Showing posts with label mic. Show all posts
Showing posts with label mic. Show all posts

Wireless Lapel Microphone Kit Review

Wireless Lapel Microphone Kit
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I teach a weekly non-denominational adult Bible study, and as the group grew larger it became difficult for some to hear me speak. I purchased an AmpliVox Buddy amplifier but found the hand held microphone to be quite cumbersome. My wife then ordered the AmpliVox S1600 wireless microphone system (with lapel mic)for me. It is an excellent product and picks up the sound easily. Even persons sitting at the opposite end of the large room (some of whom are "hard of hearing") report that they can hear and understand every word. I would highly recommend this product.
Dr. Don Shockey

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Wireless Lapel Microphone Kit, Two Frequencies, 300 ft. Range

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sE Electronics sE2200a Class A Cardioid Condenser Microphone Review

sE Electronics sE2200a Class A Cardioid Condenser Microphone
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I use Neumann, AKG, Mojave Audio, Sennheiser and Rode mics in my studio. I sometimes prefer this mic over Neumann for close micing, especially when cutting acoustic/vocal tracks. It's very detailed presence is flawless and velvety smooth without accentuating any unnecessary higher frequencies. Don't let the price of the SE2200A fool you. It's a gem of a mic and rests in the mix without harshness, sizzling with a shiny authority, especially in lower register male vocalizations. The shock mount holds up to my Neumann TLM 103 shock mount. In fact, my TLM 103 shock mount cost as much as the entire SE2200A mic, shock mount and case combined. It has a clean contemporary, yet vintage design and sexy appeal in the studio. It looks and sounds much more expensive than it's low price tag. I'm surprised not to find this mic listed at some stores - Amazon is cool to distribute it. A local credible engineer suggested the SE2200A to me. I was not misinformed and am thankful for his knowledge. I like to interchange mics to lessen boring vocals and instruments and to mix up my tracks with various personality, so it's a pleasing addition to my studio mic cache.

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The sE Electronics sE2200a condenser utilizes a hand crafted, gold sputtered 1.0" diaphragm with class A electronics, offering a clean, crisp, open and lively tone. Shock mount and deluxe aluminum flight case included.

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RODE NT1A Cardioid Condenser Microphone Review

RODE NT1A Cardioid Condenser Microphone
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If you are in to producing/engineering and want a super mean condensor mic without spending alot of cash, this is one to get; very cheap with an extremely expensive sound. It does not have any polar switches or any built in eq's, but most all DAW's do have eq's and phase reverse abilities. Plus, its better to cut freq's that are there, then to try and boost freq's that aren't there; the latter is impossible actually. I'm telling you, don't let the price tag throw you off; this baby makes everything sound good. I've used it on vocals, acoustic guitars, drums as an overhead/ride mic as well as a room mic for ambience. I also have a matched pair of NT 5's that are also absolutely amazing. Rode is a great Australian company that makes amazing mics with a 10 year warranty; yep...10 years. Get one, you won't be dissapointed. Remember though, bad acoustics = bad recording sound.

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The original NT1 was voted "Best Microphone at Any Price" by the editors of Electronic Musician magazine. The NT1A delivers performance usually associated with higher priced microphones. Features: large capsule (1") with gold-plated membrane; cardioid polar pattern; ultra low noise, transformerless circuitry; state of the art surface mount electronics; heavy-duty satin-nickel finish; internal shock mounting system; gold plated output connectors; true condenser (externally biased); full frequency response. The NT1A will blow you away! Ultra low-noise, transformerless circuitry.Cardioid polar pattern.Large capsule (1") with gold-plated membrane.Surface mount electronics.Heavy-duty satin-nickel finish.Internal shock mounting system.Gold plated output connectors.True condenser design (externally biased). WARRANTYAll RODE products are warrantied for 1 year from the date of purchase. Your purchase may be registered ?on-line? or by mailing the warranty card. The RODE Warranty covers parts and labour that may be required to repair the microphone during the warranty period.The Warranty excludes defects caused by normal wear, modification, shipping damage or failure to use the microphone as per RODE's Instruction Guide.

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Sony UWPV1 Lavalier Microphone, Bodypack Transmitter & Portable RX Wireless System, Operating on TV Channels 30 to 33 Review

Sony UWPV1 Lavalier Microphone, Bodypack Transmitter and Portable RX Wireless System, Operating on TV Channels 30 to 33
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My UWPV1 arrived yesterday, and I'm thrilled with it. The audio is crystal clear - no static at all, and has good dynamic range. The transmitter and receiver are both extremely solid and fell like they'll take a beating. I let my camera roll while I walked around the house with the mic, and the signal remained solid even when it had to go thru multiple walls.

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The Sony UWPV1 is an UWP Series UHF synthesized wireless microphone system. The package includes a lavalier microphone, bodypack transmitter and portable diversity tuner. Mounting adapter for camcorder is also included. The TV channel receiving frequency is 30 to 33. The UWP-V1 includes extremely robust metal construction, mic/line input selection on the bodypack transmitter, a miniature metal body omni-directional microphone and plus the receiver includes a convenient auto channel scanning function allowing automatic search for unoccupied channels.

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Azden Wireless Uhf Lavaliere Mic System Nic Review

Azden Wireless Uhf Lavaliere Mic System Nic
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This product was easy to use and worked well. Sound quality was good. However, this mic system only works with one transmitter at a time. Therefore, this product will only work if you are interested in mic-ing one person.

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The Azden compact wireless camera-mount system uses new UHF frequencies to avoid interference from HDTV transition. The 105 series sysetem features include 91 user-selectable UHF frequencies (566.25 - 589.75 MHz), a pivoting high gain antenna, headphone output with volume control and a power-on/receiving signal LED. The operating range is 200-300 feet and it is powered by two AA batteries. It is supplied with a mini-jack cable.

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Rode Podcaster USB Dynamic Microphone Review

Rode Podcaster USB Dynamic Microphone
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For recording my voice (baritone), it does a great job. For extra warmth that means close-miking, which in turn means not popping your p's, etc. If you hold it close to your mouth but don't directly face it end-on, that's easily done (or get a pop filter). [...].
The microphone electronics are extremely quiet - the audio is sampled at 18 bits.
It comes with a warranty which is easily extended to 10 years for free.
The real-time headphone monitoring is a great idea and works well.
It's a bit heavy (part of being built like a tank), and you need to think a little about how you're going to mount it, since some cheap desktop stands can barely manage it.
Some things to keep in mind are:
1) It likes close-miking (at least for male voices)
2) It is USB-only
3) It is a on the bit large and heavy side.
If those don't bother you, and the price is in your range, then you will probably like it a lot.

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The Rode Podcaster is the easiest way to record high quality vocals or audio on your computer and upload them to the world.Seamless integration was the idea, and it was obtained by creating a studio dynamic microphone with unparalleled A/D converters, so that the microphone can be plugged into any computer with no in/out boxes, no expensive computer pre-amps, just a USB cable.The Podcaster offers an end-address configuration, the clarity of RØDE's tailored-for-voice frequency response, an ON L.E.D, a direct headphone amp, and of course very low self noise.The Podcaster opens up possibilities for anyone who records audio from podcasters, journalists and students to business people adding audio files to websites and multimedia presentations.

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Shure SM7B Dynamic Vocal Microphone Review

Shure SM7B Dynamic Vocal Microphone
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If you are looking for a microphone for voice-overs or broadcast use, THIS IS WHAT YOU NEED TO BUY.
The Shure SM-5 and SM-7 microphones are the best voice mics ever made. The large SM-5 is no longer made, so you can only find it used, but the SM-7 is just as good.Either one, you have the best.
Don't let the price fool you. I have brought this in to studios that have $3000 Neuman condenser mics and they laughed when I said I wanted to use my $300 Shure mic instead.I told them to put up both mics and do an A/B test while I spoke into each of them. The three other audio engineers in the studio had to agree, the Shure was better and it was a night and day difference, not hard at all to decide it was best.
This mic has a warmth and rich sound no other mic can give you.
Even industry publications like MIX MAGAZINE and RadioWorld have done reviews where they did the same tests and said the same things about this mic in comparison to the expensive condenser mics...
--------------------------------------------
from MIX MAGAZINE, March 1998, page 53:
Eric Paul has made a career out of recording country giants like Willie Nelson, Waylon Jennings, Johnny Cash and many others: "My favorite overall microphone for voices is the Shure SM-5. If they can't get a Shure SM-5, they can still get Shure SM-7s, which are still available. If you've tried out three very expensive tube mics and you aren't happy with any of them, then the next step should immediately be a Shure SM-7. I will almost always guarentee you that if the expensive mic doesn't work, an SM-7 will. For some reason, people sound better on them."----------------------------------------------
from RADIO WORLD, February 18 1998, page 62:
Joe Stack, director of engineering for ABC radio said: "When I worked at WATH in Athens, Ohio, I had someone call and offer me ten RE-20s for the three SM-5s we had. I turned him down." ------------------------------------------
from EQ MAGAZINE, July 2006 issue:
The SM7 is perhaps most famous for being used as the vocal microphone on Michael Jackson's Thriller engineered by Bruce Swedien. -----------------------------------------------
Some interesting facts about the SM-7..."When we were doing "Off The Wall", "Thriller" and "Bad" I ended up with 6 Shure SM7's. That is a fantastic mike." - Bruce Swedien
The Red Hot Chili Peppers have used the SM 7 on vocals on every album they have done.
You can see James Hetfield from Metallica singing into a Shure SM 7 on the "Some Kind Of Monster" DVD.
----------------------------------------
Another thing I have noticed in the studio, is that some of my other mics require gating and downward expanders on the mics to get rid of room noise, but the SM-7 doesn't need it. It is quiet all by itself.
And to save many hours trying to edit out mouth noises, clicks and smacks from voice-over talent that use expensive CONDENSER microphones, just have them use the SM-7 next time, and no more wasted time editing out mouth noises anymore.Throughout the years on the Howard Stern Show, they have replaced and tried all sorts of microphones, from the Electrovoice RE-20 to Neuman mics. But if you notice, the Co-host, Robin Quivers, STILL uses the Shure SM-7 and refuses to change to any of the other mics. You can see throughout the years on the TV show that although the mics are always changing for everyone else, Robin ALWAYS has the SM-7 to this day.
Since the Howard Stern Show has moved to Sirrius Sattelite, the show had to buy new microphones, (couldn't take them with from CBS) and everyone seems to be using the same mics they did before. Robin has another SM-7 so she really likes this mic! It looks different now, because she has the larger windscreen that now comes with the SM-7.


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The Shure SM7B Dynamic Vocal Microphone is a cardioid studio mic with a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications.The SM7B features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications. The SM7B Includes a foam winscreen, close-talk windscreen, and a locking yoke mount.Shure SM7B Features:Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speechBass rolloff and mid-range emphasis (presence boost) controls with graphic display of response settingImproved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitorsInternalair suspensionshock isolation virtually eliminates mechanical noise transmissionHighly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narrationNow shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocalsYoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone positionClassic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis soundRugged construction and excellent cartridge protection for outstanding reliabilityReplacement cartridge:RPM106

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MXL USB 009 24BIT/96KHZ USB Condenser Mic Review

MXL USB 009 24BIT/96KHZ  USB Condenser Mic
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For years I've been working with traditional XLR cardioid condenser mics (love my Neumann TLM) but I've had to travel a lot lately, and humping the XLR cables, pre-amp, and heavy mics through airports and hotels has gotten to be a real bother, so I started The Hunt for a Great USB Mic.
Now, there are good USB mics out there for under $100, and Blue's Snowball is adequate. At ~$70 you get what you pay for. It is ok for podcasting, if you aren't too picky about sound quality. I had one shipped to me, didn't like that background hum, sent it back thinking it was a problem with the mic, and got another one that sounded exactly the same. (And yes, I read all the instructions and advice and made all the adjustments. I even tried it on Mac, Laptop, and PC--so spare me the "oh did you try this, and you're an idiot because you didn't try that" Snowball fanboy snarkiness ;).
So, when I returned the Snowball, I considered getting Blue's Yeti, but it's sheer size disqualified it -- the mic is way too big and heavy to be considered remotely portable, and since I like to record standing-up instead of sitting down, I worried that it would be too heavy for my boom.
Having eliminated Blue's mics, I tried the Samson G Track at ~$120 and the AudioTechnica AT2020 at ~$110. I like that the Samson has the headphone output and the gain controls (which the AT does not) and better recording quality versus the AT2020 at 48kHz versus 44.1kHz. However, the Sampson weighs a half-pound more. For both mics the sound quality is great for podcasting, and while vastly superior to the Blue Snowball, and certainly adequate for most vocals that will be supported with background music, neither mic produces recordings clean enough and of high enough quality (limited to 16bit) for pure narration (IMHO).
So I upped my price-point again. And found THE perfect USB mic for voice-overs at ~$275. The MXL USB.009. It records at 24Bit/96kHz -- a huge improvement over the 16Bit/44.1kHz of all the other mics. It has the benefits of a mic jack and knobs for gain control like the Samson G Track, and is Plug and Play. I don't have to tweak anything on my Mac or my PC. It is lightweight, so I'm not worried about my boom tipping, and there is no background hum. I like the steel carrying case -- it weighs about 6 pounds with the mic and USB cable -- and makes it easy to carry through airport security.
Yes, the MXL USB.009 is 4x the cost of the Blue Snowball and 2.5x the cost of the Samson G Track and the AT2020, but for me, it is worth it. I not only do podcasting, but I do professional voice-over work, and I need something that will give me the convenience of direct USB recording with near-studio quality.

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Producing a 24-bit/96 kHz feature-rich USB microphone for the professional broadcast and music industry meant no compromises on quality. The MXL® USB.009 features a large diaphragm, 32mm capsule, similar to what\'s found on the world\'s best analog microphones. With zero latency monitoring, hand selected components and analog rotary knobs to dial in the perfect mix, the MXL® USB.009 replaces an entire studio. When it\'s time to listen back to the tracks you\'ve recorded, it will impress with its amazing detail and punch. The MXL® USB.009 is a simple, feature-rich, elegantall-in-one recording solution that is nothing short of professional!
24-bit A/D and D/A 96 kHzrecording
114 dB dynamic range
Large gold sputtered diaphragm
USB 1.1 and 2.0 compatible
Zero latency monitoring
Analog gain control before A/D
Hand selected components
USB powered - no externalpower needed
Plug and play with no preamps, mixers or any other externaldevices required
Includes: • Mic • Aluminum flight case • Desktop Stand • Mic stand adapter • 10\' USB cable • Cleaning cloth • Manual

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DT290-80 Dual Headset w/ Microphone Review

DT290-80 Dual Headset w/ Microphone
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Excellent microphone noise isolation and very comfortable headphones - a perfect combination (be sure to get the XLR and 1/4" TRS connectors)

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VocoPro UHF-5800 4-Microphone Wireless System, CH 4 Review

VocoPro UHF-5800 4-Microphone Wireless System, CH 4
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Bought these for a live 3 & 4 Piece band. They have worked flawlessly in every situation with no problems at all!!!
Never have had to call technical support. Battries last a long time up to 4 gigs before recharging. Just can't say
enough about them. Very pleased and would highly reccommend them to anyone who doesn't want to sacrafice quality for price! Tried them next to my Sure SM58 and they actually sounded better!

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Experience ultimate freedom with the UHF-5800, VocoPro's first 4-channel UHF wireless microphone system. With 4 handheld mics, each on its own independent UHF channel, the UHF-5800 gives you maximized vocal options without the fear of frequency interference. Going wireless means you're free from cables for more active performances that the crowd will never forget. Plus, a 12-hour mic battery life means the party can go all night. Karaoke DJs will love that each mic channel has its own field-replaceable module that easily slides out without the need for tools and without affecting the functionality of the other channels. Karaoke vocalists, home entertainment enthusiasts, and clubgoers will all benefit from the reliability and versatility of the UHF-5800..

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PC 360 Headset for Pro Gaming Review

PC 360 Headset for Pro Gaming
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These headphones will not disappoint! By far the best sounding gaming headphones ive heard. I have the astro a40s and there is no comparison here. These are very light and comfortable. I have worn them for call of duty all nighters for over 6-7 hours with no problem whatsoever. If you are looking for sound isolation, you may want to pass these by. Alot of sound does escape out. I can have a conversation with my wife while using these at lower volumes. I actually prefer this kind myself and dont care for sound isolating headphones, especially for gaming because they get too hot and uncomfortable and generally have more messy sounding bass. These dont have TOO MUCH bass, but it is there and sounds good and not distorted. (The bass in these is alot better than in the a40s) I will say I use an astro mixamp in conjunction with these for gaming on the PS3 and it is a great little setup. My friends tell me I sound really clear when using the mic. I listen to music with them also and they sound great for music as well. When I listen to music I do not use the amp and they sound great on my sony vaio laptop without an amp. They are made of mainly plastic but dont have a cheap feel. They are built very well and look to be a set of headphones that will last a long time. I do have a gripe. for what these cost, they should include a case. But if you want a quality piece, you'll have to overlook that.

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Developed with the top eSport team mTw, the PC 360 is a new flagship for pro gaming. It has an open design that makes sure you keep a cool head - and delivers a natural listening experience so you can stay in touch with your surroundings.Thanks to the ultra-comfortable ear cups, pro microphone and quick-access controls, it's also the only headset you'll ever need for music, videos and skyping.

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Blue Yeti Pro Multipattern Condenser Microphone Review

Blue Yeti Pro Multipattern Condenser Microphone
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A lot of people might look at the price of this microphone and get put off, but they'd make a mistake in doing so. If you are a musician, podcaster, or simply looking for great quality for your vocals, instruments, or whatever sound you want captured, the Blue Yeti Pro will more than do the job.
I'd like to start out by saying the sound quality on this microphone is simply amazing. It easily dwarfs any other USB mic before it, and can even compete with some professional condenser studio mics made by Neumann or Rodes. It's hard to believe this mic is an improvement from the original Yeti, but it is, and by at least 4 times, based on my personal estimation. For $250 this mic can't be beat. You get features in this mic you'd need at least 5 mics for. Oh, and did I mention it's also an audio interface that plays back at a 24-bit, 192khz sampling rate through the headphone port? And it sounds much better than it would on your laptop headphone port. This mic is fantastic and I recommend to anyone looking to do professional work at home.

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The Yeti Pro is the world\'s first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output.Featuring three custom condenser capsules and four different pattern settings, the Yeti Pro can capture digital audio with up to fourtimes the clarity found on CDs. Plus, the Yeti Pro features a cutting-edge A-D converter chip and separate analog circuit path for usewith professional studio mixers and preamps. You also get a built-in headphone amplifier for zero-latency monitoring, and direct controlsfor headphone volume, pattern selection, mute, and microphone gain. So whether you record at home, in a studio (or in the Himalayas!),the Yeti Pro is your ultimate sound solution.

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