Showing posts with label hdc-tm700. Show all posts
Showing posts with label hdc-tm700. Show all posts

Canon Optura 200MC MiniDV 1.3 Megapixel Camcorder Review

Canon Optura 200MC MiniDV 1.3 Megapixel Camcorder
Average Reviews:

(More customer reviews)
The lens, single-CCD sensor and optical stablization on this camera are of course excellent, as one would expect from Canon. But the 200 MC's predecessor, the Optura 100MC, was a much better value for the steep price tag.
For one, the 100MC came with an accessory shoe that made it much easier to attach a pro-level directional mic and light, which fed right off the camera battery and required no cables. Because of the 100MC's very compact size and adaptability, it was arguably more portable, versatile (and certainly cheaper) than the 3-CCD pro-level GL2, the next model up in Canon's line. (And despite having only one CCD, the 100MC's picture quality did not differ that significantly from the GL2 either.)
Alas, Canon has apparently decided to kill its own competition with the GL2 not by making the GL2 a better camera, but by stripping down the Optura series. With the 200MC revision, they've taken away the accessory shoe and added consumer features of debatable value, such as a blotchy, preprogrammed "Super Night Mode" and a useless, Windows-only DV messenger functionality. You can still attach accessories, but Canon makes it hard; you have to use an awkward bracket (sold separately) and the accessories must have their own power sources and cables. A fully loaded 200MC is an unwieldly and unpractical tangle.
You're better off with the Optura 100MC, a great little camera that can still be found from used or like-new sellers on Amazon for [price-info] less than the price of a new 200MC.
Or, if you can live with a digital (rather than optical) stabilizer, I'd recommend you save yourself [price info]and get a brand-new ZR50MC, which still has the accessory shoe that the new Optura has lost. Those are simple but decent cameras, and a bargain considering their price.

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Canon has taken the feature set of the highly successful Optura 100MC and added even more capabilities to make the Optura 200MC. The Optura 200MC successfully manages the task of being both a camcorder and still camera. The new features include: video streaming capabilities with Windows XP, Exif 2.2 print standard compatibility, Super Night mode with light, USB terminal, extended range of digital special effects and fades, improved memory card access times, the ability to record video to the memory card, and much more.

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Sony DCRTRV70 MiniDV 2MP Camcorder with 2.5"LCD, Memory Stick, and Networking Capability Review

Sony DCRTRV70 MiniDV 2MP Camcorder with 2.5LCD, Memory Stick, and Networking Capability
Average Reviews:

(More customer reviews)
I hesitate to write a review when I haven't even had the chance to test many of the features of this camera (and it's the first video camera I've ever owned, so my ability to make comparisons is limited), but I noticed that there weren't any reviews of this camera yet, and I thought I could contribute some thoughts.
WARNING: this review will NOT give you a run-down of all the camera's specs and features. That information is easily found elsewhere and is probably better summarized by "experts."
What this review WILL provide is the perspective of a mom who needs a camera for home and family use (I have a four year-old and another child due in a few weeks). I should also mention that I have a lot of experience with SLR film cameras and have a particular interest in avoiding flash and using natural light. So when I went looking for a video camera my priorities were:
(1) excellent image quality (color, resolution)
(2) ability to record good images indoors in natural or low light
(3) compactness (I didn't want anything so big that I wouldn't want to bring it along on trips and outings)
I don't have a digital still camera, so although I still prefer using my film cameras for still pictures, the idea of being able to use the camcorder for stills was also a factor.
The brands I considered were Panasonic, Canon and Sony because I felt that they had the best reputation for optics and overall quality. I ruled out the Canons when they seemed to be getting mixed reviews. I was initially interested in a Panasonic PV-DC 352, but by the time I got around to purchasing, the camera had been discontinued and was not available anywhere. I was less impressed by the newer Pansonics because they had reduced the size of the CCD, and I had heard that a larger CCD meant better image quality in low light.
I narrowed it down to the Sony DCR-TRV 70 and the Sony PC-105. The optics on the TRV 70 seemed better, but I thought that I might prefer the PC-105 for its compactness. (I should mention that at this point I was basing my opinions on specs and information about the cameras given online.) At this point I decided to see the cameras in a store to see and feel what they were like. Once I saw them, I realized that the TRV 70 is not really that much bigger than the "supercompact" PC-105 -- certainly it was not so much bigger that I would be less likely to bring it with me somewhere. However, the lens is considerably bigger (which means better optical quality), and I preferred the traditional elongated shape to the boxy 105 -- it seemed easier to handle and keep steady. (Also I have heard that an advantage of this shape is that the microphone is closer to the subject and further away from the camera operator.)
I decided to get the TRV 70. It was easy to start using right away, and it was easy to hook up to the TV. Some people have complained about the new touch LCD screens that Sony provides now instead of buttons, but I don't have any problem with this feature. The 2.5 inch LCD might be small for those who like a big one, but I prefer this size because it uses up less battery power and is perfectly adequate. Outdoors in bright light I prefer to use the viewfinder.
I haven't tried to take any still pictures yet, so I'm afraid I can't report on that feature. But at 2 megapixels I'm sure that these will turn out fine.
I also haven't tried to hook the camera up to a computer yet.
A common complaint heard about Sonys is that the zoom control is too fast/sensitive. While it is true that it is fast, it can be controlled by using a very light touch. Also, I can see that the advantage of a fast zoom is the ability to zoom quickly in order to set up a shot while still in standby mode (it looks more professional not to be constantly zooming in and out while recording anyway).
In terms of my initial priorities, this camera performs beautifully. Video quality is really excellent. And low light quality is really impressive (better I would say than what I can achieve with my manual-control SLR cameras). Colors are a little more washed out in very low light, but this doesn't bother me -- the color that IS there still seems true.
And the camera is compact and solid -- doesn't feel plastic-y.
Okay, here's an update:
I finally got around to taking still pictures with this camera and I'm addicted! I haven't used a digital camera before but have taken plenty of pictures with film cameras, and I have to say I'm impressed with the quality of the stills I can take with this camera. (The setting I use most often is "fine" and 640x480, which produces images with good resolution that are only about 100-150 kb and so easily sendable via email). The still camera feature is not as good in low light, but the pop-up flash compensates for that. I've also tried capturing stills from video, and that works moderately well, though it is obviously not going to produce as good an image.
One feature I really like in the still camera is the "bracketing" feature which takes 3 shots in quick succession at different exposures -- this is great for trying to capture expressions on quick-moving babies/children's faces!

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Now that MiniDV has become a mainstream product, users demand extra features in addition to regular digital video performance. The Sony DCR-TRV70 is well equipped with technological additions, such as a 2-megapixel digital camera and networking capabilities. The camcorder also features a 10x optical zoom, 16:9 widescreen mode, a 2.5-inch LCD with touchscreen control, and a color viewfinder.
Step-up Value Here are two Sony features that adds value to this digital camcorder and differentiate it from other models in the Sony lineup.

Image Stabilization Sony's SteadyShot picture stabilization keeps your images smooth and steady without degrading picture quality. The technology uses motion sensors, which tend to be more accurate than most other systems used in the camcorder market.
Optics The multicoated Carl Zeiss Vario-Sonnar lens ensures balanced and clear contrast. The advanced HAD CCD sensor records images accurately in vibrant color and sharp resolution. The TRV70 has a robust 10x optical zoom that fits most purposes, but for extra distance the camera can reach 120x through the digital zoom. A hologram autofocus system and several autoexposure modes allow for automatic operation--while achieving ideal images for the situation.
More Features You can record video in low- to no-light situations with Sony's NightShot system, which uses infrared light to capture images invisible to the human eye. With the function on, subjects up to 10 feet away can be seen in total darkness. You can also use the color slow shutter for color night shots instead of the regular green night-shot hue.
Sony's Stamina power management system and InfoLithium battery give the TRV70 a long operating time. To keep you informed of current battery life, Sony's AccuPower meter displays the number of minutes remaining right in the viewfinder.
You can take digital stills and record small MPEG EX movies using the included 8 MB Memory Stick. This is where the 2-megapixel resolution CCD really shines, creating images that can be printed at sizes of up to 1,600 x 1,200 pixels for prints up to 8 by 10 inches. The intelligent pop-up flash keeps your images well-lit and visible.
The TRV70 features a 2.5-inch color LCD and a color viewfinder. The menu is accessed via a touchscreen display on the LCD, reducing the clutter of buttons on the camera. A stylus is also included for ease of use.
The USB streaming feature can turn the TRV70 into a video-conferencing tool or a Webcam, and the standard IEEE 1394 connection can be used for digital video editing on a computer. The TRV70 is network-capable and can connect to the Internet with a USB-PSTN adapter.
MiniDV Format MiniDV is the preferred format for personal and broadcast-quality video, highly regarded for its high audio and image quality. With up to 540 lines of horizontal resolution and minimum color noise, MiniDV delivers a 20 percent clearer picture than analog camcorder formats. This is all delivered on a cassette that's 1/12th the size of a standard VHS tape. A MiniDV tape offers digital recording time of 2 full hours--20 times the capacity of a CD.
Contents This package includes the TRV70 camcorder, power adaptor and in-camera charger, InfoLithium rechargeable battery, 8 MB Memory Stick, stylus, wireless remote, AV cable, lens cap, shoulder strap, USB cable, two AA batteries, and USB drivers.

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Sony DCR-SX85 Handycam Camcorder (Silver) Review

Sony DCR-SX85 Handycam Camcorder (Silver)
Average Reviews:

(More customer reviews)
Got my new DCR-SX85 last week, Haven't done much with it yet but I think I will like it alot. Much improved from the Sony DCR-TRV460 Digital 8 I had. The much smaller size and the long zoom are great. The 16 GB of internal Memory and to be able to use a SD memory card are great over my old camcorder. Being able to take movies on one memory and pictures on the other memory are other things I like. Will try and up date this after I get some time to use this new camcorder.

Click Here to see more reviews about: Sony DCR-SX85 Handycam Camcorder (Silver)

Record your memories in style with the ultra-compact DCR-SX85 Standard Definition Handycam Camcorder. Featuring 16GB of embedded Flash memory, you can capture up to 12 hours of video (LP mode). A professional-quality Carl Zeiss Vario-Tessar lens delivers sharp, high-resolution images while a powerful 70x extended zoom lets you capture extremely tight shots, even from far away. Additional features include a 3.0" touch-screen Clear Photo LCD Plus display (230K) for framing and reviewing your footage. There's also built-in LED video light which is perfect for low light situations.FEATURES:16GB Embedded Flash Memory - The built-in 16GB embedded Flash Memory can record up to 12 hours of footage (LP mode).3.0 Clear Photo LCD Plus display (230K) - The 3.0 Clear Photo LCD Plus display provides exceptional viewing clarity with 230K pixels resolution. The display rotates up to 270 degrees for multiple viewing angles, as well as provides sharp, detailed images for monitoring or playback. The convenient touch panel allows easy access to menus and additional functionality such as spot focus and spot metering.Dolby Digital stereo recording with Built-in Zoom Mic - The built-in zoom microphone focuses audio recording on your subjects with the camera's zoom lens, helping memories ring true with clear dialogue and crisp, discrete sounds.Built-in USB cable for easy file transfer/charge - The high-speed, built-in USB 2.0 cable allows for easy connection to your computer without having to remember separate cables. It also fits conveniently into the hand strap so its out of the way until you need it.Auto Lens Cover - The automatic lens cover protects the Carl Zeiss Vario-Tessar lens from scratches during transport or while not in use by closing the lens cover automatically when the camera is shut off.70x Extended Zoom to get even closer to the action - Extended Zoom works in conjunction with 60x optical zoom to get even closer to the action while m

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Canon VIXIA HF M40 Full HD Camcorder with HD CMOS Pro and 16GB Internal Flash Memory Review

Canon VIXIA HF M40 Full HD Camcorder with HD CMOS Pro and 16GB Internal Flash Memory
Average Reviews:

(More customer reviews)
I have used a lot of different cameras over the years, and just wanted to get a basic review of 24 hours of trying out this camera, and comparing it to some recent cameras I have used. The cameras I will compare to are the Panasonic SD600, TM700 (both of which are basically the same and will be referred to as Panasonic). Again this is a quick review, general scan of the manual, and usually I'm good to go, and yes there may be some finer points that are missed, or just poorly implemented out by Canon, that it takes more time to figure them out. This review is evolving as I have more time to check the two cams out.
First off, this camera performs nice in low light situations, I would give the camera 5 stars for this aspect. I just shot inside at a live performance, and yes their is much better detail in low light, but I must say the Panasonic on this shot had slightly better color performance to my eye. The Canon also looks much better then the Panasonic with any gain on. When using gain up in lower light, the Panasonic basically falls apart in anything usable as picture quality. This is in very low light, and if you manually use the camera and control the gain on the Panasonic, it can be avoided, but the Canon is better overall in low light.
Field of view, how wide the lens is. Panasonic, has a significantly wider image. This is a big deal, as you can fill the frame with much more subject matter, and closer up. Definite plus to Panasonic on this one. If you get the Canon, plan to add the cost of a wide angle for many shots. I believe it's 43mm for Canon, and 28mm for Panasonic. You may want to review the specs of each, to confirm these numbers.
Sunstars, the Canon has a 6 blade iris, the points of light have a six star pattern, the Panasonic has a 4 blade iris, and have 4 point star patterns. These cameras all use a small chip sensor to capture the image, and thus bright light sources, and every shinny thing (car lights, chrome, jewelry, you name it) is going to give little sparkles of light. I am beginning to think the Canon suppresses this slightly over the Panasonic. I am still out on preference to six or four point patterns, initially six points seem more distracting. They both suffer from this, I don't think either one has a preference in what I think of this. This aspect is one place a DSLR like a Canon T2i is much better, the larger chip does not show these annoying sunstars all over a bright sparkling image. This alone can make the picture very amateur looking.
Operation and control. Hands down, so far the Panasonic I prefer much more. The battery charges in a separate charger, then on board the camera, and charges faster from what I can tell. Touch screen control is more responsive on the Panasonic, and the menus are easier and much faster to work with. The Canon is awful for me to try and operate manually. Even with the SD600, which has the smallest screen of these cameras, my big fingers can control things with far less tapping, and the Panasonic's are much more responsive. The layout Panasonic uses is also makes much more sense to me for manual control. Focus, shutter speed, white balance, and iris, are the four controls I care about and are very easy to pull up in the bottom of the screen. On the Canon it's like target practice to hit the screen at the tiny point of control.
Another big thing here is Panasonic offers all manual control of shooting, shutter speed and iris, I can set it to what I want. As far as I can tell it's one or the other on the Canon, and then no info from the camera on what the shutter speed is doing if I select the F stop. The Canon will lock the exposure, but it does not tell me where everything is at, also no Zebra and luminance exposure info on the Canon.
I like the feel of the Panasonic better, it's slightly smaller and fits in my hand better.
Sharpness. The Panasonic is super sharp, maybe to the point of stair-casing issues, and perhaps should have sharpness dialed down. I need to play more with this issue. The Panasonic is sharp, and the Canon I now find sharp too, on later review, the Canon looks very good, and now maybe a little sharper. All of this is under review, and I will be changing the review as I discover differences. In many shots the Canon is starting to win the sharpness test, but it's all very subjective as to what is sharp.
Motion blur, trailing, and stabilization, haven't had enough time to fully test. The Panasonic and the Canon both suffer from vibration, thus image shake. When the Canon shakes, to me it looks worse, it looks like a wobble.
Color. The Canon has less of a greenish tone, the sky looks blue, and the color of my car was more accurate. However I have one shot, that the Canon is more washed out then the Panasonic. This probably relates to the fact that for me as stated, the Panasonic has better manual control operation then the Canon. The Canon has some guessing as to what the camera is actually doing, I have not found a way to manually set both Fstop and shutter speed both to manual at the same time. The display will show me Fstop, but so far I can not tell what the shutter is doing when I manually set the Fstop.
60p/30p. The Panasonic shoots 60p, that gives me a wide range of playback options, and it is progressive, the Canon is 30p in a 60i wrapper. The Panasonic, at this point has a difficult work flow. This alone could be a deal breaker for many people, as it requires a more extensive post production time investment. I also had to buy a third party software to work with it on my Mac, this may change soon with Final Cut 8 around the corner. For non professional use (which of course these cameras are for), the Canon might be easier, but comes at a price of some things the Panasonic does better.
Early and incomplete conclusion. The Canon has better low light performance, and somewhat better dynamic range, sharpness I am still testing. There are many things I like about the Panasonic, further testing shows a very good image now on the Canon. In some situations, this might be the reason to keep it. I will probably keep both, as each has distinctive functions and performance. I just wish the Canon had the function of the Panasonic wide lens, menus and form, I would easily then give it five stars.

Click Here to see more reviews about: Canon VIXIA HF M40 Full HD Camcorder with HD CMOS Pro and 16GB Internal Flash Memory

Canon HF M40 - HD CMOS Prosensor - 16gb black

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Panasonic HDC-TM900K 3 MOS 3D Compatible Camcorder with 32GB Internal Flash Memory (Black) Review

Panasonic HDC-TM900K 3 MOS 3D Compatible Camcorder with 32GB Internal Flash Memory (Black)
Average Reviews:

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The 3D world is evolving super fast, people with the proper equipment will have lots of fun with this camcorder but also the 2D capabilities are very impressive, compared to the TM700, TM350, TM300, you get a better Optical Image Stabilizer (O.I.S), much better low light performance, a comfortable 3.5" LCD screen, less fan noise compared with TM700 and 20X intelligent zoom.
Just like the preceding HDC-SD750 this camcorders does NOT zoom in & out when the 3D feature is use, be careful with all the pictures in the product detailed page that makes you believe the 3D lens converter (VW-CLT1) is included but IT IS NOT, so you will need to buy it separately if 3D is your target.

03/12/11 Update:
Amazon has changed all the pictures about this camcorder in the product detail page (I would like to guess it was because they read my review) so now there is no way to misinterpret about the no inclusion of the 3D lens converter (VW-CLT1), this is in the best interest of all consumers and good sellers too, because people who buy this camcorder assuming to get the 3D lens converter may return the unit after realizing that it's NOT included.Pending further research on the battery & charger...


Click Here to see more reviews about: Panasonic HDC-TM900K 3 MOS 3D Compatible Camcorder with 32GB Internal Flash Memory (Black)

The Panasonic HDC-TM900 High Definition Camcorder is a high-end HD offering from Panasonic. Right off the bat a few of the camera's most desirable features include: 1920 x 1080/60p recording, a 32GB internal flash memory, an SD memory card slot, the option to record in 3D and a quality image sensor system. These features alone give you detailed, beautiful images, a plethora of recording space and the ability to shoot fun and unique movies in 3D with an optional lens. Panasonic's proprietary '3MOS' is a 3 sensor CMOS that adds up to 9.15MP (3 x 3.05MP). These sensors work together with another Panasonic technology, Crystal Engine PRO. This engine is a fast processor which writes those gigantic HD files to the HDD or SD card quickly and efficiently. It also allows for high-res zooming when exceeding the optical range. In addition, the engine works to reduce image noise, rendering beautiful, like-like images. These two work together to produce 1080/60p footage. The "p" means progressive; when recording in a progressive frame rate the footage captures is more vibrant and detailed than even "i", or interlaced, HD recording. Of course the sensor and engine wouldn't be able to do their job without a high-quality lens. The TM900 comes with a 35mm Leica Dicomar lens that sports a 3.45-41.4mm focal length, 12x optical zoom range, 46mm filter diameter and a 1.5-2.8 f/stop. Lens can zoom up to 20x using the Intelligent Zoom; and it features a manual ring for more control and creativity with your shooting. Another way in which the camera works to create clean video is with HYBRID O.I.S. (optical image stabilization). This O.I.S. keeps your shots steady when hand-holding the camera. It reduces the effects of hand-shake for an easy-to-view, clean shot. Other useful tools of the camera include a very generous 3.5" touch screen LCD. This screen provides you with options like, "Touch Zoom" and "Touch Shutter". The zoom function allows you to zoom in by dragging your finger across

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