Average Reviews:
(More customer reviews)The picture quality of the XL1s is outstanding and it is known to be the industry's leading pro-sumer camcorder. It is also an extremely versatile camera, allowing you to change lenses, vary your audio options (such as connecting to professional audio sound systems), and film in both frame and wide-screen formats. The only drawbacks are that it is quite a leap in complexity and it doesn't have a pop-out viewfinder, which means you're stuck looking throught the eye-piece or have to buy an attachable view-finder.
It isn't for your average videographer who wants to just take video of family and vacations. It is actually being used to film documentaries and for professional services such as filming events such as weddings (which is what I use it for).
Due to its size, weight, complexity, and cost (especially when you add the optional accessories such as filters, additional lenses and microphones, etc.), you had better be very serious about videography before you invest in the XL1s. If you are, you will be thrilled with this camera.
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Small enough to carry around and costing not much more than a top-of-the-line consumer camcorder, the XL1S produces such high-quality results that it is sure to be the top choice for many independent filmmakers who demand full features and controls. Like its predecessor, the XL1, this camera uses three separate 270,000 pixel CCDs (one for each primary color) for the best picture quality. The XL1S records digital audio, with two channels of 16 bit/48 KHz sound or four channels of 12 bit/32 KHz sound. The body is based on a magnesium-alloy frame for maximum durability. It ships with a 16x optical zoom lens with optical image stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still-camera lenses--some of which also feature optical image stabilization.
The electronics of the XL1S have many advanced features, including a number of programmed AE modes, as well as both shutter and aperture priority modes. There are two different auto modes, one of which allows you to adjust any setting manually, if you want, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight mode automatically compensates for difficulties when shooting a subject bathed in a spotlight. The computer-shooting mode gets rid of monitor flicker that happens when shooting a computer screen. There are also three different shooting modes: normal movie, digital photo, and frame movie. Normal movie mode is for any time you want to shoot video footage. Digital-photo mode records a still image for six seconds on the MiniDV tape and also captures any accompanying audio for a commentary track. The frame movie mode records 30 noninterlaced still images per second, instead of capturing 60 fps interlaced images. This mode isn't intended to be used for shooting video (playback may not look completely smooth). Rather, frame movie mode should be used as a burst, or continuous, shooting mode, like you'd find on a still camera.
The XL1S offers many new and updated features over the XL1. There is a 16:9 shooting mode where electronic lines draw are displayed through the viewfinder so you can compose your shots flexibly for later conversion to HDTV, where 16:9 is the standard. SMPTE color bars help establish a proper color reference for shooting and editing. Interval recording lets you shoot time-elapsed motion video with intervals from 30 seconds to 10 minutes. Zebra patterns help you determine overexposed areas in your shot so you can adjust the aperture and shutter accordingly.
Digital Video Format and IEEE 1394
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