera), no viewfinder, and XD card format. Those are minor quibbles and I would trade them any day for the fantastic indoor pics.
I am a photography enthusiast and Canon fan (over $3k in bodies and lenses) and my main camera is an Rebel XTi. However, I've got to give Fuji a lot of credit for focusing on pic quality rather than getting into a megapixel war. Don't be fooled by the megapixel myths. This camera may have lower mp's but it has a very large CCD sensor for a compact camera. And for gods sake don't buy a camera based on looks !!! Do you really care what the camera looks like or do you care about the pictures ??? Also, optical image stabilization (OIS) seems to be the latest rage. Who cares if a camera has OIS, but takes crappy indoor pics? This is the reason I passed on the Canon SD800 IS.

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The evolution of Real Photo Technology brings you ultra-high sensitivity and enhanced image quality! Boasting superior light collection via a high-precision Fujinon lens and maximum sensitivity of ISO 3200 at full 6.3-megapixel resolution, the 6th generation Super CCD HR works seamlessly with the advanced signal processing and improved two cycles of noise reduction of the new RP Processor II to produce exceptional photos.

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Fujifilm FinePix Real 3D W3 Digital Camera with 3.5-Inch LCD Review

Fujifilm FinePix Real 3D W3 Digital Camera with 3.5-Inch LCD
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Let me start by saying I'm not necessarily a 3d enthusiast, I wasn't all that impressed by Avatar in the theater... I'm not necessarily jumping on the 3d bandwagon because it seems to be the next big thing getting pushed by TV/display manufacturers. I am, however, a PHOTOGRAPHY enthusiast. I consider myself to be a fairly seasoned photographer -- I've got a wide variety of cameras and lenses, am members of some local photography clubs... Creative photography interests me the most. For example I have interest in things like vintage camera equipment, pinhole lenses, Lensbaby lenses, Holga cameras, etc... just all kinds of creative ways to capture things that are maybe outside of the norm.
So while I think of 3d as a gimmicky trend that has been revived by the Avatar movie, I'm also a creative photographer that was very intrigued when I heard about this camera. I bought the camera sight-unseen, basically thinking it was going to be a gimmick. However after seeing the pictures it produces I honestly, truly believe it is not a gimmick and 3d photography is going to be here to stay. It may take a while to catch on, but it's here to stay.
Once you experiment with the camera a bit you'll learn how to get the most of the 3d effect. Taking photos of things that are further away (such as landscapes, distant architecture/buildings where it's difficult to get a sense of depth), the effect is more subtle and less apparent. But taking photos of things that are reasonably close to you, and there are points of interest at different distances throughout the shot (such as a forest with trees at staggered distances away), the 3d effect is much more apparent and can be quite stunning. Either way, with a subtle 3d effect for things further away, or for a much more apparent 3d effect on things that are closer, it truly does add another dimension to your photography. You see things in the photos almost the way you do in real life.
Like all things this is just another creative tool to add to the toolkit. There are lenses for certain jobs, and there are cameras for certain jobs. The images this camera produces really have to be seen to be believed. I, as well as several others I have shown the images to, am really shocked at how well the 3d looks and am still trying to wrap my head around it and when I might want to use this new tool.
Here are my pros and cons:
Pros
---
- Reasonably compact for what it is. It's more compact than I expected. Have to keep in mind it is basically 2 cameras in 1. Most of the cameras I use (SLR's) are not nearly as compact as this so this really feels like a treat to carry around.
- Battery life in my experience has been excellent. I've seen other reviews say the battery life isn't good. I've found that not to be the case. I didn't even fully charge the battery it came with and it's lasted for hours of me messing around and testing the camera out.
- The 3d effect, when used appropriately, is really stunning.
- Camera boots up reasonably quick for a compact.
- Can easily switch between 2d/3d modes, can view 3d photos in 2d, etc.
- Can do some creative 2d photography -- having both lenses using different settings for 1 shot.
Cons
---
- You have to hold the camera in a somewhat unnatural way in order to keep fingers from getting into the shots. The lenses are both on the outer sides of the front of the camera. This is a trade-off that I completely understand as they have to have the lenses apart to get the 3d effect but also wanted to keep the camera compact.
- I've had poor results when using the Macro (close-up) functionality.
- Not a fault of the camera, but until 3d is widely adopted it will be difficult to share these photos with anyone the way they're meant to be seen.
- Prints are on the expensive side at $6.99 for a 5x7 print
- Prints are only available in 5x7. I really wish there was a larger variety of sizes available. I don't expect to get gallery-sized prints, but a little bigger than 5x7 would be nice.
So is the camera perfect? No. It's obviously a new technology and is only going to continue to get better. But for where it's at right now I am really thrilled with the camera overall and that's why I gave it 5 stars. This camera really does add a new dimension to photography that has sparked a creative bug inside of me that I haven't felt in a long time.* UPDATE 10/4/2010 - I've got a couple observations after having spent a few weeks with the camera, taken some video, AND I just got my first order of prints.
Picture quality - I, like many other reviewers, have been "wowed" by the way the 3d pictures look on the camera's built in screen. I will agree with that 100%, however, being critical about the picture quality after reviewing it on a PC, it's really not that great. Don't get me wrong, the 3d effect is absolutely fabulous, but don't be fooled by the results you see on the camera's tiny display -- this is essentially 2 mediocre cameras stuffed in to 1 body. I can't say enough how cool the 3d effect is but the images on their own are on-par with about any other cheap point & shoot digital.
Video - very impressive. I took some video from the top of a waterfall (looking down). Stunning.
Prints - This is one area where I think a lot of other reviewers have not yet covered. I ordered 3 prints. They only come in 5x7 size. I tried to order somewhat of a variety of types of shots, just to get an idea of how they look on paper. I had no idea what to expect. Let me start by saying the prints come on a really thick paper, and it has those ridges on it -- you know, kinda like those scratchy 3d things where you can turn them to see 2 different images. Not QUITE the same, but pretty similar. Just due to the nature of the paper it is printed on a lot of the detail can be lost. So that said, I got 3 prints. Portrait - decent. Close-up shot - not good. Nature shot - awesome. The nature shot I took was from a bridge overlooking a river, with trees and such overhanging the edge of the river. The 3d effect was quite pleasing and I am excited about ordering more prints for this type of shot. Now my sample is only 3 prints, but perhaps this advice will serve someone else well. The 3d effect on the camera doesn't quite turn out the same way on a print for all types of shots.

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The 10.0 megapixel ccd; 720p 3d high-definition video; 3x zoom lens; 3.5" wide lcd screen; 2d & 3d high-definition shooting modes.

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Blackmagic Design HDLink Pro 3D Displayport, DVI/HDMI Monitoring, 6 Channels RCA Analog Audio Out, 3D Lookup Tables, Dual Link 3 DB/S SDI Input Review

Blackmagic Design HDLink Pro 3D Displayport, DVI/HDMI Monitoring, 6 Channels RCA Analog Audio Out, 3D Lookup Tables, Dual Link 3 DB/S SDI Input
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I feel that i receive an incomplete unit: no drivers disk, and lack of 3D glasses as they are displayed on all ad photos.

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The HDLink Pro Display Port HD & 2K Monitoring Solution from Blackmagic is an HDTV-resolution monitoring converter for DisplayPort monitors. It is designed to eliminate the high cost usually associated with HDTV monitoring. This solution supports both DVI and HDMI formats and can be used with LCD displays. Audio outputs are de-embedded from the SDI input and then converted to analog at 24 bit. It can be used as an HDTV-resolution 4:4:4 monitoring solution that supports both standard-definition SDI, HD-SDI and HD-SDI 4:4:4 for full-resolution color monitoring. For matching LCD display colorimetry and simulating various types of film stocks, HDLink Pro features advanced 3D lookup tables. It supports all SDI-based formats from standard definition NTSC/PAL to HD-SDI 1080 and 720 and even 2K film resolution when used with DVI displays. HDLink features 3Gbps SDI, so it also works with real-time 2K monitoring as used on Blackmagic Design's Multibridge Eclipse, Multibridge Pro and DeckLink HD Extreme.

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