Showing posts with label lumix. Show all posts
Showing posts with label lumix. Show all posts

Panasonic Lumix DMC-TS1 12MP Digital Camera with 4.6x Wide Angle MEGA Optical Image Stabilized Zoom and 2.7 inch LCD (Green) Review

Panasonic Lumix DMC-TS1 12MP Digital Camera with 4.6x Wide Angle MEGA Optical Image Stabilized Zoom and 2.7 inch LCD (Green)
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I have been using DSLRs for several years, and currently use the Canon 40D and a wide selection of lenses. I bought this camera as a pocket camera that is easy to take anywhere, and for its HD video capability, as I'm currently in Thailand for several weeks doing some geology research for my master's thesis, and it's impractical and annoying to lug around my big camera everywhere. Therefore my expectations may be different - I am not expecting perfect image quality, full manual controls, etc., because I have my other camera for that kind of thing when I want it. I'm not sure that I would want this as my only camera, because the image quality isn't perfect, but if I didn't have a DSLR I don't think I would notice.
In any case, the main thing I have been using this for is taking HD video. This is excellent, and looks phenomenal on a computer screen. I haven't tried playing it on a TV but I assume it would look excellent there too. It is 720p, not 1080p like the new DSLRs will do, but it still looks great - surprisingly great, even, considering the size of the camera and its lens.
Others have apparently had trouble using the AVCHD Lite codec, but I have not. I can import the .mts files flawlessly into the Kdenlive video editor on OpenSUSE Linux 11.2 with KDE 4.2. I'm not sure what the status of this codec's support in the popular Mac and Windows video editors is, but if you're using Linux, don't worry about it because it works great and the quality and file size are much better than using MPEG2. As it's a small camera with a small lens and few manual controls, video is not going to look like that from a professional camcorder or from a new DSLR with HD video, but it's easily as good or better than that from the small sub $1000 HD camcorders that are available. Manual control of exposure compensation and ISO for video isn't apparently possible - a workaround is to use the scene modes, which works decently well. The night scene modes give pretty good high-iso (i.e. grainy) video at night, even in dark bars and clubs (or here in Thailand, riding in the back of a tuk-tuk). I really like that there's a dedicated movie button - you can immediately start recording a video no matter what else you're doing on the camera by hitting the button.
The camera's responsiveness is very good - obviously not like a DSLR, but much quicker than I'm used to from point and shoots, including other recent models that I've handled. You don't get full manual controls, but if you know what you're doing you can almost always get exactly what you want out of it. I usually leave it in "Normal Picture" mode, which gives you the most manual control. All other modes will either default to use the flash if the camera deems it necessary (which, as in most point and shoots, is almost all the time apparently), or will use the built-in LED to aid focusing, both of which are extremely distracting if you want to be discreet (or if you just don't like the look of straight-on flash).
You do have to know what you want to do with the camera if you use "Normal Picture" mode, it's not just point and shoot - but you will get the best results. The "Intelligent Auto" mode works OK - it tries to decide the best scene mode for you based on what it thinks you're taking a picture of. I would suggest just dialing in the scene mode yourself (there are a lot to choose from) as when I was trying that mode it would sometimes choose the wrong thing. That would be the best mode if you wanted pure point-and-shoot action, though.
Image quality is probably about on par with other point and shoots with folding optics. I don't know too much about this as I'm used to my 40D and other DSLR images. It is certainly more than decent for my purposes, though. Impressively, I've been taking high-iso shots without flash in really dark Thai bars and clubs that turn out ok - they are relatively long exposures of 1/2 to 1 1/2 seconds (or more) so I steady the camera on something, and there is motion blur, but I think that adds to the photo. The image noise in these cases is very obvious, but not overly distracting. Don't expect the results you'd get from a DSLR with a fast lens, and you won't be disappointed. Definitely practice your technique in various situations to get the best results with this camera.
Menu navigation is a little strange at first. I am not sure if it is really non-intuitive, or if I'm just used to the excellent navigation on DSLRs. I think users of point and shoot cameras probably have different expectations - most probably won't have a problem with this. Once you get the hang of it it's not really a problem, anyway, but for me it really was strange at first. All the controls you want (all the manual controls available in "Normal Picture" mode) are quickly available by hitting buttons on the back. You don't have to dig through menus to get the the settings you need most often. It's a similar setup to that on the Canon Powershot series, and probably other cameras as well as far as I know. I really like the different auto-focus options they give you - there are more options than on my 40D, and similar options to the professional series DSLRs from Canon and Nikon. Obviously, they aren't going to work as well as on those cameras, but I quite like the "1-area High Speed" and "Spot" focus modes, which are very fast and work quite well. Unfortunately there is no manual focus, and in tricky situations it can be hard to get it to focus on exactly what you want - in those cases try "Spot" focus, but even there it doesn't always give you what you want.
Now, of course, the big thing about this camera that calls for the high price - because let's face it, for the specs on this camera it is pretty expensive - is that it's waterproof. This works great and is really a lot of fun. I took it into the cold Pacific Ocean at Newport Beach and it held up great. Taking underwater HD video is a lot of fun. [...] I will have some more videos, from Thailand, up soon as well. I've also taken it in a hotel pool, and it worked great there too. Even if you don't plan on going snorkeling or anything with this camera, it being tough and waterproof is a great feature - I don't ever worry about just slipping it in my pocket. It's the rainy season here right now and I don't carry an umbrella, so I could easily get soaked at any time - I would be very careful with a non-waterproof camera, but don't have to think twice about always carrying this one with me.
Do be careful, though, and be sure to read the instructions - there are some things you should do to take care of it so that the waterproofing holds up. The waterproof seals really could be better than they are, but if you take care of them I think they should hold up pretty well.
One thing you might also want to watch out for is battery life - when I took it to the beach, I only got about 25 minutes of video recording and a few photos before the battery (which was fully charged beforehand) was completely dead. The Pacific is quite cold, of course, which may have been the reason for the short battery life, but it is something to be careful of. Extra batteries are annoyingly expensive, and I haven't seen a third-party version available yet, but I would have to recommend getting one because so far it seems that the battery life is unpredictable. I left it recording video on my desk with a fully charged battery to see how long it would last, and it went about 2 hours (which is about what you can fit on the 16gb SDHC card I got with the AVCHD lite codec). That seems pretty good, but in real life use you will probably get considerably less life out of the battery.
The zoom range is pretty decent; I usually stay at the wide end and I appreciate that they give you the 28mm equivalent - a lot of other point and shoots are at their widest at 35mm, which is significantly less wide. The lens is not exceptionally fast - which I assume is due to the folding optics design - but it normally is fine, even in dark places as I described earlier. I don't really ever zoom in too much, because with the slow lens it's usually blurry except in bright light. The optical image stabilization works well, and is active during video recording (if you want it to be) to remove some of the jitter, which is kind of annoying in videos, and which you'll get a decent amount of with this camera due to its small size.
Macro images are nice - you can get quite close. Be careful about the "Macro Zoom" mode, though - it is actually a digital zoom! You can get much closer, but the image quality really suffers. This looks especially bad if you use it during video. I suggest simply never using this option. The regular macro mode works fine. You can get closest by zooming to the widest setting, which seems weird, but it works.
The camera is pretty stylish and has a nice feel and heft. It feels really well built, mostly metal, and not all smoothed out and boring like most modern electronics design. If you're into gadgets, you'll really appreciate the industrial styling of the camera, and the weight. The screen is very good; it is bright and visible in direct sunlight and will automatically adjust the brightness depending on where you are (if you set it to - you can set the brightness yourself, too). One problem with the design - and one inherent to this type of camera with folding optics - is that you will often find your fingers covering the lens until you get used to holding it. Kind of annoying, but understandable due to design limitations.
Overall - I think this is great as a pocket camera, for its HD videos, and as a backup for another camera. I personally would not want it as my only camera - I would choose my DSLR. I would not hesitate in recommending it to anyone who isn't interested in a DSLR, though, and who wants a tough, neat little camera, great for traveling. To be honest, I've taken very few shots with my 40D, and quite a lot of them (and a heck of a lot of video) with this in the week or so I've been in Thailand so far.

Click Here to see more reviews about: Panasonic Lumix DMC-TS1 12MP Digital Camera with 4.6x Wide Angle MEGA Optical Image Stabilized Zoom and 2.7 inch LCD (Green)

Panasonic's Lumix DMC-TS1 is the world\'s first waterproof, shockproof and dustproof digital camera to also feature AVCHD Lite High Definition (HD) video recording capabilities. The TS1\'s tough and rugged design makes it the ideal choice for active users needing the ultimate hybrid for capturing both still and motion images during outdoor activities. The Lumix TS1, with a 12.1-megapixel resolution, features a 28mm wide-angle Leica DC Vario-Elmar lens, a 4.6x optical zoom and Panasonic\'s proprietary iA (Intelligent Auto) mode, making this an easy-to-use, yet powerful camera that packs advanced imaging features.FEATURES:Scene Modes for Still Images: Beach & Surf mode gives users a single mode with optimized auto white balance for optical shooting on the beach and in shallow water. Panorama Assist scene mode allows users to shoot a number of consistent photos, either vertically or horizontally, by aligning them according to a guide that overlaps the screen. Then using those photos and the bundled PanoramaMaker software, users can create dramatic panoramic images. Increased Scene modes for both still and motion image shooting--optimized for a variety of situations. There are 26 scene modes for still image and 17 for motion image (Portrait, Soft Skin, Transform, Self portrait, Scenery, Low light, Food, Party, Candle light, Sunset, High sensitivity, Beach & Surf, Snow, Aerial, Pin hole, Film grain and Underwater) LED Illumination is available in motion image recording. High-Speed Burst (Speed Priority) that fires off approximately 10 shots per second. Menus are clearer and easier to navigate with the Display Size option. Macro Zoom function lets users pull subjects even closer to capture dramatic close-up shots by using the 3x digital zoom in the wide-angle. SUPPLIED ACCESSORIES:Battery PackBattery Carrying CaseBattery ChargerLens Cap Lens Cap S

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Panasonic DMC-FX37K 10MP Digital Camera with 5x Wide Angle MEGA Optical Image Stabilized Zoom (Black) Review

Panasonic DMC-FX37K 10MP Digital Camera with 5x Wide Angle MEGA Optical Image Stabilized Zoom (Black)
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The exemplary build quality gives this camera a luxury feel. The camera is dense, feels hefty for its size when picked up, unlike many similar cameras that feel like a piece of plastic. This is a fine example of Japanese craftsmanship. It is fast and very responsive in operation. The lens is fantastic, 25mm (effective) wide angle is rare among such cameras, significantly wider angle than the 28mm of the FX33. In wide angle lenses every mm counts. Thankfully, the max aperture is back to f/2.8 - the FX35 maxed at f/3.3. The lens is sharp edge to edge with very little, if any, in the way of distortion and chromatic aberration. Certainly, the lens is better than the sensor. The wide aperture (f/2.8) at the wide angle is great for low light [The lenses on the FX35, TZ3, TZ4 and TZ5 are not as fast].
The flash is weak [manufacturers under-power the flash in order to gain on the "shots per battery charge" scale.].
Hints: In low light, including indoor shots with flash, use the wide angle (zoom out) to make use of the f/2.8 aperture, and you'll get fewer dark underexposed pictures. Stick with ISO 100 and 200. Keep ISO 400 for emergencies, but never go beyond 400. In auto-ISO mode, you can limit the max ISO. You probably read a lot about image noise. Yes, it is there, but you will not see it in 4x6 or 8x10 prints. You won't see it on a typical 20" monitor (12"x16") when viewing the whole image on the screen. You will see it if you view part of the image 1:1, which amounts to close up inspection of a 57"x38" print (assuming the monitor is running at 1024x768). Those wanting 57"x38" prints will be using a medium-format digital back, not this camera anyway. Reduce the resolution to 3 or 5 mp and you'll see less noise (per pixel), and save hard disk space!
I recommend an extra battery and a 4 GB memory card (minimum).
Optical image stabilization is very effective indeed. Video (1280x720x30) is very good.
I took out one star for: 1) Lack of full manual controls, 2) sensor noise.
This camera needs a larger sensor.
The more expensive TZ3, TZ4 and TZ5 lack the f/2.8 aperture (they max at f/3.3).
If you like the size and build-quality of the FX37, but want a better picture-taking machine, look at the LX3. It has a larger sensor, manual controls, RAW, and an excellent 24-60mm (equiv) f/2-2.8 lens. The LX3 is destined to be a big hit.

Click Here to see more reviews about: Panasonic DMC-FX37K 10MP Digital Camera with 5x Wide Angle MEGA Optical Image Stabilized Zoom (Black)

The Lumix DMC-FX37 digital camera features a 25mm ultra wide-angle Leica DC lens, enabling you to capture almost double the viewing space at the same shooting distance as compared to 35mm cameras.The 10.1-megapixel FX37, capable of High Definition video recording, also includes a powerful 5x optical zoom while maintaining a sleek, ultra-compact body and expands Intelligent Auto Mode (iA), Panasonic's system of intuitive technologies that help you capture better photos.

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Leica 18400 X1 Digital Camera (Black) Review

Leica 18400 X1 Digital Camera (Black)
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For starters let me say that I am a professional photographer and I was looking for a camera that I could travel with and be happy. I took a chance on the X1 and it paid off in spades. This is a great camera. I can't imagine what my vacation would have looked like with my D3 and five Nikor lenses, batteries, flash and all of the crap that I could not have traveled without.
The X1 is easy to use and focus's on the art of photography and not the technology behind it. Compose the shot and pull the trigger, that is what it is about. Setting the Aperture and Shutter speed is easy with two dials on the top of the camera. I also purchased the external view finder and that made the camera even easier to use. This camera is very nostalgic in nature and really takes you back to a time where you worried more about composition than you did technology.
A couple of issues to think about. The dials on the top can be easy to turn but not a deal breaker. I placed the camera in my back pack which was next to a bag of ice. The camera got so cold that it fogged up when I got it out, my fault not Leica's.
I am in the hunt for the M9 at this point, just need to find ten to twelve thousand in disposable income...
I would recommend this camera to anyone that wants a great image and easy to use camera.

Click Here to see more reviews about: Leica 18400 X1 Digital Camera (Black)

The Leica X1 in classical black is a 12.2 megapixels classical black digital compact camera with a Leica Elmarit lens, 1:2.8/24 ASPH, that is targeted at customers who are modern, spontaneous, mobile and lifestyle-oriented. Made in Germany, the Leica x1 offers the DSLR quality in a compact camera. Camera includes leather carrying strap, battery LEICA BP-DC8, battery charger, battery protector, USB-cable, lens cap, instruction manual, Adobe Photoshop Lightroom

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Panasonic Lumix DMC-GF2 12 MP Micro Four-Thirds Interchangeable Lens Digital Camera with 3.0-Inch Touch-Screen LCD and 14mm f/2.5 G Aspherical Lens (Red) Review

Panasonic Lumix DMC-GF2 12 MP Micro Four-Thirds Interchangeable Lens Digital Camera with 3.0-Inch Touch-Screen LCD and 14mm f/2.5 G Aspherical Lens (Red)
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My other camera is a Canon Rebel XTi which is a few years old. On our family trip to Europe recently, I took the GF2 with the 14mm pancake lens only. The camera focuses fast with virtually no shutter lag. Exposure was very good, better than my SLR. The 28mm equivalent lens was very good for all the family pictures, landscapes and all the sights. The HD movie mode was also very useful as it's activated by a dedicated button. I took over a thousand pictures on this trip and dozens of short videos, and my 32 GB SDHC card was not even half full. I highly recommend this camera. It is compact enough to fit into my coat pocket, which is another reason I chose the pancake lens rather than the zoom lens. Picture quality seems to be similar to my SLR with similar low light capability. ISO 800 was very usable.

Click Here to see more reviews about: Panasonic Lumix DMC-GF2 12 MP Micro Four-Thirds Interchangeable Lens Digital Camera with 3.0-Inch Touch-Screen LCD and 14mm f/2.5 G Aspherical Lens (Red)

The LUMIX GF2 is Panasonics signature DSL Micro Compact system camera in its mirrorless line-up, as it it's the smallest and lightest model offered by Panasonic, while still offering the superb image quality expected from LUMIX. Comparing to the GF1, its predecessor, the GF2 has been reduced approximately 19% in size and approximately 7% in weight yet is still retains its signature built-in flash and all metal body. FEATURES:Future Proof with 3D Technology - The GF2 has been "future-proofed" with its support for 3D shooting while not compromising ease of operation or image quality. 3D shooting can now be easily accomplished with the addition of Panasonic's new 3D interchangeable lens (LUMIX G 12.5mm / F12). Images can be printed in 2D or 3D and can be easily displayed on Viera 3D TVs for in home enjoyment. (MPO 3D file format can be displayed on most 3D compatible TV brands)Intuitively Easy with a Touch Controlled LCD - The LUMIX GF2 is extremely easy to operate for consumers at any level, thanks to a newly- designed user interface, which allows for the focus to be set, or shutter released, by simply touching the large 3-inch touch-screen LCD. The touch-screen LCD with a 460,000-dot-resolution makes taking great photos intuitive. Once a user locks on a subject by touch, the LUMIX GF2 tracks the subject with the AF tracking function, even if the subject moves making it easy to take photos of moving subjects, like children playing. The contrast AF system adopted by the LUMIX DMC-GF2 is not only accurate and easy to use, but also very fast. Users can choose from a wide range of AF (Auto Focus) modes, including multiple-area AF with up to 23 focus areas, 1-area AF with a selectable focus area, Face Detection, and AF Tracking.Q-Menu for Quick Menu Navigation - The touch operation also dramatically shortens the time spent navigating the menus. With the LUMIX GF2's newly-designed Touch Q-menu, the user can customize the camera's shortcuts with the most co

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Panasonic DMC-GH1K 12.1MP Four Thirds Interchangeable Lens Camera with 1080p HD Video Review

Panasonic DMC-GH1K 12.1MP Four Thirds Interchangeable Lens Camera with 1080p HD Video
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Bottom line up front: this is a great stills and video camera. It is a freshly designed stills camera that gives DSLR performance with P+S ease and DSLR abilities. As a video camera it is the best implemented video system on a "stills" camera today.
This is an amazing camera but before I tell you why I would like to make a comment on the current situation of this camera. First it is disappointing that Panasonic has region coded the camera and that they are starving the US market. Check out the price difference between the US and Japan at Amazon JP. However, you cannot change the language from Japanese to English due to the region coding. Also, punish the companies that are overcharging (Big VALUE Inc. is/was charging a 1.67 price premium). I for one will never ever do business with a company that does that. If everyone boycotted these predator type companies, they would go out of business.
When people first look at the GH1 there is an initial sticker shock. Why would I pay so much more than the G1? The major reason the difference is warranted is because it has a far more expensive lens. The price difference of the 14-140mm lens and the 14-45mm that comes with the G1 accounts for 5/7 of the price difference of the cameras. On top of that the 14-140mm lens is specially designed for video as it has utterly silent focusing and aperture changes. Also, the aperture changes are step-less. This allows for very smooth lighting transitions. The remainder of the price difference can be attributed to the inclusion of the best seen-to-date video implementation in a "stills" camera and an upgraded sensor from the Panasonic Lumix DMC-G1 12.1MP Digital Camera with Lumix G Vario 14-45 mm f/3.5-5.6 ASPH Mega OIS Lens (Blue). If you are not planning on working with movies then the GH1 is probably overkill and the Panasonic Lumix DMC-G1 12.1MP Digital Camera with Lumix G Vario 14-45 mm f/3.5-5.6 ASPH Mega OIS Lens (Red) would be your best bet. Also, the GH1 functions very much like the G1 for stills so any of those reviews will apply to the GH1.
STILLS
Panasonic markets this camera as like a DSLR only SMLR. I think that is a cool bit of marketing and is right on the mark. This camera has the best contrast detection autofocus on the market. It is as fast if not faster than my Nikon D40 and is almost as fast as my D700. This is a great technological breakthrough and is what allows the camera to be smaller than a DSLR while giving nearly identical performance. With this camera you will not miss photos of your children or other fast moving subjects while you wait for your camera to focus. Bravo.
What is also nice about a great contrast detection autofocus is that Panasonic was able to start with a fresh design from the ground up. The live view is the best implementation that I have seen to date. I never use live view on my D700, but I will always be using it with the GH1. It flips out and rotates 270 degrees. This means you can see it from the back, the front (for self portraits), the top, the bottom, and on one side. In addition, to the great screen articulation, the speedy contrast focus is the last piece that makes this live view great rather than painfully slow like it is on other DSLRs.
On top of the great live view, this fresh design allows this camera to handle exceedingly well. In many ways it takes the best of the point-and-shoot (P+S) world and mixes it with the best of the DSLR world. It doesn't have as many dedicated buttons as my D700 but the Q Menu system works very well and allows for quick changes of most shooting parameters. There is a detailed menu system but I don't find myself using it very much while shooting. I feel that this setup allows photographers moving up from the P+S world to feel immediately comfortable on this camera while also giving experienced photographers the control they need to work their craft.
I don't know what kind of plastic Panasonic uses on this camera but I love the way it looks and feels. Also, I think having a red or gold camera is cool and makes it look more like a toy rather than a "professional" camera. With the photographer unfriendly laws proliferating the world, it is nice to have an incredibly capable camera that doesn't look like a professional camera.
This is a micro-4/3s camera system. That has some pros and cons. The chip is smaller than most DSLR chips. A full frame (FX in Nikon speak) sensor is ~860 sq mm, a Nikon DX sensor is ~370 sq mm, the 4/3 sensor is ~225 sq mm, and the typical sensor used in a point and shoot range between ~25-50 sq mm. However, a 2/3 sensor like many TV shows are shot with is ~60 sq mm and a 1/4 sensor like most home video recorders is only ~10 sq mm. What does all of these numbers mean? From a "stills" perspective the 4/3 format is relatively small when compared to DSLRs. That means that for the same megapixel rating, the 4/3 sensor will have smaller photoreceptors and that means more noise. However, the 4/3 sensor is roughly 60% of a DX chip so while this is a great physics discussion, in real life you will not be able to tell the noise difference based on sensor size even with a picture blown up to 100%. This is born out by the GH1's excellent noise control up to ISO800. You can also still use shots taken at ISO 1600 and 3200 but those low light shots are usually better turned into black and whites for that noire grainy look. That is the "downside" (not really much of a downside especially when compared to the up side) of the micro 4/3 system. The upside is that because you have a smaller area to cover, you can make lenses smaller (less weight and less cost). You also get a 2x multiplication factor on your lenses. So now that 200mm lens gives you 400mm of reach. Yea. However, on the wide side of lenses you need a 7mm lens to get a 14mm viewing angle and those can get pretty expensive. The point of all of this mumbo jumbo is that this camera takes great pictures and the lenses are smaller than DSLR lenses. Less weight and smaller size with no noticeable image quality compromise equals great camera.
One thing that some people list as a negative on this camera is that in low-light the electronic view finder(EVF) gets dark, grainy and jerky (slow refresh speed). However, I look at it as a positive because that is how your picture is going to look. Unlike a DSLR which shows your eyes what the world looks like through the lens, the EVF shows your eyes what the sensor sees through the lens; an important distinction. So if you look through the EVF and see a dark (low light), grainy (High ISO), and jerky (slow shutter speed) image then you know you better shoot really carefully, move the subjects to more light, or light the photo with the built in flash (not recommended but if its all you've got..) or use an external flash.
On thing that is a negative is the slow 1/160 flash sync speed. This will be very limiting for off camera flash during bright light. With such a slow sync it will be exceedingly difficult (impossible?) to get shallow depth of fields while lighting. Most people probably won't use this feature but for those that do it will be a bummer. (FP mode and ND filters can help with this though)
I also love the face recognition on this camera. When I am taking group photos, the faces that I really care about are my families'. Now I can register 6 peoples' faces and it will focus on them. Nice
VIDEO
In many ways, this camera lacks some of the features of a dedicated video recorder. So why would I want to use this camera? After all, you can get a G1 and HD video recorder for the same price as this camera. There are two main reasons. The first reason is Depth of Field (DOF). As I mentioned earlier the micro 4/3 sensor has 4 times more area than the 2/3 sensor used for many TV shows and is 22 times more area than many video recorders. Smaller sensors = larger DOF. This makes it harder to isolate your subject from the background by having the background out of focus. Pay attention to movies when you watch them and you will notice how they shift focus to "highlight" their subject. If you have wondered why you can't do that with a home video recorder, now you know. If you shoot with a F4 lens on a 4/3 system you will need a .8 aperture on a 1/4 system to get the same DOF (by the way there is no such home video recorder). The second major reason to use the GH1 is the ability to change lenses. Right now there are not many micro 4/3 lenses. However, the micro 4/3 format is so flexible that, with an adaptor you can use just about any camera lens you want (Nikon, Canon, Leica, etc). The trade off is that you lose autofocus and metering with most non-4/3 lenses. The ability to change lenses grants two major benefits. First, you can put all sorts of exotic lenses on. For example if you put on a 7mm lens, you would give your video a perspective not often seen in home footage. On a 1/4 sensor of a video recorder you would need a 1.4mm lens to get the same perspective as the 7mm on the 4/3 system. (Most camcorders are not going to go wider than 4mm which is roughly equivalent to a 20mm lens on a 4/3 system.) Secondly, you can put exceedingly "fast" (a fast lens is one with a low aperture number. A lower aperture number means more light hitting the sensor so you can run your shutter speed faster. Hence fast lens) lenses on to get shallow DOF. You could easily put a f1.4 lens on this camera. You would need a f0.3 lens to get the equivalent DOF on a 1/4 sensor.
Anyway, it is relatively easy to make beautiful videos with this camera;...Read more›

Click Here to see more reviews about: Panasonic DMC-GH1K 12.1MP Four Thirds Interchangeable Lens Camera with 1080p HD Video

The Panasonic DMC-GH1 is called a Creative HD Hybrid because it records not only high-quality photos but also high definition 1080/24p or smooth 720/60p HD (High Definition) movies in AVCHD format. Continuous AF can be used while recording movies, to further boost operating ease. Taking advantage of its system camera design, the DMC-GH1 features the potential for unlimited photo expression by allowing the use of different lenses for specific shooting situations and subjects. High-quality sound recording with Dolby Digital Stereo Creator and a host of other creative options, including manual settings, giving the DMC-GH1 even greater versatility.Supporting the DMC-GH1's powerful full-HD movie recording function is a 12.1-megapixel high-speed Live MOS sensor and the Venus Engine HD image processor, which features two CPUs for outstanding processing capability. The LUMIX G VARIO HD 14-140mm/F4.0-5.8 ASPH./MEGA O.I.S., which is a versatile 10x zoom interchangeable lens, was designed for movie recording by including a silent and continuous auto focusing function and seamless aperture adjustment.FEATURES:Intelligent Exposure (iA) Mode - Panasonic's Intelligent Exposure (iA) Mode simplifies face detection autofocus, AF tracking for moving subjects, optical image stabilization, scene mode selection, and ISO to make great pictures as simple as point-and-shoot. Concentrate on the subject in front of you--let the camera do the rest. The GH1 lets you enjoy making great photographs with ease!Super Zoom 14-140mm Lens - Coupled with the GH1, the newly-developed 14-140mm (10x) zoom lens provides excellent wide angle to telephoto coverage. From landscapes to dramatic close-ups, this optic ensures first-class image quality in an amazing 35mm focal equivalent of 28-280mm! The integrated optical image stabilizer keeps your photos sharp and shake-free while the silent autofocus motor keeps pace with the most demanding photo and video applications.HD Video Recordin

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Sony Alpha NEX NEX5A/B Digital Camera with Interchangeable Lens (Black) Review

Sony Alpha NEX NEX5A/B Digital Camera with Interchangeable Lens (Black)
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I purchased the Sony Alpha NEX 5 as a gift for someone with lots of artistic ability, but who is intimidated by the typical DSLR. So far, it seems like a good choice.
For me, there were four possibilities:
- The Sony NEX 5
- Olympus E-PL1
- Panasonic GF1
- Leica X1 (I'm a "red dot" softie)
In retrospect, I wish I had spent more time thinking about a small DSLR, such as the Nikon D3100. The price difference isn't too great, and it would have opened up the door to a more versatile collection of lenses and accessories. The NEX 5 is about the most compact of any of the above though, so perhaps the size versus quality trade-off will come in handy. The NEX 5 body is about 10 ounces - half the weight of most of the others (although it gets closer when you compare camera plus lens).
In terms of construction quality, I found the Sony to be very solid and well made, even though it's more compact than its peers. The body is a mix of magnesium alloy and plastic parts, and it feels rugged and comfortable in my hands. To be clear though, the Sony lenses seem quite a bit larger than the competition, and the combination of a small body plus enormous lens can look quite weird till you get used to it.
Most of the camera's functions are only accessible through an extensive menu system. I use Nikon's DSLRs, but was able to adjust to the Sony menus pretty quickly. Still, I think the camera might have benefited from a few more user-assignable buttons that let you keep commonly used functions closer than wading through the menus. Otherwise, I found the operation pretty straightforward. The screen is large and easy to read, even in daylight. There are a lot of built-in tips to guide you through the more complex or seldom-used features...another plus.
Speaking of lenses, Sony has the typical fixed 16mm wide-angle and an 18-55 zoom, with a 18-200 zoom supposedly coming soon. To their credit, Sony also makes an adapter that lets you use their DSLR lenses on the NEX 5, although you lose autofocus this way. To me, this is a big plus, even without autofocus. I found the images created by the 16mm to be quite good, but the 18-55 seems a little soft in the edges. It's also a slow f/6.3 at 55mm, which makes it a challenge to use in dark locations. Also, because Sony is using a bigger sensor, the 16mm seems quite a bit wider (it's like a 24mm in 35mm film camera equivalents) - great for landscapes, no so great for portraits.
As for image quality, the Sony uses a full APS-C size sensor - the same one they use in their larger DSLRs - so it has an advantage over micro four-thirds and any point-and-shoot, especially at high ISO in low light. I found the photos to be about what you'd expect from any modern camera: sharp, contrasty, vivid colors and so on. More to the point, they're about the best you can get without breaking out a high-end DSLR and pro-grade lenses, or breaking the bank on something like the Leica M9.
The NEX5 also has extensive video capabilities, and seems to be one of the few that can zoom, adjust exposure and so on while taking a video. I don't use video much so I won't comment further other than to say that it seems well implemented, easy to use and it produces very high quality results.
Sony also bundles in all their usual wizardry, including their panorama and built-in HDR (High Dynamic Range) capabilities. You can do most of this in the computer after the shoot, but it's nice to also have this stuff in the camera to get a sense of how it might look. The NEX comes with a built-in flash that you can remove if you want to keep the weight down as low as possible. It's not the most powerful, but it's nice that Sony includes it with the camera rather than making it an add-on.
In conclusion, I like the Sony a lot...it's small, easy to use and takes about the best pictures I've seen for a total system weight under two pounds. My only gripe would be the relatively limited range of lenses and accessories available for it, but as a second camera for casual or travel use, it probably deserves a place in the bag.


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The performance of a DSLR, in about half the size and weight.5 The NEX-5 is the interchangeable lens camera that goes wherever you do. Enjoy Full HD 1080/60i movies,2 astounding low-light pictures, continuous shooting up to 7 fps, incredible panorama shots, and Live View on a tilting 3.0-inch6 LCD.

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Panasonic 8mm f/3.5 ED Fisheye Lens for Lumix G Micro Four Thirds Digital Cameras Review

Panasonic 8mm f/3.5 ED Fisheye Lens for Lumix G Micro Four Thirds  Digital Cameras
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This is a great lens but also a niche lens. The construction on this lens is first rate. It is a lot like the Panasonic 7-14mm f/4.0 Micro Four Thirds Lens for Panasonic Digital SLR Cameras. The lens is extremely small and light for a fisheye lens. Panasonic claims it is the smallest in the world.
This lens is really good for an incredibly wide field of view and for the neat distorted look that gives the lens it name-- fish eye.
There are 3 types of wide angle lenses:
Panasonic Ultra Wide Angle Rectilinear 7-14mm- 114 deg
Panasonic Diagonal Fisheye 8mm -180 deg
Circular Fisheye - 180 deg
The Rectilinear lens while still having some barrel distortion, basically tries to remove it as much as possible to portray the image in a square or true to life fashion. However, by removing the distortion, the field of view is decreased. As listed above the Panasonic 7mm lens gives 114 deg field of view.
The 8mm `diagonal' fisheye give a 180 deg field of view despite being 1mm longer. It does this by allowing for massive barrel distortion. Basically, the only straight lines that will be straight pass through the center of the lens. The `diagonal' fisheye utilizes the entire rectangle of the frame. Whereas, the `circular' fisheye has a circle picture with the corners being black from being completely underexposed. This Panasonic 8mm is a `diagonal' fisheye which I personally prefer.
The reason this is a niche lens is that while the effect is cool, it will start to get old very quickly if used over and over again. It would be nice for shooting weddings but only for 2 or 3 photos. The same thing would go for birthday parties or sporting events.
For video the same thing goes. You could use it for a few segments in a clip but if you tried to shoot a whole video, even 3 min video, people would become fatigued and bored by it very quickly.
So, while, this lens has fantastic construction and great optics and would be a good quiver in many a toolkit, it should not be one of the first lenses you buy. Given the choice between this or the 7-14mm, the 7-14mm is going to be the better choice most of the time. If you are looking for a fisheye to expand your capabilities and you want the smallest with great optics this is the lens for you.
Pros
1) Great construction -- Plastic but sturdy
2) Incredibly small and light (< 6 oz !)
3) Great optics
Cons
1) Only 7 bladed aperture instead of 9 -- Not a big deal because an 8mm fisheye will have almost nothing out of focus. Still for this price 9 blades would be better.
2) Niche lens
3) Panasonic wasted time and money on this when they could have made 25mm f/1.4 or the even more needed the 300mm f/2.8
Update 24 Oct 2010
I've been shooting this fisheye extensively for the past week on a trip to Egypt. I carried a G1 and GH1 and the two lenses that stayed on my camera were the 14-140. and the 8mm. This is a great travel lens. There is no doubt about it. When touring around there is always a need for a super wide lens. The cool thing with a fisheye is that you get 180 deg. Yes you get distortion but as you can see on my photos sometimes that is good. The other thing to note is that the distortion can be fixed in post. While you do lose some of the photo when you do this you don't lose as much as if you were shooting a rectilinear lens. So for an update on this I would make the following recommendations concerning this or the 7-14mm.
If you are a working professional or semi-pro then you will most likely need both. However, if you can only have one then the 7-14mm would be first followed by the 8mm.
If you are a hobbyist then I would recommend the 8mm first. You can fix the distortion in post. It is ~.5 stops faster and it is incredibly useful for all sorts of travel and everyday photography.

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Panasonic H-F008 8 mm f/3.5 Fisheye Lens for Micro Four Thirds H-F008 Lenses & Filters

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Sony Alpha NEX-3 Interchangeable Lens Digital Camera w/18-55mm Lens (Black)-14.2 Mpix Review

Sony Alpha NEX-3 Interchangeable Lens Digital Camera w/18-55mm Lens (Black)-14.2 Mpix
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I have been waiting a lifetime for this camera and it was worth the wait! It provides excellent quality shots in the smallest possible sized body. I am a point-and-shoot user who has been disappointed with the photo quality that comes from even expensive point-and-shoot cameras but who has never bought a DSLR because I knew I would never want to lug one around. If this describes you, then this is your perfect camera. Or, if you own a DSLR and use 5% or less of the features on your camera, this is also the camera for you. On the other hand, if you're a skilled DSLR user, skip this camera because you'll be frustrated the compromises that make this camera a smart choice for the average consumer.
Why is this camera "perfect" if you're a typical or even advanced point-and-shoot user?
COMPARED WITH POINT-AND-SHOOTS, you'll immediately see the following improvements:
- Low light/indoor shots are dramatically better
- Quicker shutter response time
- Ability to do continuous shooting at 7 frames per second and other DSLR-like features
- Great HD video
COMPARED WITH DSLRs, you get:
- A much smaller camera than a DSLR that you can actually carry around on a regular basis
- As good or better HD video because of the advanced auto-focus technology in the Sony Alpha Nex which does a better job of continuous auto-focus than the average DSLR
- Photo quality that is comparable to a DSLR for the average user (again, if you're an advanced DSLR user, skip this camera)
- An easier-to-use camera that was designed to make the most important features very accessible with the advanced features tucked away in the menus. The advanced features are there if you need them but if you're more likely to set the camera on the auto setting, you won't need the advanced stuff much and will appreciate how straight-forward the camera is to use.
COMPARED WITH OTHER WANNABE PERFECT CAMERAS, you'll be glad you waited for the Sony Alpha Nex because it's:
- Smaller in size than the other options
- Has better photo performance due to the larger APS-C sensor (12X the size of a typical point-and-shoot and also significantly larger than the competitive Micro Four Thirds sensor)
- Has better video performance
- Is similar or cheaper in price
Other wannabe "perfect cameras" I've considered and almost purchased have all been "Micro Four-Thirds" cameras, which owned this category of cameras before the arrival of the Sony Alpha Nex.
Panasonic Lumix GF1: Panasonic Lumix DMC-GF1 12.1MP Micro Four-Thirds Interchangeable Lens Digital Camera with 14-45mm Lens
Olympus PEN E-PL1: Olympus PEN E-PL1 12.3MP Live MOS Micro Four Thirds Interchangeable Lens Digital Camera with 14-42mm f/3.5-5.6 Zuiko Digital Zoom Lens (Black)
And I am glad I waited. The Sony Alpha Nex has better photo and video performance than both, a smaller form factor than both and is cheaper than the Panasonic (though slightly more expensive than the Olympus which cut its price when the Sony was announced).
As for the Nex-3 vs Nex-5, if you care about the dollars involved in the price difference, then you should get the Nex-3. Three key differences are not really worth the added cost if you're looking to maximize value: (1) the typical user will not see a noticeable difference between the higher 1080i video resolution in the Nex-5 vs the 720p resolution in the Nex-3 (and I have a hard time believing that home movies can even benefit from the higher resolution). (2) The Nex-5 has a metal body vs plastic for the Nex-3 which is an aesthetic nice-to-have but not a need-to-have. (3) The Nex-5 is marginally smaller in two of the three dimensions (0.2 inch and 0.1 inch). Because of the overall size of the camera with its lens, shaving a little off of the height and width just won't make a practical difference. Spend your savings on stuff that will actually impact how you use the camera like a spare battery or a larger memory card.
Other things to note:
- The flash is small and detachable, and it's different than almost any other camera you're considering. PRO: you don't need it often because of the great low-light performance and you get a more compact camera as a result. CON: there's a part you can lose or forget to bring with you if you really need it.
- If you're looking to own multiple lenses, there aren't many available lenses directly compatible with the camera and they're expensive compared to competing lines. But for the advanced point-and-shoot user, you don't need multiple lenses; just the 18-55mm or if you splurge, the 18-200mm when it comes out (expected fall 2010). But if you have the 18-200mm, the even larger lens starts to erode the benefit of the small body.
- While this is very compact compared to a DSLR, it's not really going to fit in a pocket (though it will fit into a purse). The lens still juts out like on a DSLR so it won't be portable like an ultra-compact point-and-shoot. But for high quality shots, there isn't a smaller camera than this one.

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The performance of a DSLR without the size and weight. The NEX-3 stands apart as the world's smallest interchangeable lens camera.3 Experience gorgeous HD movies,1 astounding low-light pictures, continuous shooting up to 7 fps, incredible panorama shots, and Live View on a tilting 3" LCD4.

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Panasonic DMC-LX3S 10.1MP Digital Camera with 2.5x Wide Angle MEGA Optical Image Stabilized Zoom (Silver) Review

Panasonic DMC-LX3S 10.1MP Digital Camera with 2.5x Wide Angle MEGA Optical Image Stabilized Zoom (Silver)
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In the last 6 years I've used a couple of compacts which I've since got rid of after upgrading to DSLRs (Canon XT and then 40D). For a while I was waiting for a compact that I could carry with me anywhere I want, and particularly to parties and other social occasions where bringing a DSLR is really not an option.
When this camera was announced it really looked like a dream compact for me. Fast, wide and optically stabilized lens is ideal for low-light indoor shots. The design is stylish and beautiful, the camera is quite compact and it has all the controls an advanced amateur would need.
Further the sensor is essentially as big as they get in compact cameras and with almost reasonable 10mp (still about 5mp too many but not as bad as 12-15mp you would get in any other compact with a comparable sensor).
I've had the camera for a couple of weeks now (and shame on Amazon for not having it in stock a month after it appeared in some other big stores). I like it a lot and the camera delivers on most of Panny's promises. Here are some of the experiences.
1. The image quality is certainly and noticeably better than the ulracompact cameras (like Panny's own FX series). It is however still a compact camera ... meaning there is visible noise even at ISO 80 and lots of noise at ISO 400. However noise reduction algorithms seem to be doing quite a good job and ISO 80 pics look very nice ... sometimes almost like a DSLR. And even at ISO 400 most shots are good enough to keep. In general the output from this camera is comparable to my 40D at 8 times the ISO (that is 80 on LX3 is about 640 on 40D and 400 LX3 is a bit better than 3200 on 40D). Fortunately, with fast lens and image stabilization I almost never need to use ISO above 400.
2. The camera is very responsive and the autofocus is fast and seems accurate.
3. Changing ISO through the menus is a bit of a pain but a variety of useful ISO regimes are provided. In general controlling all the options is not very easy ... but I guess that's the compromise you get with such a small camera with a large LCD.
Update: it is possible to simplify ISO changing by reassigning a button for this purpose. The drawback of this is that now reviewing pictures becomes more cumbersome.
4. Aspect ratio switch on the lens is more useful than I thought ... saves quite a lot of cropping.
5. Shooting in RAW+jpeg is fast enough to be usable.
6. The camera is quite a bit bulkier than it might seem (and the given dimensions are misleading since they do not include the lens and other protrusions from the main part of the body). It is not shirt-pocketable both because of its size and weight ... but fits fine in a jacket pocket or purse.
7. The macro capability of the camera is really excellent.
8. Having user customizable preset regimes on the dial is very useful and quite a luxury not present even on Canon XSi DSLR (shame on Canon!)
Overall it's a great compact camera: in my opinion certainly the best on the market by a margin (I've studied the market very thoroughly). It is in the same league as Canon G-series (which I owned back when they were the best and liked a lot) but fits my current needs much more than a Canon Gx. I also think it's a real bargain at around $400.
But it is still a compact camera with a sensor 1/8 area of most DSLRs and 1/20 of full frame (mostly pro) DSLR. So those expecting miracles like close-to-DSLR quality or usable ISO 800+ might be disappointed.
==================================================================
A quick update in response to a comment:
1. At widest setting of the zoom there is quite significant distortion especially noticeable in 16:9 regime. There is also noticeable loss of sharpness in the corners. This might not look good in some shots (like if a straight like or someones face is close to the border) but nothing too bad for most of the shots.
2. HD video is very good for a compact. There is no zooming, no auto focus and sometimes exposure adjustments are not very smooth. So I'd not recommend to treat it as a camcorder. But overall it gives detailed and reasonably smooth video (well not quite 30fps smooth). I've just made a quick comparison with Canon HF10 dedicated compact camcorder (which is as good as they get these days). In bright light LX3 cannot quite match the 1080p detail of Canon. But in relatively dim light it is about as good. Also LX3 has a huge advantage in wide angle. All dedicated consumer camcorders have widest angle around 40mm which is much worse than 24mm of LX3.
Another impression which I have with LX3 and certainly did not have with other compacts is that it is a tool worth learning and investing some time and experimentation. My pics with this camera keep improving even the first ones were already decent.
For anyone interested in sharpness and noise level comparisons with some cameras you can check out
http://www.dkamera.de/testberichte/panasonic/lumix-dmc-lx3/bildqualitaet
=======================================================================
Update Dec 17: Finally Photoshop and Lightroom started to recognize LX3 raws. The quality of my pictures is now even higher: colors much more pleasing and noise reduction less "blotchy". Overall this camera gives results well beyond what I thought to be possible for a compact camera. So it still has my highest recommendation.
Update Jan 27, 2009.
The single most annoying thing about this camera is its lens cap. Having to remove it slows you down. Attaching via a string leaves it dangling ... which detracts from the aesthetics of the camera and can add a bit of extra shake. Without the string it's likely to get lost ... and I have not seen any replacements on sale. Anyway, fortunately, creative peoples found out that Ricoh LC-1 lens adapter can be easily modified to be used on this camera. I've did this and it works much better than the original cap. I've uploaded some pictures of the result to the product images. Use google to find the modification instructions.

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Designed for easy, creative shooting, and high-performance in low-light conditions, the DMC-LX3 features a F2.0 24mm LEICA DC VARIO-SUMMICRON lens, 10.1 megapixels and an ultra-sensitive 1/1.63-inch CCD developed specifically for this model.By combining a high-quality lens and sensor ready for a variety of shooting conditions with a wide-range of accessories and manual controls, the DMC-LX3 is ideal for professional photographers and serious amateurs looking for a compact digital camera that furthers their creative photography.

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Panasonic DMW-FL360 External Flash (GN36) for Panasonic L1 DSLR and FZ50 Digital Camera Review

Panasonic DMW-FL360 External Flash (GN36) for Panasonic L1 DSLR and FZ50 Digital Camera
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This is well-matched to the needs of the Panasonic LX3. It integrates well with the camera. It is bulky, but it is difficult to see how a smaller unit could work well. Flash angle is adequate to cover the 24mm-equivalent wide angle of the LX3. One issue is batteries. Panasonic recommends alkalines or Ni-MH recharageables, but this results in short battery life and long recharge cycles. I use Energizer Ulitimate Lithium batteries which seem much more practical. At 200 ISO and f2.0 aperture the flash can reach out 50 feet for wide angle shots or 70 feet for normal angle shots. For most of my shots I use it in bounce mode, often with a bounce card, and have no trouble illuminating subjects more than 30 feet away.

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Mounting the Panasonic DMW-FL360 TTL external flash unit onto the L1 hotshoe gives you precise TTL light control of the high-powered flash, and lets youuse the versatile functions of the flash. Linked with the L1's light-metering functions, the DMW-FL360 uses a TTL light adjustment system to measure the light that actually strikes the Live MOS sensor, then adjusts the flash intensity accordingly. The result is flash photoswith outstanding exposure. The FL360 has a guide number of 36 (ISO 100/m). The angle zoom function covers a lens range of 24-85mm (35mm camera equivalent). Using the built-in wide panel further extends coverage to a view angle of 18mm. The firing angle can also be automatically changed to create a bounce lighting effect.FEATURES: For use with Panasonic Lumix Digital SLR cameras TTL metering, FP emission capable Medium light intensity -- Guide number 36

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Panasonic 7-14mm f/4.0 Micro Four Thirds Lens for Panasonic Digital SLR Cameras Review

Panasonic 7-14mm f/4.0 Micro Four Thirds Lens for Panasonic Digital SLR Cameras
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How can this outstanding ultra wide micro four thirds lens not have any reviews? I'm not a professional photographer, but I can't sit by idly while this lens is denied its proper accolades.
First, an ultra-wide lens is very useful. The difference between 7mm and 14mm is enormous. The broad field of view at 7mm lets you take amazing landscape pictures. At 7mm, mountains are reduced to boulders, and boulders are reduced to small rocks. More importantly, the ultra-wide angle lets you take close ups of objects while preserving their relationship to the objects around them. And most importantly, the ultra-wide angle lets you take pictures in close or cramped quarters that simply would not be possible with any other lens. At 9mm you can sit in the corner of a room and take a picture of the entire room!!! During filming, you can zoom out from 14mm to 7mm to create a dramatic effect that cannot be achieved with another lens.
Second, this is an excellent choice among all ultra-wides. slrgear and dpreview have tested it and found it to provide excellent image quality. It is ideally suited to the Panasonic G1/GH1/GF1 and the Olympus E-P1 because it is the only ultra-wide lens available for micro four thirds that will auto-focus and auto-expose during movies. Auto-focus and auto-exposure are quiet enough under normal conditions that I can't hear them. Auto-focus hunting is minimal. As of firmware version 1.1 (dated 2009/11/25), this lens officially supports auto-focus in 1080p24 FHD movies. It is incredibly light (only 300 grams) when compared to similar lenses in other formats. The next most compact ultra-wide zoom is the otherwise excellent Olympus Zuiko 7-14mm f/4.0 Aspherical Super ED Lens for Olympus Digital SLR Cameras, which costs 50% more and weighs nearly three times as much with the required Panasonic Mount Adapter. And this lens is currently the only native m43rds ultra wide zoom with constant aperture throughout its zoom range (7mm to 14mm). Wow.
Now the bad news.... Flash is problematic. The wide hood at the end of the lens blocks the on-camera flash in the wide field of view that this lens provides and will cast an ugly shadow right in the bottom middle in your frame. So if you take a flash picture with this lens, your picture will have a dark spot in the center bottom where the lens blocked the on-camera flash :( I'm not sure if a hot-shoe mounted flash can solve this problem because I haven't found any that are rated down to 7mm. This is annoying since at f4.0 this lens isn't fast enough for low light photography without a flash.
And finally, my druthers. My favorite use of this lens is photographing tight indoor spaces, where I am always wishing for a faster lens. So I wish this lens was faster, even though it would be heavier and more expensive. But even exactly as it is, I highly recommend this magical lens for confined quarters and for landscapes.
**Update August 2010**
I took the 7-14mm with me on vacation this month and reacquainted myself with its charms. In Santa Cruz, I discovered that the 7-14mm has a magical ability to look around obstacles, and see things that are not visible to the naked eye. Due to an unfortunate seating choice at the Roaring Camp Railroad, all I could see was the back of the Shay locomotive pulling us up Bear Mountain. At 7mm, this lens reduced the entire locomotive to a small part of the frame and the resulting pictures were better than what I could see with my own eyes (see images). The GH1 with this lens is so light that I took a 1080p24 movie of the Dixiana's 20 minute descent HANDHELD. A few days later I used this lens to take aerial pictures of the Bay Area salt marshes. With this lens's huge 7-14mm range, I could frame my aerial shots exactly as I wanted. No other lens on any other widely available still or video camera system can provide as wide a field of view and as excellent image quality in so compact and inexpensive a package as this lens.

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For Lumix G1 & GH1 Digital SLR Cameras / 16 elements in 12 groups (2 Aspherical lenses, 4 ED lenses) / f=7mm to 14mm (focal length) / 7 diaphragm blades Contrast AF system supportUtilizing a durable metal mountThe optimally designed lens hood enables use even under strong sunlightLens Construction -16 elements in 12 groups (2 Aspherical lenses, 4 ED lenses) Micro Four Thirds mount Focal Length -f=7mm to 14mm (35mm film camera equivalent 14mm to 28mm) Aperture Type -7 diaphragm blades / Circular aperture diaphragm Aperture Range -F4.0 Minimum Aperture -F22Closest Focusing Distance -0.25m / 0.8ft at all focal lengths Maximum Magnification -Approx. 0.08x / 0.15x (35mm film camera equivalent) Diagonal Angle of View -114 (W)~75 (T) Max. Diameter -70mm / 2.76 inch Overall Length -Approx. 83.1mm / 3.27 inch (from the top of the lens food to the base side of the lens mount) Weight -Approx. 300g / 10.58oz Accessories -Lens Cap, Lens Rear Cap, Lens Storage Bag

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Panasonic Lumix DMC-ZS10 14.1 MP Digital Camera with 16x Wide Angle Optical Image Stabilized Zoom and Built-In GPS Function (Blue) Review

Panasonic Lumix DMC-ZS10 14.1 MP Digital Camera with 16x Wide Angle Optical Image Stabilized Zoom and Built-In GPS Function (Blue)
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I have owned several Panasonic Lumix cameras in the last 10 years, upgrading periodically when new feature(s) make it economical to buy newer models. I still use my FZ50 professionally, upgraded from an FZ20 to a 35 to the 50. Wanting a point-and-shoot, but something more than snaps, for my personal life, I went to the Lumix. The ZS series has been excellent. For personal work, I don't want to spend a lot of time setting up shots, and I'm more likely to want quick reaction to capture a fleeting moment or motion. No point-and-shoot (p&s) will be excellent at that, but that doesn't mean I can't get one that does well in a majority of situations. My Lumix ZS3 performed exceptionally well for a p&s, and the ZS7 did even better. So looking over the specs of the ZS10, I decided to buy one. While I rarely use the video feature (I was raised on still photography!), much improved in this model, I wanted quality for stills. 16X zoom (to 21 with some kind of electronic extender option) up from 12X, and 14.1 megapixels up from 12.1. Improved antishake (at my age it's very useful), and GPS (which eats battery, can be turned off, but is occasionally useful for verifying sources), and other software I will continue to try out. So far so good, with crisp photos in most situations. Still is only good, not great, in low light; is better at eliminating motion blur (CMOS instead of CCD), and the easy menu help make this a worthy upgrade. Flash is still basic minimal (about 8 feet), typical of a p&s. Uses the same battery as the ZS3, so didn't have to buy new ones. Mini-USB plug (at camera) to standard USB plug is also typical. I invested in SanDisk Ultra cards (Class 6), and they work well. My 8 Gb says it will take 2800 pictures at 12.1 Mp. I don't think I'll ever reach that number, preferring to upload to my computer regularly, but it's nice to have spare capacity. The ZS10 has an SDXC host software, so can take the new BIG cards (48 and 64 Gb), but their high cost makes them uneconomical currently for me. Still, nice to have the capability (NOTE: lots of cautions say NOT to put an SDXC card in an SD/SDHC camera that DOES NOT have an SDXC host software). So instead bought a moderately expensive Extreme Pro SDHC (Class 10) 32 Gb card, and in this camera the irritating lag between pictures (typical in nearly all electronic cameras) was shortened noticeably. That's nice! The ZS10 will run SD, SDHC, and SDXC, so my legacy cards are still fine. From a first day testing perspective, the ZS10 has shown its mettle, an improvement (significant, if not huge) over the ZS3, and in most situations where a personal camera is useful, takes excellent pictures, and has a reasonably useable menu. I like my blue one.

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The Panasonic DMC-ZS10 Digital Camera features high-quality LEICA DC VARIO-ELMAR lens system which is even more versatile with 24mm ultra wide-angle to powerful 16x optical zoom (35mm camera equivalent: 24-384mm). Comprising 12 elements in 10 groups, including an ED lens and 3 aspherical lenses with 6 aspherical surfaces, this advanced lens unit suppresses chromatic aberration which tends to occur in telephoto shooting effectively. It also boasts a short total length of lens unit despite its higher versatility with longer zoom range, which is made possible by a development of new mechanism for a structure of lens barrel. The lens system is also compatible with high shutter speed of min.1/4,000 sec.The 24mm ultra wide-angle lens - rare on a compact camera - gives you a wider range of composition possibilities with approx. 213% larger viewing space compared to that of 35mm camera. The super-high-quality LEICA DC lens minimizes distortion at the wide end. The new 14.1-megapixel MOS sensor integrated in the DMC-ZS10 boasts high speed signal output and high sensitivity image recording for making many advanced features possible. It also enables the camera to record full HD 60i (NTSC) / 50i (PAL) smooth movie. For the effective concentration of light, the newly developed sensor adopts microfabrication technology to achieve even higher sensitivity.FEATURES:Powerful 16x Optical Zoom - The DMC-ZS10 features a powerful 16x optical zoom lens (35mm camera equivalent: 24-384mm). This gives you highly natural expressions from people and animals that you can't get close to.Touch Zoom Function - The touch-screen operation on the DMC-ZS10 makes zooming even easier. To pull your subject in quickly by zooming to maximum magnification, touch the button. To make a more precise angle of view adjustment, use the touch lever.High-speed Consecutive Shooting - The high speed digital signal output technology integrated in the cameras of LUMIX G Micro System is applied rea

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Panasonic Lumix DMC-G1 12.1MP Digital Camera with Lumix G Vario 14-45 mm f/3.5-5.6 ASPH Mega OIS Lens (Blue) Review

Panasonic Lumix DMC-G1 12.1MP Digital Camera with Lumix G Vario 14-45 mm f/3.5-5.6 ASPH Mega OIS Lens (Blue)
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For those who don't know, the Panasonic G1 is the first (of hopefully many) camera that adheres to the new micro 4/3 format. What is so exciting about it? All SLR cameras use mirrors, prisms, and optical viewfinders so that the photographer can see what his/her subject "through the lens." SLRs have remained the defacto standard for most serious photographers because most find the whole viewfinder concept so appealing. The micro 4/3 does away with the mirrors and prisms, and replaces the optical viewfinder of SLRs with an electronic viewfinder. This allows the cameras that adhere to the standard to be much smaller (and wideangle lenses designed for this mount to be smaller as well). Onto the real review...
The EVF on the G1 is the first that I've seen that is remotely usable. While not as good as the OVF in my 5D, it is considerably better than the OVF in my older 350D. The first look through the EVF will impress anyone who hasn't used a Full-Frame camera before. While there is a noticeable lag (particularly when moving the camera around...a delay of a 10th of a second maybe), the fact that you can see a live histogram in the VF makes the lag completely worthwhile. Even better, the VF can increase the gain of the screen in darker conditions so you can actually see what you are shooting (it does get grainy, but it is better than seeing nothing at all). Finally, when you engage Manual Focus, the view in the EVF zooms in on your subject automatically which allows for perfect manual focus adjustments every time!! Without a doubt, this is the best interchangeable lens camera on the market if you are interested in manually focusing.
The articulating LCD is another design choice that is spot-on!! Why haven't other manufacturers caught on that "live view" is completely useless without an articulating LCD? Switching from the LCD to the EVF is as simple as putting your eye next to the viewfinder. There is a sensor there that detects when it is being used. The LCD doesn't have the super resolution of the new 5DMkII or the D700, but it has twice the resolution of my older 5D.
So is the camera pocketable? Not a chance. However, it isn't much bigger than the larger (with its kit lens) than modern superzoom Point&Shoot cameras. I bought it because I found that I was leaving my 5D (with 24-70 f/2.8) at home more often than not because i didn't want to carry so much weight. The G1, in comparison, is a joy to hold and carry. For me, the size is just right. Any smaller and the controls would be unusably small. Any larger and the camera would begin to resemble smaller DSLRs. Side Note: The kit lens has to be seen to be believed...it is SO small. Even the 45-200 lens (90-400) isn't much bigger than kit lenses for APS-C or FF cameras (let alone comparing it to the monstrous 100-400 lens that canon makes).
Noise is reasonable. I wouldn't go past ISO1250 for prints with the G1. ISO1600 and 3200 are more than useable for web viewing (which is how a majority of my pics are displayed). I never really understood how printable ISO6400 prints are suddenly required for every camera...how many people actually print a large number of images anyways? Downsized to Facebook or Picasaweb sizes, I would imagine that a ISO6400 G1 image would be more than adequate.
What I don't like is the lack of any large aperture lenses for the format. You can buy adapters to use standard 4/3 lenses but the older 4/3 lenses are likely larger than their future micro43 counterparts (and AF doesn't work with many of them). Adapters also exist for Leica M mount (I'm trying to convince my fiance that leica lenses are a better investment than the stock market right now...but I don't think that she is buying it). The depth of field for micro43 is already larger due to the smaller sensor so it will be hard to get subject isolation in photographs until large aperture prime lenses become available.
I'm really excited about the future of this format. Panasonic has promised a G1HD someone in the first half of this year (a G1 with video capabilities). In addition, 3 new lenses have been announced: a 7/14 f/4, a 14-140, and best of all a 20 mm f/1.7 pancake! Olympus also showed off a concept of a micro43 camera that looked no bigger than a small point&shoot. The future is exciting!

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The LUMIX G1 Ultra-Compact Digital Interchangeable Lens camera is as easy to use as a compact digital camera.It's a new-generation digital interchangeable lens camera that does away with the mirror box and complies with the new Micro Four Thirds System standard.It also features Full-time Live View for compact digital camera shooting ease and iA Intelligent Auto) for beautiful photos with point-and-shoot simplicity.In short, the G1 writes an entirely new chapter in the evolution of the digital interchangeable lens camera.

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Leica 18151 D-Lux 5 Digital Camera Review

Leica 18151 D-Lux 5 Digital Camera
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My first Leica that is affordable. I was going back and forth between this and the Panasonic LX5 as they are essentially the same camera as I've read. I wanted something for travel and as a backup to my Canon dSLR. This is smaller than I expected which is actually great because I can fit it in my pocket!
As for price, if you think about it, the copy of Adobe Lightroom and the 3 year warranty basically means it costs about the "same" as the LX5 if not getting a better deal IMO. Yeah, I like the red dot too...and the build is really solid for this camera..and a beautiful one at that. The menu is pretty intuitive. The manual isn't all that informative.
Picture quality looks great, I like the different formats..I can take square pics or wide angle..
The special effects aren't as robust as the Olympus Pen, but I use graphic editing programs anyway....gets a little noisy above 1600 but again, I have noise reduction software..but for its size and convenience and the fast 2.0 lens, available light photography is great. I use this mainly as my street photography/photojournalism cam.
I would've given it 5 stars if it had a viewfinder...I really wish these companies producing these compact cameras, 4/3 cameras and the like would have a built in viewfinder..it only makes sense. Also, don't get the Dlux4 battery for this, it won't fit. I have to wait about a month before they release the ones for Dlux5 and exchange the Dlux4 battery.
But I'm happy so far and hopefully I'll be able to update to the M series someday.

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The Leica D-Lux 5 is a compact camera which combines a unique design with high functionality, styling, and quality to offer superior image quality. It features the Leica DC Vario-Summicro 1:2-3.3/5.1-19.2mm ASPH lens with a zoom range of 24-90mm, a fast lens with superior performance that enables high-quality photography even wide open. The newly develope 1/1.63" CCD image sensor increases image quality at the standard resolution of 10.1 megapixels. The camera is classical in design, ergonomic, and compact, and comes in a black anodized finish. Camera includes carrying strap, rechargeable battery (Leica BP-DC 10), battery charger, battery holder, USB cable, AV cable, power cord, lens cap, accessory shoe cover, CD-ROM with manuals in PDF format, instructions for product registration and software download, and warranty card.

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Panasonic Lumix 100-300mm f/4.0-5.6 G Vario Aspherical MEGA OIS Lens for Micro Four Thirds Interchangeable Lens Cameras Review

Panasonic Lumix 100-300mm f/4.0-5.6 G Vario Aspherical MEGA OIS Lens for Micro Four Thirds Interchangeable Lens Cameras
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It has taken Panasonic a long time to realize the one of the biggest strengths of M4/3 is exploiting the 2x crop factor. They have now done that with the 100-300mm lens. This lens is the equivalent of a 200mm-600mm f/5.6! Wow (In 1:1 Tele Extender Video mode you get a 2.6x extender fro a 520-1560mm f/5.6 equivalent lens). If you check your specs you will see 600mm prime lenses come one stop faster and cost around oh $14,000. That is not a typo. They also weigh 11 pounds. So they are hardly something you would tote around. Now ideally, Panasonic would come out with a 300mm f/2.8 and f/4. Those would be super lenses on the M4/3. However, they would be bigger and heavier than this lens. So this lens is perfect for bright daylight shooting of birds, sports, safari animals. Just about anything you need to reach out and touch.
This is Panasonic's largest M4/3 lens so far and weighs in at 1.14 lbs. To give you a comparison, Nikon's 70-300 mm lens weighs in at 1.6 lbs. Unfortunately at 4.9" long it is not as small as I think it should be. The Nikon 70-300 VR is 5.6" long so not that much bigger and that is an FX lens. However, with that said this is a solid lens with great construction. It is typical of all of their heigh end lenses such as the 8mm Fisheye and 7-14mm wide angle. Something to note is this lens will be unwieldy to use on all the Olympus M4/3 and the Panasonic GF lines.
This lens takes very nice photos and the autofocus is very fast. Especially on the GH2. The Image Stabilization works as advertised.
Overall, if you are looking to take pictures of birds, your kids soccer games, or anything else that you would use a 600mm lens then this is the one to use on the M4/3 system.
As a comparison the Olympus 75-300mm f/4.8-6.7 is smaller and lighter and covers a greater focal range. However, it does not have Image Stabilization as that is built into Olympus cameras. So this would not be a good lens for Panasonic users. Also, I prefer the build and feel of the Panasonic. However, that is my personal bias. Oh the Olympus is $900 vs $600 for the Panasonic.
Update
Now that I have had a chance to play with this lens on the GH2 for a while, I can say this combo is great for shooting wildlife. The GH2 has an Extra Tele Convert (ETC) mode that makes this lens the equivalent of a 840mm (Medium ETC) and 1200mm (Small ETC). When you shoot in this mode you are getting an 8mp and 4mp image respectively. Yes you can crop a picture to get the same magnification. However, by selecting the ETC mode you are more likely to focus to an ultra sharp image on your subject. Also, it saves you 1 step in your work flow and saves space on your computer. So I find the ETC mode useful for stills also.As a down side it effectively makes your sensor smaller so it is not that useful in high ISO situations.
Overall, a brilliant lens and a no brainer if you are looking for extra reach on you M4/3 system.

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Panasonic Lumix 100-300mm f/4.0-5.6 G Vario Aspherical MEGA OIS Lens for Micro Four Thirds Interchangeable Lens Cameras

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Panasonic Lumix DMC-ZS8 14.1 MP Digital Camera with 16x Wide Angle Optical Image Stabilized Zoom and 3.0-Inch LCD (Black) Review

Panasonic Lumix DMC-ZS8 14.1 MP Digital Camera with 16x Wide Angle Optical Image Stabilized Zoom and 3.0-Inch LCD (Black)
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I purchased the ZS8 as an "upgrade" to my ZS7. For my purposes, I wanted a decent quality pocketable camera with some reach. The ZS8 fits the prescription nicely. I wasn't overly concerned with video performance as that's something I rarely use, and neither was I too concerned about continuous frame rate. To meet the price point, the ZS8 video is "downgraded" from the ZS7's full HD to 720p and it doesn't share the blinding speed of it's big brother ZS10 which uses a totally different MOS sensor versus the ZS8's CCD. But the image quality is quite good and the zoom capability is remarkable for a pocket camera. So far, it is performing very well. One hint is that when you are shooting very fine detail in good light, you may wish to disable the iResolution. In regular use iResolution does improve the overall contrast, but at the expense of fine detail such as fine hairs or fibers things you'll only notice at a 100% crop. The macro capability is astonishing on this camera. I've come to refer to it as my "pocket microscope". All in all, I'm very pleased with operating performance and image quality.

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The Panasonic DMC-ZS8 Digital Camera features high-quality LEICA DC VARIO-ELMAR lens system which is even more versatile with 24mm ultra wide-angle to powerful 16x optical zoom (35mm camera equivalent: 24-384mm). Comprising 12 elements in 10 groups, including an ED lens and 3 aspherical lenses with 6 aspherical surfaces, this advanced lens unit suppresses chromatic aberration which tends to occur in telephoto shooting effectively. It also boasts a short total length of lens unit despite its higher versatility with longer zoom range, which is made possible by a development of new mechanism for a structure of lens barrel. The lens system is also compatible with high shutter speed of min.1/4,000 sec.The 24mm ultra wide-angle lens - rare on a compact camera - gives you a wider range of composition possibilities with approx. 213% larger viewing space compared to that of 35mm camera. The super-high-quality LEICA DC lens minimizes distortion at the wide end. The high-speed, high-performance Venus Engine VI is incorporated in the DMC-ZS8 to enable the recording of beautiful images with higher quality signal processing including the Intelligent Resolution technology. An advanced noise reduction system in the Venus Engine VI applies noise reduction (NR) to luminance noise and chromatic noise separately. As a result, beautiful images with minimal noise can be reproduced all the way up to ISO1600 high sensitivity at full resolution for beautiful night shots or dimly lit indoor shots.FEATURES:Powerful 16x Optical Zoom - The DMC-ZS8 features a powerful 16x optical zoom lens (35mm camera equivalent: 24-384mm). This gives you highly natural expressions from people and animals that you can't get close to. It can also be used for shooting movies and is designed to suppress noise while zooming.The 16x Optical Zoom Keeps the Subject Sharp While Giving the Background a Soft Focus - The DMC-ZS8 takes advantage of its 16x optical zoom (35mm camera equivalent: 384mm). You

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Panasonic Lumix DMC-G2 12.1 MP Live MOS Interchangeable Lens Camera with 3-Inch Touch Screen LCD and 14-42mm Lumix G VARIO f/3.5-5.6 MEGA OIS Lens (Black) Review

Panasonic Lumix DMC-G2 12.1 MP Live MOS Interchangeable Lens Camera with 3-Inch Touch Screen LCD and 14-42mm Lumix G VARIO f/3.5-5.6 MEGA OIS Lens (Black)
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Panasonic G2 is a successor of G1, which is the first micro four third camera. G series focus on make the camera as small as possible without sacrificing image quality and control. G2 adds video recording and touch screen feature.
Panasonic G2 main specs
- 12 megapixel - four thirds sensor
- 3"' 460k resolution swivel and touch screen LCD
- 1,280 x 720 high-definition at 60fps
- Built-in Electronic viewfinder (1.44 million dots)
BODY DESIGN
Panasonic G2 weights 371 g / 13.09 oz body only, 593 g / 20.92 oz with battery, memory card and 14-42mm lens. It has dimension of 124 x 83.6 x 74 mm exclude protusion. Compared to regular DSLR camera, The package is significantly smaller and lightweight. Compare to advanced DSLR such as Canon 7D , G2 is approx. half the size and weight. As a result, it is more fun to carry around and it takes only a bit of room to store.
Like G1, Panasonic G2 has built-in electronic viewfinder which is helpful for composing photos, the rear 3' inch LCD is also very bright and nice to use. It can also swivel so you can compose a picture in unusual angle for example overhead or very low in the ground.
New in micro four third system, LCD screen is now equipped with touchscreen technology. You can touch the screen to select or change various settings and also you can touch the screen to set auto focus point.
Therefore, changing AF points in G2 is very fast. In regular DSLR camera, you might need to scroll around until you get AF point that you want. in G2, you just touch it. AF point could be also be enlarged or decreased for precision.
HANDLING
Panasonic G2 is nice to hold, thanks to the grip. It also has many dedicated buttons and switches. It has one main dial, camera mode dial, Release mode switch, Auto focus mode switch, metering switch, ISO button, WB button, Function button, AF/AE lock button, display button, delete button, live/lcd button, intelligent auto button, and video recording button.
As a result, control and handling is significantly better and faster than many entry level cameras where you need to dwell deep in the menu to change setting that you want.
IMAGE QUALITY
Image quality in low ISO setting is excellent. However, like all four thirds system camera, image in high ISO is not as good as regular DSLR camera that has APS-C sensor.
Image quality from ISO 100 to 800 is excellent. in ISO 1600, image starts to lose some details, sharpness and a bit of saturation. In ISO 3200, image starts to breakdown and 6400 is reserved only in emergency situation.
AUTO FOCUS PERFORMANCE
G2 is an very responsive camera. It shines in auto focus performance. AF speed is almost instantaneous whether in bright light or low light condition, I feel it can beat some beginner DSLR cameras. In G2, you can also touch the screen to set up AF point which is very convenient.
Auto focus tracking work well in slow moving subject, such as people walking, however, sometimes, it failed to track, especially fast or erratic movement. This is where the area G2 lacks compared to regular DSLR camera.
There are plenty to like about Panasonic G2
+ Small and lightweight relative to DSLR camera
+ Built-in high-res electronic viewfinder
+ Touch screen that allow you to change setting, set AF and flip image in playback
+ Swivel LCD screen help to compose photos in awkward angle
+ Fast Auto focus performance
+ Many dedicated buttons and switches
+ What you see is what you get (changing color balance, film mode shown in LCD)
+ Very good performance (responsive)
What I don't like about Panasonic G2
- Auto focus tracking is not reliable
- Image quality in ISO 1600 and above is not as good as regular DSLR
- Harder to achieve shallow depth of field (Defocus background)
- 1/2 to 1 second screen freeze after capturing photo
- Auto ISO is not very accurate and tend to stick with ISO 400
COMPETITORS
Samsung NX10 - Digital camera - prosumer - 14.6 Mpix - body only - supported memory: SD, SDHC - noble black
NX10 has bigger image sensor (APS-C) and higher-res (610k) AMOLED screen, however NX10 built-in viewfinder, body handling is not as good as Panasonic G2. G2 also slightly faster in auto focus performance.
Olympus PEN E-P2 12.3 MP Micro Four Thirds Interchangeable Lens Digital Camera with 14-42mm f/3.5-5.6 Zuiko Digital Zoom Lens and Electronic View Finder
Olympus E-P2 has a smaller design and more appropriate to be compared with Panasonic GF1 instead of G2. The main advantage E-P2 has is it has built-in image stabilization, however, it falls short in many areas such as slow auto focus especially in low light condition, low res LCD screen, and no built-in flash.
CONCLUSION
Panasonic G2 is the best flagship micro four thirds camera in 2010 with many new innovative technology such as touch screen LCD and full HD video recording. It is fun to use and carry around. However, G2 still has the same problem that has plague many four third system cameras which is image quality in high ISO setting. Despite it offers up to ISO 6400, but I recommend user to stick with ISO 800 or lower.
Subjective rating relative to mirrorless camera system 2010
Image Quality : 4/5 (with 14-42mm kit lens)
Features: 5/5
Performance: 5/5
Body / Handling: 5/5
Value for money: 3/5
For image sample and iso comparison, please visit my blog. You can find the address through my profile page. Thanks for reading.

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Panasonic DMC-G2 Interchangeable Lens System Digital Camera (Black)

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