Showing posts with label nikon d80. Show all posts
Showing posts with label nikon d80. Show all posts

Fujifilm FinePix S3 Pro 6.17MP Digital SLR Camera (Body Only) Review

Fujifilm FinePix S3 Pro 6.17MP Digital SLR Camera (Body Only)
Average Reviews:

(More customer reviews)
This is the first digital camera which made me forget the film, after 27 years of photography experience. The image quality is beyond expectation. The performance is much slower compared to current Nikon dSLR models, including much more affordable Nikon D70. However, I owned D70 for about 1 year and could not treat it as a "real camera" because both the resolution of D70 is lower than that of good scams from 35mm film and the dynamic range is not as good. The S3 Pro IS The Real Camera. In terms of color rendition and dynamic range, it OUTPERFORMS the latest 35mm professional slide film. At the beginning, I was not happy with resolution (I could not see visible advantage over 6Mp Nikon D70), but this was actually an issue of lenses used. At 12 Mp mode, images looked too "interpolated" (they ARE partially interpolated but do not confuse this with upscaling of 6Mp files to 12 Mp - the sensor does have more resolution than 6 Mp - please read reviews about Super CCD design elsewhere). This "insufficient resolution" feeling was a result of using medium-quality Nikkor 24-85mm lens. This lens is good at 6 Mp but in 12 Mp mode its resolution is not enough to take advantage of the whole resolution of the camera sensor. When I put on a 55mm Micro-Nikkor, the resolution became shocking great! I could not see interpolation at 100% crop of 12 Mp images! The in-camera JPEGs are great, "robust" and do not usually need postprocessing. I usually stick to "normal" color and "original" tone settings, which helps to preserve more information in different lighting settings but sometimes this results in need of slight fine-tuning of the contrast. If you don't like postprocessing at all, use "standard" color AND "standard" tone instead. In most cases, images taken in this mode are almost perfect for printing right out of the camera. Downside: the camera performs relatively slow: if you take several shots in a row in RAW mode, the camera may be locked for half a minute (!) to write the files, and speed of reviewing the images is also awfully low. But I can easily accept these because the joy of having images of such high quality makes the incoveniences of slow performance insignificant for me.

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Featuring an advanced new, fourth-generation Super CCD SR sensor, the FujiFilm FinePix S3 Pro digital SLR takes digital photography dramatically closer to film quality. The FinePix S3 Pro offers a full feature set that's perfect for professional photographers, including a 6.17-megapixel effective resolution (increased to 12 megapixels with in-camera technology), compatibility with Nikon F-mount lenses as well as a majority of Nikkor AF lenses. Improvements over the FinePix S2 include larger, more ergonomically placed buttons, power from 4 rechargeable NiMH batteries, and USB 2.0 connectivity (as well as FireWire). This model does not include a lens.
Optics and Resolution The FinePix S3 Pro's Super CCD SR sensor (23 x 15.5mm) uses 6.17 million S-pixels and 6.17 million R-pixels (for 12.3 million effective photodiodes) to deliver 12 million recorded pixels and noticeable image improvements to that of single-pixel cameras. The SR sensor's unique double photodiode design broadens tonal capability, from bright highlights to deep shadows and produces images with a dynamic range four times greater than that of a sensor working on single-pixel technology. It gives greater sensitivity, improved signal-to-noise ratio, and consistently natural colour reproduction, and also produces the following resolution modes: 4256 x 2848, 3024 x 2016, 2304 x 1536, and 1440 x 960.
It has a Nikon F mount and accepts a full range of Nikkor F-series lenses--including AF-D, AF-G and AF-S type professional optics.
Fourth-Generation Super CCD SR FujiFilm's Super CCD SR provides a truer representation of the actual subject being photographed, revealing highlight detail and offering a four-fold increase in dynamic range. By using an innovative layout of paired photodiodes--in a "honeycomb" pattern--the technology enables confident shooting in both bright and cloudy conditions. The Super CCD improves overall signal-to-noise ratio and offers a much wider dynamic range. It also combats the bleached-out effect created by flash photography and increases exposure latitude, a great advantage in difficult lighting conditions.
More Features
Rugged,polycarbonate body with rounder design and molded rear grip
2-inch, 235,000 pixel horizontal LCD delivers crisp, clear images and nearly 100% frame coverage
Secondary LCD indicates shooting information and settings
Dual shutter release buttons to allow optimum comfort and stability in both horizontal and vertical orientations
Intelligent flash with D-TTL full-aperture exposure metering system
Shutter speeds of 30 seconds to 1/4,000 second
Sensitivity: ISO 100, 160, 200, 400, 800, 1600

Direct Printing The FinePix S3 Pro is PictBridge compatible, which enables you to transfer pictures from your digital camera to your printer, without a PC or image-editing software. All PictBridge devices share three basic features: camera-to-printer connecting, single-image printing, and uniform error messages (in case something goes wrong)
Storage and Transfer The FinePix S3 Pro offers a dual-media approach to storage: XD and CompactFlash Type II memory cards (offering compatibility with optional Microdrives, which can provide up to 4 GB of storage). It also incorporates dual PC connectivity, via super-fast USB 2.0 or IEEE 1394 (FireWire, also called i.Link).
Power and Size The camera is powered exclusively by 4 rechargeable NiMH batteries (included). It measures 5.8 x 5.3 x 3.1 inches (W x H x D) and weighs 1.6 pounds (excluding battery and lens).

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Nikon 17-35mm f/2.8D ED-IF AF-S Zoom Nikkor Lens for Nikon Digital SLR Cameras Review

Nikon 17-35mm f/2.8D ED-IF AF-S Zoom Nikkor Lens for Nikon Digital SLR Cameras
Average Reviews:

(More customer reviews)
This lens is widely held to be one of the best if not the best wide angle professional zoom lens for 35mm and Digital SLRs compatible with Nikon's lens system. I've had mine for about 6 months on a Nikon D-100 and have absolutely nothing I don't like about it. It's sharp from corner to corner at all zoom settings and any pincusion destortion is negligible even at 17mm @ f2.8. The AFS focusing motor is lightning fast and accurate. Filter size is 77mm, same as my Nikkor 70-200mm f/2.8G ED-IF AF-S VR lens. Since filters this size aren't cheap, it's nice to be able to share. This lens will support 35mm, APS, and DX format film and digital sensor sizes and comes with a 5-year warranty. If you want the best, and can afford it, you won't be sorry you purchased this lens.

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Wide-Angle Zoom Lens from UltraWide to Wide Angle / F2.8 Maximum Aperture

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Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Nikkor Zoom Lens for Nikon Digital SLR Cameras Review

Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Nikkor Zoom Lens for Nikon Digital SLR Cameras
Average Reviews:

(More customer reviews)
After exhaustive research on many lens, I finally decided to plunk down the $500+ (at the time this was written) to purchase this lens. It may not be the best on the market but it compliments my Nikon 18-70mm DX lens nicely. I was looking towards Nikon's 18-200mm DX lens, however; the price pushed me to choose this one (as it was nearly half the price and my two lens can nearly cover all the range of the one 18-200mm).
QUALITY/WEIGHT:
build quality is cheap yet sturdy... the plastic is a little chinky but cuts down on the weight. My Nikon D200 has no problem handling the lens weight, however; I have heard (unconfirmed) reports that this lens is a little heavy for the lighter cameras (D80, D70, D40, ETC). The Ring Connector is metal and has a rubber gasket on the outside so as to provide minor protection (for the lens mount) from the elements.
You also have to keep this in mind, when discussing weight, quality & price; the bulk of the price of this lens is going into the glass elements (all 17 elements of them). It gets expensive when you place that many high-quality optics into a tube. I'm really not that surprised a the price, although $400 price-range would probably be more suitable for this lens
FOCUSING/LENS ATTRIBUTES:
Focusing can be quite fast... at times. You'll find, at the Max 300mm focal range, that the lens has a pretty hard time auto-focusing in on a subject. At times it would focus pretty quick, at the 300mm range, while at others it cannot focus at all. You can get around this quirk by bringing the subject into near focus (manually) then letting the auto-focus take over; it works every time. I find this focus problem disappointing especially given the price of this lens.
The quality of the Bokeh (Out of focus areas of the photograph) is very nice and pleasing. The images are sharp, vignetting (dark areas in the corner of your photos) is hard to find and lens flare rarely a problem.
VIBRATION STABILIZATION:
All I can say is that it works... it can come in handy. It's not going to stop the image guaranteed for you; it's only meant to slow down the rate at which the camera moves (vibration from holding). You can notice the difference; with it off you'll see that the image (at say 300mm) really bouncing around; then you flick on VR. It takes a sec or two but then the image smooths out, it still wobbles around, but much more slowly.
With VR enabled, you can usually go 2-3 (sometimes 4) stops down, then what you'd normally be able to do when hand holding.
THE "SHOCK" TEST:
I haven't "shock tested" my lens yet (IE dropped it) but I have heard (again unconfirmed reports here) that it holds up pretty well to a drop... although I would never recommend testing that out.
IMPORTANT NOTE:
The 70-300mm range should be noted: Although the lens states that it is a 70-300mm zoom, this lens was intended for a 35mm camera or full-frame CCD/CMOS sensor Digital Camera. All (or at least the majority) of Nikon's DSLR (D200, D80, ETC) are NOT Full-Frame sensors. They are approximately 1.5x factor of a full-frame sensor (due to the smaller sensor size).
What does this all mean?
Well it's simple, since this is a 35mm lens and not a DX lens (ie built to account for the 1.5x factor in most nikon digitals) you have to apply the 1.5x conversion. This means that the Nikon 70-300mm on a Nikon DSLR will give an apparent zoom equivalent to a 105-450mm lens. I actually do not mind this apparent zoom and this should also cut down on vignetting; as what the lens projects onto the sensor is larger then the area of the sensor itself. In short: parts of the image spills over the sensor, since this lens was meant to project onto a full-frame sensor/35mm film.
CONCLUSION:
Pros:
Pleasing Bokeh
Fast Auto-Focus (when working properly)
Vignetting is minimal
Image Stabilization (VR)
Flare is minimal
1.5x factor (105-450mm) makes for nice zoom
Colors are very good
CONS:
Plastic Casing
Near Inability to Auto-Focus at 300mm range
Price (even though it is cheaper then the 18-200mm DX)
1.5x factor (105-450mm) might make it more zoom then you need
Lens could be faster (F/4 would have been nice)
I love this lens, even for it's quirks, however; you may want to wait till it drops in price a little more (it falls almost bi-weekly). It may not be the fastest on the market, but it's size, optics, image quality and VR make this a must have lens for Serious Nikon users!

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L3)NIKON 70-300MM F4-5.6G Vr (2161)

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