Showing posts with label epson 3880. Show all posts
Showing posts with label epson 3880. Show all posts

HP DesignJet Z3200ps - 44" large-format printer - color - ink-jet - Roll (44 in) - 2400 dpi x 1200 dpi up to 2 min/page (color) - USB, 10/100Base-TX Review

HP DesignJet Z3200ps - 44 large-format printer - color - ink-jet - Roll (44 in) - 2400 dpi x 1200 dpi up to 2 min/page (color) - USB, 10/100Base-TX
Average Reviews:

(More customer reviews)
When I picked the Z3200ps 44" printer is was for these reasons:
1 - I wanted a pigment printer in the lab for long archive prints
2 - I needed a wide color gamut and the Z3200 ps really knocks it out of the park
3 - I like b&w photos but hate it when they turn green or yellow with age
4 - havng used 24" rolls, some charts outgrew them to 36" and finally 44" rolls
5 - media handling. Careful when you walk by this printer. It will pull your shirt off and print on it.
I've had some time to get to know the Z3200ps. It has a buit in rip and 80g disk to store your image once ripped so subsequent prints on various media are a no brainer. I bought an assortment of media from photo paper to banner paper and finally canvas which really made an impression.
The 2100 and 3200 printers use 130ml inks (but HP ships it with 69ml mini-inks like the mini-bar in a hotel). They get it calibrated and alligned but 50% of the ink is gone aftertwards. Fortunately a 20x24 canvas (heavy ink) print only used 3ml from the 1500 ml on board in 12 cartridges.
Yes thats right. 12 ink colors. Well really 11 because the gloss enhancer is clear! And it DOESN'T HAVE CYAN - JUST LIGHT CYAN. It does have magenta and light magenta. Let's cover the 12 inks
CMYPKMK:
c50% dark cyan
Mfull dark magenta
m- 50% dark magenta
Yfull dark Yellow
PK"photo black" - mixes with cmy above to avoid using cmy when dark colors are in photos. doesn't fade away from black
MK Matte black - for text mainly - shows up as matte on glossy media
RGB
GrGreen 100%
BlBLUE (not to be confused with cyan dark - it's not really blue either, more purple than blue)
RdChromatic Red (think fire engine / fast sports cars here)
B&W
LG Light Grey
GGrey (combined with photo black gives you 3 color b&w prints with no color in them - no "off black"
EGloss [E]nhancer - prevents bronzing
Now add them c, M, m, y, PK, MK, Rd, Gn, Bl, Grey, light Grey, Gloss enhancer. Yep even dozen.
You'll be happy to know the gloss enhancer, while sprayed everywhere, is only $55 instead of $78, but a full refill is $911 of all 12 carts. buying ink here on amazon will save you money over hp's price
As for printheads, yes, nozzles clog, yes, there is a cleaning step, and best of all, it knows what nozzles are clogged so with 2000+ It can average them out of the picture and prevent banding until it gets really bad. Each printhead has 2 colors assigned to it, and they are about $55. Now you can also clean just one printhead instead of all 6 of them which saves ink. Left plugged in, the printer automatically runs a periodic nozzle cleaning with minimal waste to keep them clean.
Color calibration is done with an i1 spectrophotometer for the material you are using. Tell your software to let the printer manage color and send adobe rgb 1998 to it. Then tell the printer it's getting adobe 1998 and it must mix and match. It will take a little from each color to make [carl sagan on] billions of colors.
The color gamut of this printer is only missing the metalics (a 13th cartridge would be too much), so you get accurate reproduction. It also comes with a monitor calibration system so what you see is what you get across many media.
The biggest surprise so far was the $1.28/sq ft matt universal canvas. Go for heavy inking and you'd swear an artist slaved all day to render your 12 megapixel dslr raw digtital negative into a painting. I have a roll of 24" canvas loaded now and am going to try some art reproduction with it and a scanner. You also have options to roll on clear sealer (acrylic) or use a brush and acrylic paints to turn the canvas into a real work of art.
If 44" and 12 inks isn't enough HP does make a 60" carriage, but sacrificed the 12 inks down to 8.
CONS:
Here they are
8" of each roll is needed for each new load to do a color calibration (and 20 minutes give or take)
high quality mode is slow as molassas to print
internal cutter can't cut canvas.
Carriage may be 44" but you have 6 bottles of ink on *each* side of that so the printer is wide.
postscript rip is kinda on the slow side but the good news is it keeps the finished jobs in the printers hard disk until you delete them, so you can improve your media choices without another rip and just print.
only has roll or sheetfeed - one sheet at a time. DJ130nr had a paper try, rear feed, front feed, and roll feed that could automatically take out the roll and feed from the paper tray, then revert to roll without a human.
power cords are shorter than the printer is long so be prepared.
squirt and wipe after 3 - 4 passes slows printing while carriage is in service station
Hard to find HP 70 130 ml carts in every color on [...] website - must dig around. Red is no. 73
"chromatic red" which makes me wonder about other no 73 carts
won't take the 300 ml #70 carts for the 5200 (besides wrong colors)
Plus side
Comes with GB ethernet and usb. The GB net is *NICE*
As of 7-2010 HP finally got win 7 to work with this printer. Took long enough. I had to revert to vista when I got this (ugh) and was changing o/s more often than people change underware.
Lots of space to store caibrations for medias you come across
Heavy support for fine art media
Comes with $300 stand in kit and adapters for different core sizes
comes with power cords for every country on earth
200 watts printing, almost nothing in power down mode. Adjustable delay to enter power down.
Nice b&w lcd on front for loading paper and calibrating color
orange cancel button
relatively easy to fix skew problems with the blue lever that opens up the gripper and allignment marks
To sum it up - with the introduction of the Z5200, my bet is the z3200 will drop in price soon and might make a good value then. The 5200 only uses 8 inks and is built on the same chassis as the 3200. Since the 3200 mixes from all 12 inks almost equally you get good life from 12 cartridges. Add to your watched list and watch the price drop - the 5200 was just introduced as I write this.

Click Here to see more reviews about: HP DesignJet Z3200ps - 44" large-format printer - color - ink-jet - Roll (44 in) - 2400 dpi x 1200 dpi up to 2 min/page (color) - USB, 10/100Base-TX

This 12-ink HP Z3200ps Designjet printer, with new HP 73 Chromatic Red ink, delivers long-lasting gallery-quality prints in black and white and color.

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Click here for more information about HP DesignJet Z3200ps - 44" large-format printer - color - ink-jet - Roll (44 in) - 2400 dpi x 1200 dpi up to 2 min/page (color) - USB, 10/100Base-TX

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Epson Stylus Pro 3880 Inkjet Printer (CA61201-VM) Review

Epson Stylus Pro 3880 Inkjet Printer (CA61201-VM)
Average Reviews:

(More customer reviews)
This printer was purchased to replace an Epson Stylus Pro 4000 that I have been using for about the past 3 years. When the 4000 came out, it was supposed to be technological breakthrough and had multiple rave reviews. Ultimately, I've been disappointed with it, both from a "quality of final print" and "ease of printing" standpoint. The Epson Stylus Pro 3880 is two generations beyond the 4000, and corrects the major flaws of its predecessor.
I consider myself an advanced amateur photographer, having printed all of my own photographs (B&W and color) in the darkroom for more than 25 years. I'm really comparing the results of the Stylus Pro printers to the best results that I could achieve using traditional methods. Digital photography is going to replace 99% of traditional photo processing, so the standard seems fair.
From a print quality standpoint, the SP 4000 suffered from significant bronzing (metallic sheen when viewed at an angle), metamerism (color shifts dependent on lighting) and gloss differential (difference in sheen depending on thickness of ink sprayed in an area). The majority of these flaws have been addressed by the latest generation of ink (Ultrachrome K3 with Vivid Magenta) and the newest printhead. On B&W prints, where bronzing was the biggest issue, bronzing is now completely absent on prints using Epson Exhibition Fiber paper and Ultra Premium Luster. I also don't appreciate any significant color shifts (metamerism) when viewing prints under different lighting conditions or different angles. Gloss differential has been significantly improved, but not completely eliminated. With the SP 4000, the ink would turn glossy surfaces semigloss, leaving a very distracting pattern. With the SP 3880, the only areas with subtle gloss differential are areas where there is no ink at all (washed out highlights). If there is any ink at all on the surface, the print looks even and smooth, even on glossy paper.
The quality of the prints are really quite amazing. For the first time in my life, I looked at a couple of prints that I made in the "Advanced B&W" mode and had to admit that they were as good as anything that I could have produced in the darkroom. The Epson Exhibition Fiber paper (F surface) has a look and feel very similar to the Ilford FB (fiber based) Glossy paper that I used to print on. The color prints are also stunning. Although the Ilfochrome prints I used to make had a level of color depth and saturation that was hard to beat, these SP 3880 prints are at least 98% as good with 20% of the effort and 100% better control (via Photoshop).
The machine itself appears reasonably well built and thoughtfully designed. It's not quite the beast that the 4000 was, but that's mostly a good thing. This machine can actually be lifted by one person and takes up a footprint that's about 20% less than the 4000. The front door where the prints come out does seem a bit flimsy, but with care it should hold up. The only unanswered question for me regards ink jet clogging. The SP 4000 was very difficult to unclog if it sat unused for a week or two. I would estimate that at least half my ink went towards unclogging the print head. I understand that the newest generation is supposed to be better, but I'll find out over the next few months. Right now, the printer is being used nearly daily, trying to reprint all of the pictures that I was 80% satisfied with in the past.
In summary, the Stylus Pro 3880 is a significant advancement from older machines. It might not be enough to justify upgrading from a 3800, but if you're using a 4000/7600/9600 generation machine, you'll never regret it.
Addendum: The one year follow-up!
After one year of printing fairly regularly, I have to say that I am still very pleased with the printer. The most amazing thing, by far, is the fact that the ink jets have never clogged even once. The old SP 4000 clogged even after 5 days of disuse. Although I'm generally printing small photos, I'm actually still on my first set of ink cartridges. I easily went through 5-10 times the amount of ink with the SP 4000. I didn't realize how much ink I was actually wasting clearing the ink jets regularly (in spite of never running a "power" cleaning). My only minor complaint with the printer is still the mild gloss differential. For more critical prints, I've sprayed on PremierArt's Print Shield with good results. No other issues so far and many outstanding prints in both color and B&W.

Click Here to see more reviews about: Epson Stylus Pro 3880 Inkjet Printer (CA61201-VM)

Epson Stylus Pro 3880

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Click here for more information about Epson Stylus Pro 3880 Inkjet Printer (CA61201-VM)

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