Showing posts with label normal. Show all posts
Showing posts with label normal. Show all posts

Olympus 25mm f/2.8 Pancake Lens for Olympus Digital SLR Cameras Review

Olympus 25mm f/2.8 Pancake Lens for Olympus Digital SLR Cameras
Average Reviews:

(More customer reviews)
I bought this lens from B&H about a week ago. It was the only one I have seen anywhere in stock, and I grabbed it up instantly, and no others have appeared.
Complaining about the lens cap will be common to all reviews. It is a metal screw-on disc, that is hard to work unless the camera is facing up. Order a 43mm pinch lens caps when you order, along with a protective haze filter. Don't plan on a thick filter, such as a polarizing filter or a stack of filters, because you will cut off the corners of the image. Even though this is a standard quality Zuiko (expensive but not REALLY expensive) it has a metal (not plastic) connector linking it to the camera body. If you have lived your entire photographic life with a zoom lens, you may not like a prime. You do your framing by zooming your feet back and forth from the subject--or move the subject. Be careful at the rim of the Grand Canyon!
This lens is thin and light. It won't zoom, of course, but if you have 8 or 10 megapixels, you can crop and still leave respectable resolution. It's great for when your evolt series Olympus DSLR has to serve tourist duty or for holidays with the family. Auto focusing in low light is accurate and, although this is not really a macro, my rose pictures are quite presentable as are those of people.
If you already have one or more of the kit lenses for the 400/500 series, you probably have the 50mm point covered. If you want portability and don't mind the challenges of a prime, this might be for you. I suspect that it will be cheaper a few months down the road.


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The world’s smallest DSLR deserves a similarly compact lens, and Olympus has it: the ultra compact Zuiko 25mm f2.8 digital specific lens. This 0.9 inch-thick lens offers a fixed 50mm equivalent angle of view. Together with the E-420, the Zuiko 25mm f2.8 lens will offer the ultimate combination of ease of use and portability.

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Nikon 35mm f/2D AF Wide-Angle Nikkor Lens for Nikon 35mm and Digital SLR Cameras Review

Nikon 35mm f/2D AF Wide-Angle Nikkor Lens for Nikon 35mm and Digital SLR Cameras
Average Reviews:

(More customer reviews)
Light, fast, sharp, and as far as I'm concerned the perfect focal length.
I started out using 50mm primes, but quickly got tired of how tight they were indoors. All my shots were becoming head/shoulder shots, and forget about trying to get two or three people in the shot without them all being posed in an "everyone squeeze together now" shot. That gets real old, real fast.
Let me emphasize that:
This lens has a much better field of view at normal shooting distances (the distance that you normally stand from your subject).
That is often overlooked, but trust me, backing up 15 feet in a crowd or a house to get your shot is tedious at best, and often impossible. It is typically easier to move in towards your subject a little (or crop the photo later) than it is to keep backing up, especially while looking into the viewfinder. I realize it's not totally fair to rate other equally sharp, good quality lenses differently, based solely on their focal length, but it is my opinion that this lens is by far the most useful in the greatest number of situations.
I also used to be fixated on huge apertures, but have since realized that most real world shooting is not done below f/2 anyway. This lens is sharp as anything out there and is great in low light. Yes, I acknowledge that f/2 isn't quite as good in super low light as other lenses out there (I know because I have a 50mm f/1.2), but it is good enough for most shooting, and below f/2 the depth of field becomes tricky anyway; so again, not as useful.
Lastly, some people don't like the plasticy feel of new lenses, but I love them. They are so much lighter and silky smooth. I've seen enough heavy, gummy, brassed-up, metal lenses in my time to know there's nothing magical about all-metal builds either. So to me it's just another modern improvement that works like a charm.
Most that I've seen tend to resell online for 90%+ of full retail value, so even if you somehow didn't like it, your risk in buying and trying is very low.
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Compact and lightweight, this very fast f/2 wide-angle lens is perfect for scenic and landscape photography as well as environmental portraits

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Nikon 20mm f/2.8D AF Nikkor Lens for Nikon Digital SLR Cameras Review

Nikon 20mm f/2.8D AF Nikkor Lens for Nikon Digital SLR Cameras
Average Reviews:

(More customer reviews)
The Nikon AF20mm f2.8 was designed as a "pro" wideangle lens back in the days when 20mm in autofocus was as wide as you could get. Originally introduced in 1989 it was the AF equivalent of the manual focus design of 1984 and uses the same optical formula as the MF. The subsequent addition of the D chip has changed nothing else. In it's day an AF 20mm was pretty radical and it was only superceeded in 1993 by wider primes as the pros sought wider and wider views. For most amateurs however 20mm on film will get you into the "superwide" range without breaking the bank. For digital shooters, dealing with the 1.5 magnification factor in Nikon D-SLRs, it becomes effectively 30mm, which is still wide enough for most situations.
Optically it delivers typical Nikon high color saturation and contrast, with distortions well controlled for it's focal length. While it is reasonably free from flare I strongly recommend the optional HB-4 lenshood designed for it and polarizing will be dificult for film shooters due to vignetting caused by the thick polarizing filter mounts of a "standard" polarizer. Digital shooters should not have this problem because the camera's sensor is only using the central portion of the projected circle - inside the area of vignetting.
Mechanically it is all metal and well constructed with an nice "solid" feel to it for an AF lens but those of us who still miss the old manual focus "tanks" will find the undamped focusing ring a little too "loose" when manually focused. As part of a planned outfit, it can form the wide angle anchor for a travel kit standardized on 62mm filters. Add Nikon's 28-105AF 3.5-4.5 and 70-210AF 4.5-5.6 and you have a lightweight kit for either film or digital SLR's

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20mm D-Series Wideangle lens for Nikon cameras

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