Showing posts with label avchd lite. Show all posts
Showing posts with label avchd lite. Show all posts

Panasonic Lumix DMC-TS1 12MP Digital Camera with 4.6x Wide Angle MEGA Optical Image Stabilized Zoom and 2.7 inch LCD (Green) Review

Panasonic Lumix DMC-TS1 12MP Digital Camera with 4.6x Wide Angle MEGA Optical Image Stabilized Zoom and 2.7 inch LCD (Green)
Average Reviews:

(More customer reviews)
I have been using DSLRs for several years, and currently use the Canon 40D and a wide selection of lenses. I bought this camera as a pocket camera that is easy to take anywhere, and for its HD video capability, as I'm currently in Thailand for several weeks doing some geology research for my master's thesis, and it's impractical and annoying to lug around my big camera everywhere. Therefore my expectations may be different - I am not expecting perfect image quality, full manual controls, etc., because I have my other camera for that kind of thing when I want it. I'm not sure that I would want this as my only camera, because the image quality isn't perfect, but if I didn't have a DSLR I don't think I would notice.
In any case, the main thing I have been using this for is taking HD video. This is excellent, and looks phenomenal on a computer screen. I haven't tried playing it on a TV but I assume it would look excellent there too. It is 720p, not 1080p like the new DSLRs will do, but it still looks great - surprisingly great, even, considering the size of the camera and its lens.
Others have apparently had trouble using the AVCHD Lite codec, but I have not. I can import the .mts files flawlessly into the Kdenlive video editor on OpenSUSE Linux 11.2 with KDE 4.2. I'm not sure what the status of this codec's support in the popular Mac and Windows video editors is, but if you're using Linux, don't worry about it because it works great and the quality and file size are much better than using MPEG2. As it's a small camera with a small lens and few manual controls, video is not going to look like that from a professional camcorder or from a new DSLR with HD video, but it's easily as good or better than that from the small sub $1000 HD camcorders that are available. Manual control of exposure compensation and ISO for video isn't apparently possible - a workaround is to use the scene modes, which works decently well. The night scene modes give pretty good high-iso (i.e. grainy) video at night, even in dark bars and clubs (or here in Thailand, riding in the back of a tuk-tuk). I really like that there's a dedicated movie button - you can immediately start recording a video no matter what else you're doing on the camera by hitting the button.
The camera's responsiveness is very good - obviously not like a DSLR, but much quicker than I'm used to from point and shoots, including other recent models that I've handled. You don't get full manual controls, but if you know what you're doing you can almost always get exactly what you want out of it. I usually leave it in "Normal Picture" mode, which gives you the most manual control. All other modes will either default to use the flash if the camera deems it necessary (which, as in most point and shoots, is almost all the time apparently), or will use the built-in LED to aid focusing, both of which are extremely distracting if you want to be discreet (or if you just don't like the look of straight-on flash).
You do have to know what you want to do with the camera if you use "Normal Picture" mode, it's not just point and shoot - but you will get the best results. The "Intelligent Auto" mode works OK - it tries to decide the best scene mode for you based on what it thinks you're taking a picture of. I would suggest just dialing in the scene mode yourself (there are a lot to choose from) as when I was trying that mode it would sometimes choose the wrong thing. That would be the best mode if you wanted pure point-and-shoot action, though.
Image quality is probably about on par with other point and shoots with folding optics. I don't know too much about this as I'm used to my 40D and other DSLR images. It is certainly more than decent for my purposes, though. Impressively, I've been taking high-iso shots without flash in really dark Thai bars and clubs that turn out ok - they are relatively long exposures of 1/2 to 1 1/2 seconds (or more) so I steady the camera on something, and there is motion blur, but I think that adds to the photo. The image noise in these cases is very obvious, but not overly distracting. Don't expect the results you'd get from a DSLR with a fast lens, and you won't be disappointed. Definitely practice your technique in various situations to get the best results with this camera.
Menu navigation is a little strange at first. I am not sure if it is really non-intuitive, or if I'm just used to the excellent navigation on DSLRs. I think users of point and shoot cameras probably have different expectations - most probably won't have a problem with this. Once you get the hang of it it's not really a problem, anyway, but for me it really was strange at first. All the controls you want (all the manual controls available in "Normal Picture" mode) are quickly available by hitting buttons on the back. You don't have to dig through menus to get the the settings you need most often. It's a similar setup to that on the Canon Powershot series, and probably other cameras as well as far as I know. I really like the different auto-focus options they give you - there are more options than on my 40D, and similar options to the professional series DSLRs from Canon and Nikon. Obviously, they aren't going to work as well as on those cameras, but I quite like the "1-area High Speed" and "Spot" focus modes, which are very fast and work quite well. Unfortunately there is no manual focus, and in tricky situations it can be hard to get it to focus on exactly what you want - in those cases try "Spot" focus, but even there it doesn't always give you what you want.
Now, of course, the big thing about this camera that calls for the high price - because let's face it, for the specs on this camera it is pretty expensive - is that it's waterproof. This works great and is really a lot of fun. I took it into the cold Pacific Ocean at Newport Beach and it held up great. Taking underwater HD video is a lot of fun. [...] I will have some more videos, from Thailand, up soon as well. I've also taken it in a hotel pool, and it worked great there too. Even if you don't plan on going snorkeling or anything with this camera, it being tough and waterproof is a great feature - I don't ever worry about just slipping it in my pocket. It's the rainy season here right now and I don't carry an umbrella, so I could easily get soaked at any time - I would be very careful with a non-waterproof camera, but don't have to think twice about always carrying this one with me.
Do be careful, though, and be sure to read the instructions - there are some things you should do to take care of it so that the waterproofing holds up. The waterproof seals really could be better than they are, but if you take care of them I think they should hold up pretty well.
One thing you might also want to watch out for is battery life - when I took it to the beach, I only got about 25 minutes of video recording and a few photos before the battery (which was fully charged beforehand) was completely dead. The Pacific is quite cold, of course, which may have been the reason for the short battery life, but it is something to be careful of. Extra batteries are annoyingly expensive, and I haven't seen a third-party version available yet, but I would have to recommend getting one because so far it seems that the battery life is unpredictable. I left it recording video on my desk with a fully charged battery to see how long it would last, and it went about 2 hours (which is about what you can fit on the 16gb SDHC card I got with the AVCHD lite codec). That seems pretty good, but in real life use you will probably get considerably less life out of the battery.
The zoom range is pretty decent; I usually stay at the wide end and I appreciate that they give you the 28mm equivalent - a lot of other point and shoots are at their widest at 35mm, which is significantly less wide. The lens is not exceptionally fast - which I assume is due to the folding optics design - but it normally is fine, even in dark places as I described earlier. I don't really ever zoom in too much, because with the slow lens it's usually blurry except in bright light. The optical image stabilization works well, and is active during video recording (if you want it to be) to remove some of the jitter, which is kind of annoying in videos, and which you'll get a decent amount of with this camera due to its small size.
Macro images are nice - you can get quite close. Be careful about the "Macro Zoom" mode, though - it is actually a digital zoom! You can get much closer, but the image quality really suffers. This looks especially bad if you use it during video. I suggest simply never using this option. The regular macro mode works fine. You can get closest by zooming to the widest setting, which seems weird, but it works.
The camera is pretty stylish and has a nice feel and heft. It feels really well built, mostly metal, and not all smoothed out and boring like most modern electronics design. If you're into gadgets, you'll really appreciate the industrial styling of the camera, and the weight. The screen is very good; it is bright and visible in direct sunlight and will automatically adjust the brightness depending on where you are (if you set it to - you can set the brightness yourself, too). One problem with the design - and one inherent to this type of camera with folding optics - is that you will often find your fingers covering the lens until you get used to holding it. Kind of annoying, but understandable due to design limitations.
Overall - I think this is great as a pocket camera, for its HD videos, and as a backup for another camera. I personally would not want it as my only camera - I would choose my DSLR. I would not hesitate in recommending it to anyone who isn't interested in a DSLR, though, and who wants a tough, neat little camera, great for traveling. To be honest, I've taken very few shots with my 40D, and quite a lot of them (and a heck of a lot of video) with this in the week or so I've been in Thailand so far.

Click Here to see more reviews about: Panasonic Lumix DMC-TS1 12MP Digital Camera with 4.6x Wide Angle MEGA Optical Image Stabilized Zoom and 2.7 inch LCD (Green)

Panasonic's Lumix DMC-TS1 is the world\'s first waterproof, shockproof and dustproof digital camera to also feature AVCHD Lite High Definition (HD) video recording capabilities. The TS1\'s tough and rugged design makes it the ideal choice for active users needing the ultimate hybrid for capturing both still and motion images during outdoor activities. The Lumix TS1, with a 12.1-megapixel resolution, features a 28mm wide-angle Leica DC Vario-Elmar lens, a 4.6x optical zoom and Panasonic\'s proprietary iA (Intelligent Auto) mode, making this an easy-to-use, yet powerful camera that packs advanced imaging features.FEATURES:Scene Modes for Still Images: Beach & Surf mode gives users a single mode with optimized auto white balance for optical shooting on the beach and in shallow water. Panorama Assist scene mode allows users to shoot a number of consistent photos, either vertically or horizontally, by aligning them according to a guide that overlaps the screen. Then using those photos and the bundled PanoramaMaker software, users can create dramatic panoramic images. Increased Scene modes for both still and motion image shooting--optimized for a variety of situations. There are 26 scene modes for still image and 17 for motion image (Portrait, Soft Skin, Transform, Self portrait, Scenery, Low light, Food, Party, Candle light, Sunset, High sensitivity, Beach & Surf, Snow, Aerial, Pin hole, Film grain and Underwater) LED Illumination is available in motion image recording. High-Speed Burst (Speed Priority) that fires off approximately 10 shots per second. Menus are clearer and easier to navigate with the Display Size option. Macro Zoom function lets users pull subjects even closer to capture dramatic close-up shots by using the 3x digital zoom in the wide-angle. SUPPLIED ACCESSORIES:Battery PackBattery Carrying CaseBattery ChargerLens Cap Lens Cap S

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Panasonic Lumix DMC-ZS7 12.1 MP Digital Camera with 12x Optical Image Stabilized Zoom and 3.0-Inch LCD (Blue) Review

Panasonic Lumix DMC-ZS7 12.1 MP Digital Camera with 12x Optical Image Stabilized Zoom and 3.0-Inch LCD (Blue)
Average Reviews:

(More customer reviews)
After using this camera for a few weeks I am amending my rating and giving it 5 stars. This camera is truly incredible. The intelligent automatic is amazing---I only move it to manual for a few special situations. The only real complaint is that I occasionally inadvertently hit the video button. Otherwise it is simply amazing.
It handles difficult situations with grace. Sunset with sky and foreground properly exposed. Delivery room newborn with no flash and low ambient lighting. Black and white is fantastic. Couldn't be happier.
This is a great camera for a beginner---Point and shoot. Lots of control for advance photographers. I'm sorry to say I don't lug around a camera bag and tripod anymore. Just slip this in my purse.
I waited a long time to upgrade from the first generation Panasonic Lumix TZ1 (complete with dangling lens cover & 5MP) Glad I did. The best improvements are the quick power-up and lack of a shutter delay for catching fast action. If you leave it in the completely automatic mode it does an impressive job---and if you need control there's plenty and then some. Lots of programs plus aperture and shutter priority or complete control.
Other notable improvements are in the macro end of things where capturing very fine close-ups are greatly improved---my TZ1 was always focusing on the background if I could get it to focus at all. This does an incredible job! Almost too much detail (if that's possible) Every speck on the petal of a flower is exposed. This camera is slightly smaller and has a larger display screen. Most of the functions and dials are similar and I find easy to use but that may be because they are familiar.
Flash is improved over the first generation.
The zoom on the original was 10X. 12X even better. I took incredible photos of bullfrogs 15 feet away. Unbelievable detail.
This camera isn't perfect and no camera will ever be. It would be nice to have a more powerful flash and nice if you could shoot in lower light with less noise without flash and it would be nice if it had a 20X optical zoom and a faster lens but for what it is its an incredible piece of engineering. AND don't forget the Leica lens which is just plain beautiful.
All cameras have limitations and this is no exception. However it will get you a great photo most of the time. The wide angle to long telephoto range is why I bought my first Lumix. This flexibility makes for great travel photos. I did side by side comparisons of a Sony, Canon, Nikon and the first Lumix in the store and then we printed them out on the spot. No comparison. No ghosting, better color correction, better macro. And I like the ergonomics. I always place the wrist band over my wrist and hold onto the camera with fingers and pad of thumb and it feels secure. Some of the ultra small cameras are almost too small for me. (Didn't compare to current models)
What is truly awful about this camera is that the manual is on a disk and covers this camera and its 2 predecessors making it a bit (if Not totally confusing at times). It also does not come with MAC compatible editing software which is really not a big deal for me. One person asked if it is MAC OSX 10.6.3 compatible and it is. The only problem I've encountered is in using Aperture (a MAC program)it doesn't want to import directly into a project that has other images from my other Lumix camera. Make a new project and problem is solved but irritating. (Manual software and downloading from card to MAC is compatible)
Haven't tried uploading video yet.
DO purchase an extra Panasonic Battery DMW-BCG 10PP. Make sure it has the PP (It won't work without it) Also you'll need a SD Card. It's not necessary to go to the Class 6 cards unless you are shooting HD video. A SDHC 4GB card will hold 700+ photos at full MP.For most people this will be more than adequate. I carry two cards in case one goes south. You can always find them on sale for under $20. I also like the Caselogic TBC-302 Ultra Compact Camera Case for under $8.


Click Here to see more reviews about: Panasonic Lumix DMC-ZS7 12.1 MP Digital Camera with 12x Optical Image Stabilized Zoom and 3.0-Inch LCD (Blue)

The Panasonic Lumix DMC-ZS7 delivers AVCHD Lite HD movie recording capability, 25mm ultra wide-angle and powerful 12x optical zoom lens in a compact body to cover virtually any shooting situations. This 12.1-megapixel powerhouse performer ZS7 further advanced to comprehend attractive features including the Intelligent Resolution technology as well as the built-in GPS (Global Positioning System) unit and manual exposure. An abundance of functions for both photo and movie recording are organized in the well-considered operational command including an independent movie recording button achieving smooth, easy operation in both recording modes.FEATURES:
25mm Ultra Wide-angle Lens - The DMC-ZS7 features a 25mm ultra wide-angle 12x optical zoom f/3.3-4.9 Leica DC Vario-Elmar lens (35mm camera equivalent: 25-300mm). Incorporating Panasonic's advanced optical technologies, this lens system is comprised of 10 elements in 8 groups, with 2 ED (Extra Low Dispersion) lenses and 2 aspherical lenses / 3 aspherical surfaces while preserving compactness. This lens system enables a remarkable 25 to 300mm range of focal length in this compact body. The powerful zoom of the DMC-ZS7 can be freely controlled even when shooting motion images. Inheriting the fine rendering and outstanding quality of the Leica Elmar lens, this easy-to-carry camera delivers beautiful images any time, any place.
16x Intelligent Zoom/23.4x Extra Optical Zoom - Thanks to the newly incorporated Intelligent Resolution technology, the Intelligent Zoom is available with the DMC-ZS7 which extends the zoom ratio by approx. 1.3x maintaining the picture quality even combining a digital zoom. This means the 12x optical can virtually extend to 16x equivalent. Furthermore, the Extra Optical Zoom function that extends zoom power to 23.4x by using the center part of the large CCD to bring subjects even close

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